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Ifpda International Fine Print Dealers Association

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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New Rochelle - Before the Wind
By Werner Drewes
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category

1930s Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint

Still Life with Vase of Flowers
By Konrad Cramer
Located in Fairlawn, OH
Still Life with Vase of Flowers Oil on board with incised scraffito, c. 1929-1930 Unsigned by the artist Signed and inscribed verso: "Painting by my father, Aileen B. Cramer" verso, ...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Oil

Nahe Nahe II
By Robert Kushner
Located in Lyons, CO
Color lithograph/woodcut with gold leaf, Ed. 25. Robert Kushner’s “Nahe Nahe II” (meaning soft, sweet and gentle) is a richly colored bouquet of tropical flowers and palm leaves. Kushner combines the delicate lines and bold forms of tropical floral images to create a composition that merges representation with abstraction. The distinctive colors in “Nahe Nahe II” are made with multiple layers of transparent ink from lithographic plates and a woodblock. Overlays of blended colored inks build subtle gradations of color with unusual depth. The woodblock imparts a woodgrain texture...
Category

Early 2000s Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

'Erinnerung (Remembrance)' — Turn-of-the Century Romanticism
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...
Category

1890s Post-Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching, Aquatint

Flowers
By Bernard Buffet
Located in Fairlawn, OH
Flowers Color lithograph Signed in pencil (see photo) Annotated in pencil "Eprueve HC" (see photo) A trial proof reserved for the artist Printed by Mourlot, Paris First edition was 1...
Category

1950s Post-Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

The Chase Is On
By Gordon Phillips
Located in Myrtle Beach, SC
Gordon Phillips, 'The Chase Is On', graphite, c. 1980. Signed and titled in pencil. A fine, spontaneous rendering, on white, wove bristol, the full she...
Category

20th Century Realist Ifpda International Fine Print Dealers Association

Materials

Graphite

Map - Spirit Level
By Matt Magee
Located in Houston, TX
Matt Magee Map - Spirit Level, 2020 Oil on panel 48 x 48 in (121.9 x 121.9 cm)
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association

Materials

Oil, Panel

Untitled 5 - Herd Animals
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category

1990s Outsider Art Ifpda International Fine Print Dealers Association

Materials

Foam Board, Felt Pen

Desolation, S.C. or Deserted Cabins, Beauford, S.C.
By Louis Oscar Griffith
Located in Fairlawn, OH
Desolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left corner of sheet Provenance: Estate of the artist By decent Note: An impression of this image is in the collection of the Greenville County Museum of Art, Greenville, South Carolina Condition: Excellent Plate/Image size: 8 x 9 3/4 inches Sheet size: 12 7/8 x 15 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...
Category

1930s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Aquatint

Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

Catchin' a Mount on a Frosty Morn –
By Gordon Phillips
Located in Myrtle Beach, SC
Gordon Phillips, 'Catchin' a Mount on a Frosty Morn', graphite, c. 1980. Signed and titled in pencil. A fine, spontaneous rendering, on white, wove bri...
Category

20th Century Realist Ifpda International Fine Print Dealers Association

Materials

Graphite

Self Portrait sketching with Vignette in Profile
Located in Fairlawn, OH
Self Portrait sketching with Vignette in Profile Graphite on thin wove paper, c. 1940's Unsigned Condition: Small nicks in the right margin, not affecting the image Sheet size: 14 1/2 x 10 inches Provenance: Paul Cadmus Jon F. Anderson (1937-2018) Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends, and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art, among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus, particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed. In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome, with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Graphite

Ontario St. Grading and Temporary Ramps
By Louis Conrad Rosenberg
Located in Fairlawn, OH
Ontario St. Grading and Temporary Ramps Drypoint, August 1929 Signed in pencil lower right (see photo) From: The Cleveland Set (23 plates), this being No. 13 Edition: Small A brilliant example of American industrial art. A wonderful, rich impression, with lots of burr and contrasts. Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint

'Ex Libris Verein' — 1920s German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Ex Libris Verein' (New Year's Ex Libris Club Announcement), etching, 1924. Signed, dated, and numbered 'op. 167' in pencil. Signed and dated in...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association

Materials

Etching

From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching, Aquatint

Lithographie originale pour XXe Siecle, No. 20
By Max Ernst
Located in Fairlawn, OH
Lithographie originale pour XXe Siecle, No. 20 Color lithograph, 1962 Unsigned (as issued) From: XXe Siecle, No. 20, Christmas Publisher: G. di San Lazzaro, Paris. Printer: Mourlot? Large edition: c. 1500? Condition: Excellent/Mint usual glue on reverse from binding in book Image/Sheet size: 12 3/16 x 9 1/2 inches New series of XXe Siecle Back in Paris in 1949, Gualtieri di San Lazzaro resumed 20TH century publishing in 1951. It hosts many of the most important writers and art critics of the 1950s and 1960s, including Alain Bosquet , Genevieve Bonnefoi, Camille Bourniquel , Georges Borgeaud, Marcel Brion , Georges Boudaille, Jacques Brosse , Michel Butor , Jean Cassou , Denys Chevalier, Pierre Courthion, Hubert Damisch , Pierre Descargues, Bernard Dorival , Jacques Dupin , Mircea Eliade , Jean-Louis Ferrier , Pierre Francastel , André Frenaud , Roger Van Gindertael...
Category

1960s Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

Clairton (night view of US Steel Clairton coke plant, largest in America)
By Craig McPherson
Located in New Orleans, LA
McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...
Category

1990s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Floating Crap Game
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Floating Crap Game, chiaroscuro wood engraving, 1958, edition 145. Signed, titled, numbered 'Ed. 145' and dated '3/1958'. Signed in the block, lower right. A fine, rich ...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Frauenprofil (Profile of a Woman)
By Emil Nolde
Located in New York, NY
Emil Nolde (1867-1956), Frauenprofil (Profile of a Woman), woodcut, 1917, signed in pencil lower right (also titled, numbered 8, and annotated III.10 lower left). Reference: Schiefle...
Category

1910s Expressionist Ifpda International Fine Print Dealers Association

Materials

Woodcut

Untitled (Conference of the Birds)
By Beatriz Vidal
Located in Myrtle Beach, SC
Beatriz Vidal, 'Untitled (Conference of the Birds)', gouache and watercolor, 1998. Signed and dated in the image, lower right. A meticulously r...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Watercolor, Gouache

Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category

2010s Abstract Ifpda International Fine Print Dealers Association

Materials

Color, Linocut, Woodcut

Profils Horizontaux (20 men seated in a church, a hall, union or political?)
By Maurice Pasternak
Located in New Orleans, LA
Viewers are always curious about this image. I count 20 people seated -- all men. Why? Three of the men are looking over their shoulders toward the back. Are they impatient to see late arrivers? The seating seems to be pew like. Pasternak, like most artists, wants the viewer to bring their own interpretation to the image and is most circumspect to give an explanation. A church, a union hall, a political meeting -- which is it? The mood seems to be one of anxiety rather than celebration. The artist did answer why all men. He says that "he likes to create the tension of the image on the page. Putting women and men together...
Category

Late 20th Century Surrealist Ifpda International Fine Print Dealers Association

Materials

Mezzotint

'Gardenias' — Mid-Century Floral Abstraction
By Mary Van Blarcom
Located in Myrtle Beach, SC
Mary Van Blarcom, 'Gardenias', color serigraph, c. 1945, edition small. Signed 'Van B' in pencil in the image, lower right. Titled in pencil, bottom left sheet corner. A rich, painterly impression, with fresh colors, on cream wove paper; the full sheet with margins (5/16 to 1 1/16 inches), in excellent condition. Image size 6 x 8 3/8 inches; sheet size 6 7/8 x 10 1/4 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Painter, printmaker and craftsperson, Mary Van Blarcom was born in Newark, New Jersey and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940’s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art travelling exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Screen

Winter Garden
By Leonard Edmondson
Located in Myrtle Beach, SC
Leonard Edmondson, 'Winter Garden', color etching, edition 50, 1957. Signed, titled, dated, and numbered '50/50' in pencil. A superb, richly-inked impre...
Category

1950s Abstract Expressionist Ifpda International Fine Print Dealers Association

Materials

Etching

New Orleans Sportin House
By Stephen Longstreet
Located in Fairlawn, OH
New Orleans Sportin House Pen and ink on paper, 1951 Signed in ink, titled and dated in pencil (see photos) Condition: Corners are pasted to support sheet, some staining in image. Im...
Category

1950s American Modern Ifpda International Fine Print Dealers Association

Materials

Ink

'China Spring' — Mid-Century Floral Abstraction
By Mary Van Blarcom
Located in Myrtle Beach, SC
Mary Van Blarcom, 'China Spring', color serigraph, c. 1945, edition not stated but small. Signed in pencil in the image, lower right. Titled in pencil, bottom left sheet edge. A rich, painterly impression, with fresh colors, on cream laid paper; with full margins (9/16 to 1 5/16 inches), in excellent condition. Matted to museum standards, unframed. Image size 10 3/4 x 10 3/4 inches; sheet size 11 15/16 x 12 5/8 inches. ABOUT THE ARTIST Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Screen

Peau d' Ame ( Body and Soul) - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Christine Ravaux created Peau d' Are which is signed by pencil. This impression is ...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Double Pyramid Thought Form
By Matt Magee
Located in Houston, TX
Matt Magee Double Pyramid Thought Form, 2019 Oil on aluminum 25 1/2 x 19 1/4 in (64.8 x 48.9 cm) JPHB 5837
Category

21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association

Materials

Oil

Congregational Church, Old Lyme, CT. (quintessential New England landmark)
By Walter DuBois Richards
Located in New Orleans, LA
The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

Maternité / Motherhood I: Honte / Disgrace
By Marc Chagall
Located in Santa Monica, CA
MARC CHAGALL (1887 – 1985) MATERNITE, 1926. Motherhood I: Honte / Disgrace (Kornfeld 65, Cramer 5, Sorlier, p. 20-21 Etching, Frontispiece from Maternite Au Sans Pareil, Paris, 1926. Marcel Arland, illustrated by Marc Chagall with five original etchings this being one of the five. Image size: 5 5/8 x 4 1/8. 1130 unsigned impressions on various papers. The story begins with a young woman being shunned by the whole village because she had given birth to a child and left its dead body...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Etching

AUS DEM TIERGARTEN
By Lovis Corinth
Located in Santa Monica, CA
LOVIS CORINTH (1858-1925) AUS DEM TIERGARTEN 1920 (Schwartz 397) Drypoint, signed and numbered 47/50. BEAUTIFUL IMPRESSION with RICH DRYPOINT. Plate 9 ½ x 12 ½ inches. Full margins...
Category

1920s Impressionist Ifpda International Fine Print Dealers Association

Materials

Drypoint

Basilica of Madeleine, Vezelay
By John Taylor Arms
Located in Fairlawn, OH
Basilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...
Category

1920s American Realist Ifpda International Fine Print Dealers Association

Materials

Etching

BACKSTAGE
By Raphael Soyer
Located in Portland, ME
Soyer, Raphael (American, born Russia, 1899-1987). BACKSTAGE. Cole 43, Gettings 43. Etching and drypoint, c. 1937. Edition size not known, but likely only about 25, according to Soye...
Category

1930s Ifpda International Fine Print Dealers Association

Materials

Lithograph

Ruckus Tugboat
By Red Grooms
Located in Lyons, CO
Color 3-D lithograph in Plexiglas box, Ed. 45. Grooms, who has devoted much of his distinguished career to portraying his New York City home, turns his eye to New York’s harbor and its hardworking tugboats in this three-dimensional lithograph. This tug, the ”Lysiane”, steams through rolling waves…with smoke billowing from the smokestack. Sailing past a buoy with a seagull perched on top….the deck hand prepares to throw a lifesaver to a man overboard. Hidden in the waters are a green suited man with concrete...
Category

Early 2000s Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

Ocean Terminal I
By Craig McPherson
Located in New Orleans, LA
Craig McPherson captures a night view of the neon lights from commercial signs reflected in the water at Ocean Terminal in Kowloon, as seen from the terminal of the Star Ferry to cen...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Mending the Trawl, plate 3.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Hurst 166. 6 7/8 x 11 3/4 (sheet 9 x 13 1/2). Edition 75, #73. A rich impression with dramatic plate tone, printed on cream laid paper with a foolscap watermark. Signed and numbered ...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Etching

The Marshlands
Located in Storrs, CT
A marsh landscape in the style of Max Weyl. Oil on board measures 12 3/4 x 23 5/8; frame dimensions measure 16 1/4 x 27 x 1 1/4. Unsigned. Housed in a gold-to...
Category

20th Century Barbizon School Ifpda International Fine Print Dealers Association

Materials

Oil

Divertimento I (Picasso)
By Conger A. Metcalf
Located in Fairlawn, OH
Divertimento I (Picasso) Graphite, color wash and oil paint on coated glossy paper, c. 1940 Signed C. Metcalf lower left (see photo) Inscribed Matisse, Picasso, C. Metcalf lower left...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Oil

'Crown of Roses' — Mid-century Modernism
By Mary Van Blarcom
Located in Myrtle Beach, SC
Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Matted to museum standards, unframed. Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches. ABOUT THE ARTIST Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is represented in the collections of the Newark Public Library, the U.S. Library of Congress; the American Association of University Women; the New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Screen

Panda Painting
Located in New York, NY
Original gouache illustration on board. English circa 1970. Unframed. Unsigned.
Category

1970s Ifpda International Fine Print Dealers Association

Materials

Gouache, Board

Cena Ultima (Guinea Vultures stand for apostles in this version of Last Supper)
By Sharon Augusta Mitchell
Located in New Orleans, LA
Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

Study For Nocturne 310
By Ted Kincaid
Located in New Orleans, LA
Digitally manufactured photograph on Moab Entrada Natural Plate. Image is 8 x 10 inches on 10 by 13 paper A beautiful maritime nocturne Ted Kincaid is one of the most recognized and respected artists from North Texas. He is exhibited and collected nationally and has received considerable critical attention for his photographically based work. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts in San Antonio, the Neiman Marcus Collection, American Airlines, the Belo Corporation, the Microsoft Corporation, Pfizer, Inc, Reader’s Digest Corporate Collection, the City of Seattle, Washington, the U.S. State Department and the Human Rights Campaign Headquarters in Washington, DC. His work is instantly recognizable to many Texans, both from his gallery exhibitions, museum and corporate collections, as well as a number of commissions, including designing the covers for a special double issue of Neiman Marcus’ The Book, a large 22 foot...
Category

2010s American Realist Ifpda International Fine Print Dealers Association

Materials

Digital

Mexican Barber Shop (Getting a shave amidst revelry of community)
By Irwin D. Hoffman
Located in New Orleans, LA
Irwin Hoffman created a lively scene of a Mexican barber shop that serves as a focal point of the community's life. A man is being shaved as people cook, eat and revel in the camaraderie of the scene. This print was issued by Associated American Artists and is in the permanent collection of the San Francisco Museum of Art. Born in East Boston...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching

My Work
By Joan Snyder
Located in New York, NY
Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...
Category

1990s Expressionist Ifpda International Fine Print Dealers Association

Materials

Etching, Woodcut

KOPF (Head)
By Max Kaus
Located in Santa Monica, CA
MAX KAUS (German 1891-1977) KOPF (Head( (Rifkind 1387) Woodcut, unsigned, monogram in block. As issued as plate 1 from “Genius” Zeitschrift für werdende und alte Kunst, vol. 2, no. ...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association

Materials

Woodcut

Belle Jardinaire
By Eugène Grasset
Located in New York, NY
Grasset, Eugene."Belle Jardinaire," Proof for the calendar "Belle Jardinaire" 1896. On China paper produced for the month of August, 12 7/8 x 9 7/8"
Category

1890s Art Nouveau Ifpda International Fine Print Dealers Association

Materials

Lithograph

Young and Noble
Located in Storrs, CT
Oil on canvas board measures 12 x 9; frame dimensions measure 19 1/4 x 16 1/4 x 1. Artist's signature and date, '09, lower right. Weight is 3.6 pounds.
Category

Early 2000s Impressionist Ifpda International Fine Print Dealers Association

Materials

Oil

Ski Fashion Lithograph
By Maurice Taquoy
Located in New York, NY
Original lithograph, hand-colored at publication from "La Guirlande, album mensuel d'art et de litterature." Paris, M. Francois Bernouard, ca. 1921.
Category

1920s Ifpda International Fine Print Dealers Association

Materials

Paper

J. Becquet, Sculptor
By James Abbott McNeill Whistler
Located in Fairlawn, OH
J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...
Category

19th Century Impressionist Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Roadside, Collonges-La Rouge
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Roadside, Collonges-La Rouge', chiaroscuro wood engraving, 1980, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, l...
Category

1980s American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Anshutz on Anatomy
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer. Reference: Morse 155, eighth state (of 8), from the edition of 80. In very good condition, the full sheet, printed in dark brown ink on a brown/tan wove paper, 7 1/2 x 9, the sheet 11 1/8 x 12 3/4 inches. A fine impression. Sloan wrote of this print: “Tom Anshutz, our old teacher at the Pennsylvania Academy, gave anatomical demonstrations of great value to art students. Modelling the muscles in clay, he would then fix them in place on the skeleton. Those present in this etched record of a talk in Henri’s New York class include: Robert and Linda Henri, George Bellows, Walter Pach...
Category

1910s American Realist Ifpda International Fine Print Dealers Association

Materials

Etching

UNTITLED SKETCHBOOK DRAWING #15
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #15. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association

Materials

Ink

Z
By Alicia McCarthy
Located in Berkeley, CA
Color sugarlift aquatint and drypoint. Edition of 35
Category

2010s Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching, Intaglio

Windy Night, Stockholm.
By Sir Muirhead Bone
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category

1930s Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

'Le Petit Bay, St. Malo' — 1920s British Impressionism
By Sybil Andrews
Located in Myrtle Beach, SC
Sybil Andrews, 'Le Petit Bay, St. Malo', color monotype, c. 1925; edition 3, print 2. Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous imp...
Category

1920s Post-Impressionist Ifpda International Fine Print Dealers Association

Materials

Monotype

Preliminary Study for a Sculpture Project
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary Study for a Sculpture Project Graphite, charcoal and wash on tracing paper, c. 1930-1940 Signed upper left and lower left (see both photos) Created while the artist was l...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Charcoal

Untitled (Double sided watercolor) Recto: Figures seated at a table
By Ben Shahn
Located in Fairlawn, OH
Watercolor on paper Most probably related to the artist's creation of images surrounding Haggadah (Passover) which he started in 1930 and finished with the publication of his book in...
Category

1960s American Modern Ifpda International Fine Print Dealers Association

Materials

Watercolor

St. Mary's Church in Bibury, England
By John Taylor Arms
Located in New Orleans, LA
This image is stamped as being rom the personal collection of Arms Referenced as Fletcher #386 the image is signed .and inscribed in pencil and is from a small edition of 16. The An...
Category

1910s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching

The Turn of the Screw (an ambiguous ghost story by Henry James in 1898)
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association

Materials

Etching

{Floral Still Life in Landscape}
Located in Storrs, CT
Brilliantly-colored bouquet of flowers in a landscape, set against a dramatic sky. Oil on canvas measures 16 x 12; frame dimensions measure 24 x 20 x 1 1/2. Housed in a soft-gold to...
Category

Mid-20th Century Post-Impressionist Ifpda International Fine Print Dealers Association

Materials

Oil

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