Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Soleil rouge (Red Sun)
By Raoul Lazar
Located in Fairlawn, OH
Soleil rouge (Red Sun)
Etching and embossing, c. 1974
Signed and editioned in pencil by the artist (see photos)
Condition: Paper has yellowed. There is a white square at top of shee...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
A Yorkshire Dell or The Heron’s Pool.
By Sir Frank Short
Located in Storrs, CT
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...
Category
Early 20th Century Romantic Ifpda International Fine Print Dealers Association
Materials
Mezzotint, Etching
Trout Fishing on the Gunnison (Colorado)
By Adolf Dehn
Located in Fairlawn, OH
Trout Fishing on the Gunnison (Colorado)
Lithograph, 1941
Signed and dated '42 in pencil lower right
Annotated lower left:
"40 Prints-The Gunnison River, Colorado-For Anne & Jack"
Ed...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Untitled, from the portfolio formen der farbe
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land.
Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Paper, Screen
THANKSGIVING IN CAMP
By Winslow Homer
Located in Santa Monica, CA
AFTER - WINSLOW HOMER (1836-1910)
THANKSGIVING IN THE ARMY - After Dinner: the Wishbone, 1864
Original wood engraving as published by Harpers Weekly December 3, 1864, after a drawing by Winslow Homer. Image 9 3/4" x 14, Sheet 10 3.\/4 x 15 3/4" . Generally good condition, a small stain in the upper right margin.
Homer contributed drawings to Harper's Weekly from 1857 to 1875. They were converted to wood engravings by Harper's craftsman and published in Harper's Weekly. Although after his original drawings, they are now accepted as an important part of his body of work by museums and collectors. They were very large editions. As such, they occur often in the marketplace. Harper's published during the Civil War years as this was, were widely read and kept as people followed the war first hand and its aftermath over the years continuing today as both Homer and Civil War collectables
Category
1860s American Realist Ifpda International Fine Print Dealers Association
Materials
Woodcut
Benches. [Central Park.]
By Harold Altman
Located in New York, NY
Signed, titled, and dated in pencil. Inscribed "21/285.." Edition 285. Very good condition.
Category
1980s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
![Benches. [Central Park.]](https://a.1stdibscdn.com/harold-altman-prints-works-on-paper-benches-central-park-for-sale/a_3312/1584715597222/97557_1_master.jpg?width=240 "famous benches in central park")
St. Jerome in the Desert
Located in Chicago, IL
Engraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the Elder
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Engraving
Set Pieces: Vanity of Trust
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Set Pieces: Vanity of Trust', color lithograph, 1949, edition 40, Fine and Looney 279. Signed, titled, dated and numbered '23/40' in pencil. A fine, impression with fresh colors, on...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Untitled
By Fred Sandback
Located in Houston, TX
Fred Sandback
Untitled, 1976
Aquatint
21 1/2 x 25 3/4
ed. 35
Category
20th Century Minimalist Ifpda International Fine Print Dealers Association
Materials
Etching
MODEL
By Robert Riggs
Located in Portland, ME
Riggs, Robert (American, 1896-1970). MODEL (Bassham 8). Lithograph, c. 1932. Unsigned. 11 x 8 3/4 inches (image), 13 3/4 x 11 3/4 inches (sheet). In very good condition.
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Lithograph
Flowering Quince and Cantonese Buttercup, Siskin — 19th century woodblock print
Located in Myrtle Beach, SC
Imao Keinen, 'Flowering Quince and Cantonese Buttercup, Siskin' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban diptych, 1882. A fine impression, with fresh colors, on cream Japan paper, in excellent condition. Archivally sleeved, unmatted.
Image size: diptych 12 5/8 x 17 7/8 inches (321 x 452 mm).
ABOUT THE ARTIST
Born in Kyoto, Imao Keinen (1845-1924) studied painting and calligraphy with Umegata Tokyo and Suzuki Hyakunen. He taught at the Kyoto Prefecture School of Painting and exhibited in shows in Japan and Paris. One of the most well-known Japanese painters of his time, Keinen was honored by his country with the title of 'Artist of the Japanese Empire...
Category
1880s Naturalistic Ifpda International Fine Print Dealers Association
Materials
Woodcut
Cossack Dancers
By Wilhelm Hunt Diederich
Located in Myrtle Beach, SC
Wilhelm Hunt Diederich, 'Cossack Dancers', cut paper silhouette, c. 1920. Signed 'WHD' in pencil, lower left image.
Black, wove, cut paper, laid on ...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Laid Paper
South Hampton 8:45PM
By Cleve Gray
Located in Fairlawn, OH
Southhampton 8:45 PM
Signed Gray lower right
Titled on verso in black paint
Oil on canvas, 28 x 40 inches
Exhibited: Jacques Seligman Galleries (label) twice, original price $450. (...
Category
1950s Abstract Ifpda International Fine Print Dealers Association
Materials
Oil
Cudham, Kent
By Graham Sutherland
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Tamaya Nishi, Hana-murasaki (Purple Flower)
By Keisai Eisen
Located in Fairlawn, OH
Signed: Keisai Eisen ga;
Seal: Kiwame
Series: Contemporary Scenes in the Pleasure Quarters
Publisher: Wakasaya Yoichi
Note: This is a famous ...
Category
Early 19th Century Ifpda International Fine Print Dealers Association
Materials
Woodcut
Ladies Dress Shoes. Plate XI.
By T. Watson Greig 1
Located in New York, NY
LADIES DRESS SHOES. Plate XI.
The charming color lithograph is from the collection of “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by...
Category
Early 1900s Naturalistic Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Hurdy Gurdy Ballet' — New York City American Scene, Ashcan School
By Glenn O. Coleman
Located in Myrtle Beach, SC
Glenn O. Coleman, 'Hurdy Gurdy Ballet', lithograph 1928, edition 50. Signed, dated, and numbered '14/50' in pencil. Titled in the bottom left margin, in an...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association
Materials
Lithograph
UNTITLED SKETCHBOOK DRAWING #3
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #3. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Ink
Sanctuary
Located in New Orleans, LA
This etching is #2 out of an edition of 10
Category
2010s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
The Loop I (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop I was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Untitled (Conference of the Birds)
By Beatriz Vidal
Located in Myrtle Beach, SC
Beatriz Vidal, 'Untitled (Conference of the Birds)', gouache and watercolor, 1998. Signed and dated in the image, lower right. A meticulously r...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Watercolor, Gouache
'Arbre-Homme' (Tree-Man) —Mid-Century European Surrealism
By Ferdinand Springer
Located in Myrtle Beach, SC
Ferdinand Springer, 'Arbre-Homme', engraving, 1945, edition 23. Signed and numbered '23/20' in pencil.
A fine, richly-inked impression, on heavy, b...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Engraving
J.P. Morgan
Located in Storrs, CT
A 20th-century American School oil painting on board featuring American banker and financier J.P. Morgan (1837-1913) seated at his desk. Light streams throug...
Category
Mid-20th Century American Realist Ifpda International Fine Print Dealers Association
Materials
Oil
Duet — Cellist and Pianist, 1930s Lithograph
Located in Myrtle Beach, SC
Herschel Levit 'Duet', lithograph, c. 1937. Signed in pencil. A fine, richly inked impression, on cream wove paper, with full margins (1 1/2 x 2 inches)...
Category
1930s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Retour (Homecoming)
By Georges De Feure
Located in Fairlawn, OH
Retour
Color lithograph, 1897
Signed in the stone lower left edge of the image (see photo)
As published in "L'Estampe Moderne"
L'Estampe Moderne appeared each month as a portfolio of...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Vague Lumineuse' (Luminescent Wave) — Late 19th Century Surrealism
Located in Myrtle Beach, SC
Théophile Pierre Wagner, 'Vague Lumineuse' (Luminescent Wave), lithograph, edition not stated but small, c. 1895. Signed and titled in pencil. Initialed in the stone, lower left. A f...
Category
1890s Surrealist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Darius at 10
By Darius Steward
Located in Fairlawn, OH
Darius at 10
Drypoint, 2022
Signed, titled and numbered in pencil
Printed by Rebekah Wilhelm
Her drystamp lower right
Published by the artist
Edition 14, plus proofs
Condition: Excel...
Category
2010s American Realist Ifpda International Fine Print Dealers Association
Materials
Drypoint
The Great Landscapes II, (4th State)
By Anthonie Waterloo
Located in Chicago, IL
Watermark:
Schellenkappe (Foolscap) Similar to Churchill no. 340
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
NON-FICTION
By Robert Gwathmey
Located in Portland, ME
Gwathmey, Robert. NON-FICTION. Color screenprint, 1941 (Williams, 5).
Signed "Gwathmey" in ink within the image, lower left. Edition size
not known. 16 7/8 x 13 1/2 inches, 427 x 34...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Screen
Pointed Shapes and Black Half Moon
By Werner Drewes
Located in Myrtle Beach, SC
Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Etching
Untitled (Wizard Fantasy)
By Morris Louis
Located in Fairlawn, OH
Untitled (Wizard Fantasy)
Pen and ink on paperboard, 1948
Signed and dated by the artist lower right
Extremely rare "Middle Period" drawing. One of two drawings that were given by the artist to Jeanette Kear, Chevy Chase, MD which were signed and dated by the artist. All others in the exhibition are from sketchbooks and have the estate stamp and numbering.
Exhibited at National Collection of Fine Arts, Smithsonian Institution, Dec. 6 1979-Feb. 3, 1980
and
Fogg Museum of Art, Harvard University, Feb. 22-April6, 1980
Illustrated twice in the resulting catalog, The Drawings of Morris Louis, by Diane Upright Headly, Harvard Univeristy and author of the catalog essay and entries. (See photos)
Condition: Mounted to paper board by owner, Jeanette Kear for framing
Glazed with glass
Image size: 13 7/8 x 16 5/8 inches
Frame size: 20 x 23 x 3/4 inches
Provenance: Jeanette F. Kear, Chevy Chase, MD
Illustrated: National Collection of Fine Art, 1979: "The Drawings of Morris Louis,"
Catalog No. 1, illustrated D1, reproduced p. 73
Morris Louis Bernstein (November 28, 1912 – September 7, 1962), known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color Schoo
Early life and education
From 1929 to 1933, he studied at the Maryland Institute of Fine and Applied Arts (now Maryland Institute College of Art) on a scholarship, but left shortly before completing the program. Louis worked at various odd jobs to support himself while painting, and in 1935 was president of the Baltimore Artists' Association. From 1936 to 1940, he lived in New York City and worked in the easel division of the Works Progress Administration Federal Art Project. During this period, he knew Arshile Gorky, David Alfaro Siqueiros, and Jack Tworkov. He also dropped his last name.
Work
Color field painting
He returned to his native Baltimore in 1940 and taught privately. In 1948, he pioneered the use of Magna paint—a newly developed oil-based acrylic paint made for him by his friends, New York paintmakers Leonard Bocour and Sam Golden. In 1952, Louis moved to Washington, D.C. Living in Washington, D.C., he was somewhat apart from the New York scene and he was working almost in isolation. During the 1950s he and a group of artists that included Kenneth Noland, Gene Davis, Thomas Downing, Howard Mehring, Anne Truitt and Hilda Thorpe...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Graphite
Ruine di Sepolcro antico
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
Scattered Seed II
Located in Lyons, CO
Color lithograph with aluminum leaf, Ed. 30
In "Scattered Seed I" and "Scattered Seed II" her new lithographs, Liu has juxtaposed portraits of late 19th/early 20th century Chinese prostitutes - derived from photographs of the time - with images of dandelions rendered from close-up photographs she took at national parks and historic sites around the Western US, including Mount Rushmore, Devil...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Untitled
By Myron Kozman
Located in Fairlawn, OH
Untitled
Screen print, 1941
Signed and dated in pencil lower right
From an unnumbered edition of 6
Condition: Excellent
Image size: 7 1/4 x 5 3/4 inches
Sheet size: 10 x 8 inches
Pr...
Category
1940s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
In the Garden of the Hummingbirds, No. XIX
By Michael Tracy
Located in Houston, TX
Michael Tracy
In the Garden of the Hummingbirds, No XIX, 1992
22 1/2 x 30 in (57.2 x 76.2 cm), unframed
25 1/2 x 33 1/2 in (64.8 x 85.1 cm), framed
JPHB 5649
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Paper, Oil Pastel, Watercolor, Gouache
Clown with Orange Wig
By Henry Botkin
Located in Storrs, CT
Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left.
A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...
Category
Mid-20th Century Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Oil
Olliver St. John Gogarty
By Gerald Leslie Brockhurst
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-wove paper. Signed in pencil.
The etching was done as a commission for Cuala Press, Dublin, as a frontispiece for Gogarty's book, Elbow Room Before publication, the project was changed and the print was never used.
Oliver Joseph St. John Gogarty (17 August 1878 – 22 September 1957) was an Irish poet...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Untitled
By Jack Davidson
Located in Houston, TX
Jack Davidson
Untitled, 2008
Gouache on paper
22.5 x 15 in (57.2 x 38.1 cm)
JPHB 5682
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Paper, Gouache
Red Mountain
By Louisa Chase
Located in Fairlawn, OH
Red Mountain
Three color lithograph, 1986-7
Signed, titled and dated in pencil lower right
Annotated "B.A.T." for Bon a Tire lower left corner
This example is the printers guide for ...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
THE FIT YOURSELF SHOP
By Kyra Markham
Located in Santa Monica, CA
KYRA MARKHAM (1891 – 1967)
THE FIT YOURSELF SHOP, 1935
Lithograph, signed, titled, dedicated, dated and no 24/50 in pencil. 12 5/8 x 9 5/8”. Signed in ...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Craugh Phadrig, Ireland' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Craugh Phadrig, Ireland', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted.
Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches.
From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire.
Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023.
ABOUT THE IMAGE
Cruach Phadraig in Irish, known as Croagh Patrick...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching, Photogravure
Floating Crap Game
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Floating Crap Game, chiaroscuro wood engraving, 1958, edition 145. Signed, titled, numbered 'Ed. 145' and dated '3/1958'. Signed in the block, lower right. A fine, rich ...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Little Hall's Island.
By Kerr Eby
Located in Storrs, CT
Little Hall's Island. 1940. Etching and sandpaper ground. Giardina 199. 10 x 15. Edition 100. Little Hall's Island is located off the coast of Friendship. Maine. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in a 16 x 20-inch archival mat.
Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
'Church with House and Tree' – Artist's Personal Letterhead, 1940s Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'.
A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce.
Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted.
Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Winter Fun — Mid-century Modernism, Central Park, New York City
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
LINDY HOP
By Miguel Covarrubias
Located in Portland, ME
Covarrubias, Miguel. LINDY HOP. Lithograph, 1936. AAG edition (usually about 200), with their label preserved and attached to the back of the mat. Unsigned a...
Category
1930s Ifpda International Fine Print Dealers Association
Materials
ABS, Lithograph
'La Pêche' (Fishing) — French Cubist Woodcut
By Raoul Dufy
Located in Myrtle Beach, SC
Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted.
Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm).
From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'.
Collections: Cleveland Museum of Art, Minneapolis Art...
Category
1910s Cubist Ifpda International Fine Print Dealers Association
Materials
Woodcut
HIEROGLYPHIC
By John Stockton De Martelly
Located in Santa Monica, CA
JOHN S. de MARTELLY (1903 - 1979)
HIEROGLYPHIC, 1954
Lithograph, signed, no. 20 and dated '54 in pencil by the artist. 12 x 16
inches, large sheet 17...
Category
1950s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Green Sugarbowl — Mid-Century Color Woodcut
Located in Myrtle Beach, SC
William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Viel Gluck 1923' — New Year's Greeting - German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Clairton (night view of US Steel Clairton coke plant, largest in America)
By Craig McPherson
Located in New Orleans, LA
McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...
Category
1990s American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
'Horse Attacked by Tiger' — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category
1820s Romantic Ifpda International Fine Print Dealers Association
Materials
Lithograph
Garden of Eden
By Leonard Edmondson
Located in Santa Monica, CA
LEONARD EDMONDSON (1906 – 2001)
GARDEN OF EDEN c. 1960
Color intaglio (carborundum?) Signed and titled in pencil. Small edition, these larger prints...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Intaglio
Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals.
Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category
1990s American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Constructivist Abstraction — Precisionism / Spacial Illusionism
By Paul Kelpe
Located in Myrtle Beach, SC
Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...
Category
1930s Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Lithograph
Slug Fish
By Tony Fitzpatrick
Located in New York, NY
Tony Fitzpatrick is an American artist born in 1958 and based in Chicago.
He graduated from Montini Catholic High School in Lombard, Illinois in 1977. In the early 1980s, Fitzpatr...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled
Engraving, drypoint & carborundum, c. 1960's
Signed and numbered in pencil (see photos)
Edition: 25 (9/25)
Printed by the artist
Condition: Adhesive residue on the verso to...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Engraving
Portrait of E.D.
By Jacques Villon
Located in Chicago, IL
This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277.
This is one of Jacques Villon’s great 1913...
Category
1910s Cubist Ifpda International Fine Print Dealers Association
Materials
Drypoint
