Fileman Antiques

British glassmakers F. & C. Osler redefined the art of cut-glass design in an era of Victorian luxury, refinement and grandeur.

The firm began in Birmingham in 1807 by Thomas Osler, who established his business making small glass ornaments and pieces for chandeliers. His sons, Follett and Clarkson Osler, joined the company and, in 1831, reorganized it as F. & C. Osler. 

During the 1840s, F. & C. Osler expanded production to include the manufacture of chandeliers and glass furnishings, opening a second workshop in London in 1845. The company focused on producing large-scale designs, leading to the creation of one of their most famous pieces: the 27-foot-high, four-ton Crystal Fountain for London’s Great Exhibition in 1851. Another notable F. & C. Osler piece at the exhibition was a pair of eight-foot-high candelabras purchased by Prince Albert for Queen Victoria. Today, they are on display as part of the Royal Collection at Osborne House on the Isle of Wight.

The success of F. & C. Osler’s Crystal Fountain established the company’s reputation as one of the finest glassmakers of the 19th century. Wealthy clients coveted its cut-glass chandeliers, wall sconces, epergnes, candelabras and decorative centerpieces. 

F. & C. Osler also received several important commissions. In 1856, F. & C. Osler designed a large chandelier for St. George’s Hall in Liverpool and a 36-light chandelier for London’s Mansion House. In 1858, they were asked to produce tableware for a banquet held by Queen Victoria at Aston Hall, in Birmingham. The Queen is said to have been so impressed with the glassware she asked permission to keep a champagne glass.

F. & C. Osler thrived throughout the late 19th century, experimenting with complex cut-glass motifs and expanding its successful export market to India. They became a favorite glassmaker for Indian royalty and aristocratic English ex-pats. 

By the 1920s, demand for cut-glass products waned, and F. & C. Osler closed its Birmingham factory in 1922. The company remained in business, albeit on a much smaller scale, until 1976.

Today, F. & C. Osler remains a symbol of grand Victorian glassmaking and is sought by antique collectors and interior designers worldwide.

On 1stDibs, discover a range of antique F. & C. Osler lighting, decorative objects and serveware.

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.