Association of Women Art Dealers Mixed Media

Nick Veasey Pink Decks 23 x 52 inches, AP Edition Digital C Print Framed in black Signed and numbered by artist Currently on display at Art Angels Nick Veasey X-Ray Chanel DJ Music...

Nick Veasey Chanel Packing Heat 16.5 x 16.5 inches, Edition of 29 Digital C Print Signed and numbered by artist Currently on display at Art Angels Nick Veasey X-Ray Chanel Chanel B...

Nick Veasey Flash 47 x 47 inches, Edition of 9 X-ray image printed white onto retroreflective vinyl. A high intensity prismatic art piece that constantl...

Nick Veasey Stormtrooper Diptych 47 x 27.5 inches each, Edition of 15 X-ray image printed white onto retroreflective vinyl. A high intensity prismatic art...

Nick Veasey Gold G-Wagon 43 x 86.5 inches, Edition of 5 Printed x-ray shadowbox with mirrored gold background and key located at bottom of frame. Signed and numbered by artist *Plea...

Elizabeth Waggett Beyond Night and Day, 2019 71 x 36 inches canvas size Oil on Belgian linen with 22 k gold and UV varnish This piece is unique Signed by artist Unframed Elizabeth W...

j barker schwartz's works start with an intent to create a juxtaposition between thought and mass. Her body of work is a dialogue, which is arrived at through personal introspection ...

j barker schwartz's works start with an intent to create a juxtaposition between thought and mass. Her body of work is a dialogue, which is arrived at through personal introspection ...

Flore La Chaise Lounge Chair, 2019 Signed by artist Acrylic on a white fiberglass shell chair with stainless steel rod base and a walnut base 59 x 33 x 33.8 inches This piece is uniq...

j barker schwartz's works start with an intent to create a juxtaposition between thought and mass. Her body of work is a dialogue, which is arrived at through personal introspection ...

David Drebin I Love You I Love You I Love You 60 x 15 x 7 inches Neon Light installation in smoked acrylic box AP 1/1 Wall Mounted (comes with ...

Mitch McGee What I Did For You, Cherry 43 x 43 inches Acrylic and oil stain on layered birch natural poplar frame This piece is unique Signed by artist Framed

Elizabeth Waggett We Are Here 32 x 60 inches, paper size Graphite, charcoal and 24 k gold on cotton paper This piece is unique Signed by artist Beautifully...

Chris Bracey Sail Away With Me Honey 60 x 24 inches Neon and carnival lights fitted to hand painted recycled wooden background Edition of 3 Signed and Numbered $19,000 Chris Bracey...

ENJOY WARHOL, 2014 Neon lettering mounted to metal roundal with screen printing 35 x 35 inches Chris Bracey Neon Neon light Neon Sign Coca Cola Warhol Warhol Neon...

Chris Bracey Art is Never Finished 39 x 43 inches Found letters and new neon, mounted to hand painted found corrugated iron 1 remaining in the edition Sig...

Chris Bracey Pretty Vacancy 40 x 44 inches Found lettering and neon text fitted to recycled wooden floor boards with hand painting 1 remaining in the edit...

David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next fi...

Boruchow's paper cutout is float-mounted over satin to give the shadows of the details visibility. The piece is in an archival custom frame with UV protective, low-glare, museum glass. Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe Strauss.

David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next fi...

Stephen Wilson I Can Make You Blush Artwork size: 36 inches x 36 inches Signed by artist Oil and pigment on board with embroidered butterflies Unique work fabric mixed media original painting stephenwilson luxury bags...

Boruchow's paper cutout is float-mounted over satin to give the shadows of the details visibility. The piece is in an archival custom frame with UV protective, low-glare, museum glass. Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe Strauss.

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

American artist Joe Boruchow's hand-cut paper series, "Vanitas: The Deluge," is custom float-mounted over satin to give the shadows of the details visibility. Each piece in this tetraptych is in a separate 26½”h x 23¼”w archival custom frame with UV protective, low-glare, museum-rated glass as pictured. Please note: This listing is for the full series of four pieces pictured, which are sold together as a tetraptych/quadriptych piece of artwork. Please send us a direct message if you would like to see additional images of the artwork. Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe...

Joe Boruchow's paper cutout is float-mounted over satin to give the shadows of the details visibility. The piece is in an archival custom frame with UV protective, low-glare, museum glass. This piece measures 14⅝”h x 9⅛”w in the pictured black frame. Joe Boruchow is also well-known for his uncommissioned street art, creating large wheatpastes from his original paper cutout, fine art works. He has created many prominent, commissioned, public works as well through programs such as Philadelphia Mural Arts. Boruchow has given artist talks about his work and process at prominent institutions such as The Barnes Foundation and The Philadelphia Museum of Art. His work is in many notable collections, including those of artists Isaiah Zagar and Zoe Strauss.

j barker schwartz's works start with an intent to create a juxtaposition between thought and mass. Her body of work is a dialogue, which is arrived at through personal introspection...

Disarmingly blunt, yet often intensely intimate, Drebin’s light installations illuminate the secret thoughts and veiled aspirations of the femmes fatal...

Disarmingly blunt, yet often intensely intimate, Drebin’s light installations illuminate the secret thoughts and veiled aspirations of the femmes fatales who inhabit the elusive worl...

Disarmingly blunt, yet often intensely intimate, Drebin’s light installations illuminate the secret thoughts and veiled aspirations of the femmes fatal...

Disarmingly blunt, yet often intensely intimate, Drebin’s light installations illuminate the secret thoughts and veiled aspirations of the femmes fatal...

Disarmingly blunt, yet often intensely intimate, Drebin’s light installations illuminate the secret thoughts and veiled aspirations of the femmes fatal...

Disarmingly blunt, yet often intensely intimate, Drebin’s light installations illuminate the secret thoughts and veiled aspirations of the femmes fatal...

Disarmingly blunt, yet often intensely intimate, Drebin’s light installations illuminate the secret thoughts and veiled aspirations of the femmes fatal...

j barker schwartz's works start with an intent to create a juxtaposition between thought and mass. Her body of work is a dialogue, which is arrived at through personal introspection...

David Drebin It's All Lies Darling 53.5 x 40.5 x 7 inches Neon Light Installation in smoked acrylic box Wall mounted (comes with hardware) ...

Farah Khelil, Mo’jam, Fine Art Print, 99.7 x 150 cm, 2015 antoine lefebvre editions bookworm, curated by Antoine Lefebvre The boundaries between passion and destruction fade away. bookworms is an transnational transmedia artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction. From the encounter with a destroyed book stems a reflection between two artists who are both passionate about books. It is important for us to present this project in different countries because the issues of transmission of knowledge are everywhere the same. This project is about the ignorants for whom knowledge, intelligence and education has become a threat and who seek to drag others with them into darkness. For Khelil, the book eaters are thinkers and intellectuals against conservatism and dogmatism. *** bookworms is an artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction This project is the fruit of a very special encounter with an object… After the death of her grandfather in 2012, Tunisian artist Farah Khelil (b. 1980) explored his library and found an old family dictionary in Arabic (Mo'jam Arabia), at least what was left of it, for it had been devoured by book eaters. She decided to collect some fragments without knowing what she would do with them. Impressed by how carefully cut the pieces were, she wanted to transform them into artworks that would honor the memory of her grandfather. Because she knew how important the book object is in my artistic practice, she showed me the fragments and invited me to participate in an exhibition at the Tunisian gallery A.GORGI in her hometown Sidi Bou Said. I then thought about introducing her to Barbara Denis-Morel, the curator of the Avranches Library. This library conserves, among other treasures, more than 200 medieval manuscripts from the abbey of the Mont Saint-Michel, but it also holds a few books that were entirely devoured. Thanks to the curator, we could consult old books that were infected, quarantined, pierced by galleries and routes that revealed the passage of book-eating insects. We filmed these pages to create a video that we entitled ALL THE MEMORY IN THE WORLD, Toute la mémoire du monde, which is an appropriation of the eponymous film by Alain Resnais. Farah had also kept some intact pages of the devoured dictionary. Then we used this sequence of 120 pages to build the lay-out structure of an artist’s book. The idea was to empty all the textual content —captions and definitions— to keep only the figures, the dropped initials, and the page numbers. The emptied columns of the dictionary were then filled with artistic contributions and texts that we commissioned to invited authors. Printed in an edition of 500 copies, this artist book was made by Farah Khelil and antoine lefebvre editions from the remains of a devoured book. It will be a key element, of this second presentation of the project, and a special edition with a bookstand will produced especially for the fair. Behind the idea of book-eating insects, there is the issue of conservation but also of conservatism, as in Solitaire, an installation Khelil made with a peg solitaire game and mothballs. This work is a “portrait” of her grandfather, Abdelaziz Majdoub, who taught Arabic at the Sadiki High School for a long time where he specialized in “ilm al-kalam,” the science of language. This project is imbued with nostalgia, it is reminder for the artist of the time she spent as a child with this thinker always with his head in books. These encyclopedic pieces transformed into artworks draw the territories and communal places of knowledge. They are extensions of a family memory and reflect a culture going back and forth between book-loving and book-eating, conservation and conservatism. This idea of book destruction is one of the main dangers threatening the library and the books that compose it: fire, water and confinement. But there is also this minor or mediocre scourge that intend to harm the books: the book eaters. This exhibition is a metaphor, a reflection on ignorance, not as opposed to knowledge but as an enemy of knowledge. Ignorance is what attempts to undermine the intelligence, kill or reduce it. Just like the bookworms...