Abstract Prints

Artist: KAREL APPEL Title: Cats  Year: 1978 Edition: Signed in pencil and marked XIII/LXV All signed and numbered from the edition of Roman Numeral LXV (65) in pencil, published by ...

This is a rare hand-painted Limited Edition by contemporary artist Shizico Yi, hand painted on a Giclee deluxe matte-finish giclée aluminium panel. Each edition is 90% hand-painted w...

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

Joan MIRO Garden Under the Moonlight, 1973 Original lithograph (Mourlot workshop) Printed signature in the plate Unknown edition run, unnumbered as issued, apart from a numbered run...

Josef Albers Homage to the Square (from "Son oeuvre et sa contribution à la figuration visuelle au cours du XXe siècle") 1972 Silkscreen Print in brilliant colors on wove paper Image Size: 8.75 × 8.75 inches(22.23 × 22.23 cm) Sheet Size (approx.): 10.5 × 12 inches (26.67 × 30.48 cm) Framed Size: 13 × 13 × 0.5 inches (33.02 × 33.02 × 1.27 cm) Unsigned; as published Edition: ~1,500; not individually numbered Published by Dessain et Tolra – 1972 Printed with an additional image verso as issued Serigraphs by Herbert Geier, Ingolstadt, Germany & Ives-Sillman, Inc., New Haven, Connecticut, USA The Homage to the Square series is Josef Albers’s most celebrated and influential body of work, produced between 1950 and his death in 1976. Consisting of hundreds of paintings, the series explores the interaction of color through a deceptively simple compositional structure: nested squares arranged concentrically on a flat surface. Despite its geometric restraint, the work is fundamentally about perception—how colors shift, advance, recede, and transform in relation to one another. Albers applied paint directly from the tube using a palette knife, avoiding visible brushwork to eliminate gesture and emphasize color relationships as the primary subject. Each composition is carefully calibrated, demonstrating how identical colors can appear dramatically different depending on their surrounding context. The result is a dynamic visual experience in which depth, vibration, and spatial illusion emerge purely through chromatic interaction. The series reflects Albers’s theoretical contributions, particularly his seminal book Interaction of Color (1963), in which he articulated his belief that color is relative rather than absolute. Rather than expressing emotion through imagery, Albers invites the viewer into an active perceptual process, making the act of seeing itself the central theme. Homage to the Square remains a cornerstone of modernist abstraction and color theory, influencing generations of artists, designers, and architects. Works from the series are held in major museum collections worldwide and continue to be studied for their rigorous investigation of visual perception. Homage to the Square, Josef Albers square...

**IMPORTANT** This is a limited edition print on premium CANVAS signed and numbered by the artist. It will arrive rolled inside a tube. Celebrating the beloved GOLDEN GIRLS on this ...

This Limited Edition is hand-painted and framed, ready to hang and highly collectibles for its unique and premium quality. It is made on a premium metal/aluminium panel. All its gold...

Mark Rothko at Museo d'Arte Moderna Ca' Pesaro, Venezia, 1970 Offset lithograph and lithograph on high quality lithographic paper Numbered in pencil 250/500 in the lower left front ...

This stunning hand-painted Artist Proof ( the last Proof available, the No 2 of Two) is made on a premium metal/aluminium panel. All the gold-leaf and gesso back ground are hand-pain...

Details: + Title: Two Towers + Year: 2026 + Stamped and Certificate of Authenticity provided + Measurements : 100x140 cm (40x 55.3 in.), each panel measures 100x70cm (40x28 in.) a st...

Ed Ruscha - All Points (Gemini RS08-3440), 2008 Color lithograph on Somerset paper A coveted Ruscha lithograph done in the patriotic American red, white and blue colors. Pencil signe...

Artist: Ellsworth Kelly (1923–2015) Title: Orange Shape (Forme Orange) Year: 1958 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well prese...

Andy Warhol - SPORTSWEAR JEANS INTERN. (Hand Signed by Warhol), from the estate of Warhol's last boyfriend Offset lithograph cover page Hand signed by Warhol in the front Provenance:...

Artist: Ellsworth Kelly (1923–2015) Title: Red, Blue (Rouge, Bleu) Year: 1964 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well preserved...

This is an exclusive handprinted limited edition cyanotype. "Infinity Pool" is a sophisticated image that captures the water reflections shimmering over a swimming pool. We're proud ...

This important artwork is an original color lithograph by Salvador Dalí titled "Don José" from his famous Carmensuite. Created in 1968, this specific impression is a rare "Artist's proof" designated by the pencil inscription "artist proof" in the lower-left margin. This artwork, never before on the market, comes from an important Italian private collection. Our company has been present on this platform for many years, with more than 100 sales made and just as many excellent reviews received that you can under our Furniture account. The artwork is also protected by glass This artwork, upon request, is accompanied by a certificate of authenticity issued by an official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. The composition It is characterised by a highly dynamic and contrasting color scheme relies on saturated, expressive reds in the lower-left corner balanced by deep, brooding blues and earthy ochres/sanguine tones making up the central figure. The background features muted, atmospheric gray and green washes to simulate a turbulent, twilight sky. The composition uses an asymmetrical, vertical orientation dominated by a colossal, central figure towering over a fragmented architectural landscape. The perspective is intentionally distorted to emphasize a dreamlike, theatrical space. In this wonderful artwork are presents many surrealist iconography elements. On the the central figure is represented Don José; the character's form is severely elongated and spindly, bearing hallmarks of Dalí’s fascination with gaunt, skeletal figures. The anatomy transitions from fluid gestural lines to an almost root-like structure near the base. Atop the figure's head sits a prominent, black geometric cage resembling a street lantern or polyhedral framework. This structure acts as a visual anchor and source of dramatic light rays radiating downwards. To the right, a detailed architectural elements, surrealist cathedral/church façade rises with a crucifix, complete with an intricate, wheel-like window resembling an anatomical eye...

Lithograph on BFK Rives-Velin, realized in 1981. Hand signed in pencil. One of 4 CTP Proofs, preceding the edition of 24. Printed by Georges Page at Litho Shop, Santa Monica. Blin...

1970s Salvador Dalí­ Signed and Dated Work on Paper This wonderful artwork shown is a silkscreen print by Salvador Dalí (1904–1989), part of the ...

This high-quality reproduction of Brown and Orange on Slate faithfully captures Mark Rothko’s signature exploration of color, light, and emotion. Rothko’s artistic process was deeply...

This exhibition card was produced by Brooke Alexander Editions in connection with Series of Ten Woodcuts in Three Color States, associated with the work of Donald Judd. Published by...

Tracey Emin YES!, 2012 Home made color inkjet print 11 3/4 × 16 1/2 inches Edition 111 from the edition of approx. 150 Pencil signed, numbered 111 and dated 2012 recto; bears Emin In...

This is a hand painted Limited Edition by the artist Shizico Yi with her own hand-mixed original paint on premium Aluminium board. Only Ten of this edition were made, highly collecta...

This "Homage to the Square" print was created by Albers for the occasion of an exhibition at Grippi Gallery in Manhattan in 1973. It is in an excellent white contemporary frame. Art...

Bridget Riley - magazine page (broadside) of "Final Study for Halcyon", 1972 (Hand signed by Bridget Riley), ca. 1988 Magazine page on paper (Hand Signed by Bridget Riley) Provenance...

Imperial Love Offset lithograph card Hand signed, inscribed and dated 1-24-'88 with a dateline of Vinalhaven, Maine in black marker This card has been floated with translucent pocket...

This is an exclusive handprinted limited edition cyanotype. "Hollywood Pool House Glow" shows the shimmering reflections of a Hollywood, California swimming pool. Details: + Title: ...

Created by La Motta in 1955, this original poster was commissioned for the 36th International Eucharistic Congress in Rio de Janeiro. Held from July 17 to 24, the congress was an important international Catholic gathering organized around the theme of Christ the Redeemer and his Eucharistic kingdom. The composition places Rio’s celebrated statue of Christ the Redeemer at the center of an expansive celestial vision. With his arms extended, Christ forms the upper section of a monumental cross rendered in the green and yellow colors associated with Brazil. Below, he stands upon a globe centered on South America, where a radiant star indicates the location of Rio de Janeiro. A deep blue background and surrounding constellation of stars give the poster a sense of spiritual grandeur. The restrained palette of blue, green, yellow and ivory combines religious symbolism with the visual identity of Brazil, while the bold typography at the bottom clearly announces the congress and its dates. Signed La Motta in the lower right, the design is characteristic of mid-century event posters, using simplified forms and carefully balanced geometry to communicate a powerful message from a distance. The poster was printed by Rebizzi in São Paulo. This original 1955 poster is an evocative document of Brazilian religious and cultural history. Its striking combination of Christ the Redeemer, cartographic imagery and modern graphic design makes it particularly appealing to collectors of Brazilian posters...

Artist: Ellsworth Kelly (1923–2015) Title: Blue and Black (Bleu et noir) Year: 1958 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well pre...

Space concept  is an artwork realized by Lucio Fontana in 1967.  Lithograph, 1967. Hand signed and numbered 32/150. Edition of 150. Ref. 2006 Lucio Fontana. Graphics, multiples an...

In 2014, Juan Uslé was commissioned to create the official Roland Garros poster, infusing the French Open with his distinctive abstract style. His design features flowing lines and v...

This stunning large hand-painted Limited canvas edition is created in oil by Shizico Yi and is 95% hand painted directly onto canvas. Signed on the front and signed and numbered on ...

This is an exclusive handprinted limited edition cyanotype. "Miami Art Deco Pool" shows the movements of water over a tiled swimming pool floor. Details: + Title: Miami Art Deco Poo...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

This Iconic painting by Shizico Yi is in a private collection in Florida, and it was also sold out on its Limited edition of 10 and it's Artist’s Proof. 2026, we are proud to offer...

Salvador Dalí­ 1970s Surrealist Dated and Signed Work on Paper This significant work on paper is a silkscreen print by Salvador Dalí (1904–1989), part of the famous series dedicated ...

Toshi Yoshida, 'Woman In Bagdad', color woodblock print, 1954, edition not stated. Signed, dated, and titled, in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (1/2 to 7/8 inch); minor toning in the margins, otherwise in excellent condition. Self-carved, self-printed. Archivally sleeved, unmatted. Image size 14 13/16 x 9 7/8 inches; sheet size 16 1/4 x 11 inches (oban tate-e). Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Literature: Oliver Statler, Modern Japanese Prints: An Art Reborn, 1959, pp.168-169; Eugene M. Skibbe, Yoshida Toshi 1911-1999: Diversity, Change, and Continuity in the Yoshida Art Tradition, Andon 53, Society for Japanese Arts, 1996, pp. 5-14; Kendall H. Brown, Yoshida Toshi: The Nature of Tranquility, in, A Japanese Legacy: Four Generations of Yoshida Family Artists, The Minneapolis Institute of Arts, 2002, pp. 72-80; p. 91, no. 55 Exhibition: Japan & Beyond: The Yoshida Family Legacy in Japanese Woodblock Prints, curated by Kendall Brown and Quyen Le, The Ruth and Sherman Lee Institute for Japanese Art, Hanford, CA. February 3, 2004 - March 27, 2004. Collections: Art Institute of Chicago, Clark Center for Japanese Art and Culture, Minneapolis Institute of Art, University of California Merced, University of Oregon (The Lavenberg Collection of Japanese Prints). ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at the age of 14 under his father, Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...

Jim Bird Untitled Composition - De Luxe Edition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph on Fine Paper with Deckled Edges Year: 1979...

"Water in swimming pools changes its look more than any other form. If the water surface is almost still and there is a strong sun, then dancing lines with the color of the spectrum ...

Werner Bronkhorst Play for Keeps, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FS...

René Magritte - LES AMANTS, 1928 (THE LOVERS) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Condition: New, in mint condition and never f...

Artist: Salvador Dali Title: Reuben Portfolio: The Twelve Tribes of Israel Medium: Etching and pochoir on Arches paper Year: 1973 Edition: EA Frame Size: 32 3/8" x 26 7/8" Sheet Size...

Monument im Fruchtland (Monument in the Fertile Country) 1929. after Paul Klee, 1879 – 1940 Original work : Pastel, 47.5 × 34.8cm. Bern, Zentrum Paul Klee. (Photograph via Archiv...

Vladimir Veličković Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches ...

Brice Marden Elevation print (Hand Signed by Brice Marden), 2019 Offset lithograph poster. Hand Signed by Brice Marden Boldly signed in black marker by Brice Marden on the front 24 ×...

Jim Bird Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Size: 10 x 7.325 inches (25.4 × 18.61 cm) Edition:...

This handmade cyanotype monotype presents a striking interplay of geometric abstraction and atmospheric depth. Layered translucent forms in deep Prussian blue and soft white overlap ...

1960s Salvador Dalí­ Signed and Dated Work on Paper The work shown here is a famous piece by Salvador Dalí, taken from the suite dedicated to Wil...

Artist: Ellsworth Kelly (1923–2015) Title: Green and Black (Vert et noir) Year: 1958 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well pr...

This striking large hand painted limited Edition is No. 2 of only 10 in existence. 90% of the painting is hand-painted in oil and gesso on giclee by Shizico Yi, the edition featuring...

David Hockney Hockney's Alphabet, 1991 26 color lithographs in Fine Art Cartridge paper bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box; signe...

Exotischer Klang (Exotic Sound), 1930 (after) Paul Klee (Original work) is Pen and ink, pencil, and watercolour on paper, mounted on card, 47 × 61.3/62.3cm. Dusseldorf, North Rhine-...

Artist: Joan Miro Medium: Lithograph Title: Composition Year: 1965 Edition: 1150, unnumbered, as issued Sheet Size: 10" x 7 1/2" Framed Size: 17 3/4" x 14 1/2" Reference: Cramer 104...

This painting captures the early spring in Shizico Yi’s garden, where the Cherry Prunus stands as the season’s first joyful announcement. Painted en plein air, it reflects the raw fr...

This woodcut print on paper is composed of a central, circular shape in violet on a blue patterned background. The monotype brings to mind the tradition of Japanese printing while be...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

MEL BOCHNER Kick Against the Pricks (Blah..Blah...Blah...), 2018 Two color silkscreen on boutique silk fair paper with blue-colored back, 350 gsm paper Signed, dated, and numbered 29...

Alexander Calder Butterflies and Spiral, 1975 Lithograph Hand signed lower right Numbered 68/125, lower left Sheet size 67 x 98 The Spiral: A large, striking black-and-white optica...

Color etching on wove paper Pencil signed and numbered 19/39 on the verso This work has been elegantly framed in a museum quality handmade wood frame by the prestigious fine art fram...

Artist: Josef Albers (German-American, 1888-1976) Title: "EK Ib" Portfolio: Homage to the Square: Edition Keller Ia-Ik *Monogram signed and dated by Albers in pencil lower right Year...

Sunset Song with Blue and Green is part of Sunset Song Series, a major new body of work created by British awarded artist Shizico Yi for her solo exhibition Modern Ancient. Painted e...