Chaumet Heart Necklace

Decades before luxury French jewelry maisons such as Van Cleef & Arpels and Cartier were born, Marie-Étienne Nitot (1750–1809) founded the house that became the internationally esteemed Chaumet, which, for centuries, has created timeless necklaces, watches, rings, tiaras and other jewelry and accessories for royalty as well as Hollywood luminaries.

Before opening his own jewelry house, Nitot worked as an apprentice to Ange-Joseph Aubert, court jeweler to Marie Antoinette, and collaborated on pieces for the Queen. In 1780, he left Aubert’s side to open his own maison.

Surviving the upheaval of the French Revolution, Nitot soon found lavish commissions with the new people in power. The Emperor Napoléon Bonaparte longed for France to once again be the epicenter of luxury, making himself the fashionable face of the prospering country. Nitot’s commissions for Napoléon began with the papal tiara for Pope Pius VII that included a 414-carat emerald among its thousands of precious stones and the 1804 coronation sword, a decadent piece that featured the 140-carat Regent diamond.

The young jewelry house soon became the official jeweler of the Imperial Court, the personal jeweler of Empress Joséphine and one of the most sought-after jewelers in Europe. Chaumet’s work in this era helped popularize the tiara as a status symbol, with ornate pieces designed for Joséphine and Empress Marie-Louise, Napoléon’s second wife.

After Nitot died in 1809, his son, François-Regnault, took over in 1812 and moved the maison into the Place Vendôme, making it the first business to occupy the Parisian center of luxury. By then, Chaumet had included timepieces in its offerings, such as bracelet watches adorned with precious gemstones and equipped with movements made by Breguet (which opened a shop on Place Vendôme in 1933).

After the fall of the Napoléon Empire, successors Jean-Baptiste and Jules Fossin focused more on romantic styles of jewelry that referenced the past and nature, an approach carried on by Valentin and Prosper Morel. It was Joseph Chaumet, director from 1885 to 1928, who gave the maison its illustrious name and brought it into the 20th century with jewelry, accessories and tiaras inspired by the extravagant decor of the Belle Époque.

Later, with Joseph’s son, Marcel Chaumet, succeeding him, the house would be featured at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris — from which the term Art Deco derives — and, alongside the likes of Cartier, would be seen as a leader in introducing the flamboyantly geometric designs and high-contrast color pairings of Art Deco jewelry to the global stage.

Chaumet has adapted over the years to meet changing tastes and trends. The house still reigns in the world of luxury jewelry, celebrating its 240th anniversary in 2020. Since 1999, it has been part of the LVMH Group. Its salons and high jewelry workshop continue to operate in the Place Vendôme where gem-setters, polishers and jewelers craft rings, earrings, watches and enduringly popular tiaras.

Find an exquisite range of authentic vintage Chaumet jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

Whether you’re layering multiple jewelry pieces or opting for a single strand, vintage pendant necklaces are versatile accessories that can elevate your casual wear as easily as they can add a creative flourish to your formal attire.

The earliest jewelry was less about accessorizing than it was about wearers arming themselves with amulets. In Ancient Egypt, some amulets featured a loop so that they could be strung around one’s neck. While rubies have long been one of the few gemstones that can give diamonds a run for their money, members of some ancient civilizations valued the stones from the get-go, donning ruby pendants as well as other stones with the belief that these adornments would bring protection, healing powers or strength. Today, we still wear our charm bracelets and charm pendants around our necks for good luck.

Later, pendant necklaces, like most fine jewelry, were worn strictly by royalty or the upper class and conferred wealth and prestige. This changed over time, thankfully, as wearing jewelry became more widespread, a democratized means of personal expression.

During the 18th and 19th centuries, pendant necklaces evolved from their status as spiritual amulets, but the jewels still carried deep personal significance. Victorian pendants, in particular, were part of the “mourning jewelry” tradition. Wearers would embed their pendants with locks of hair from a deceased loved one as a way of grieving in the wake of a loss. In the case of cameo jewelry, some pendants were even decorated with miniature hand-carved portraits in a detailed raised relief. Today, portraiture is still a characteristic of many of the hand-carved pendant necklaces offered by Italian jewelry house Scala Gioielli.

Luxury fine jewelry brands such as Cartier, BVLGARI and David Yurman offer their own unique interpretations of the cherished accessory, embellishing platinum or gold pendant necklaces with diamonds, sapphires and other stones.

On 1stDibs, find an extraordinary range of vintage pendant necklaces and other necklaces today.