Finnish Aarnio

“I always look ahead, never back,” Finnish design legend Eero Aarnio has been quoted as saying. A leading innovator of modern furniture design, Aarnio has long embraced a bold, playful, confident and colorful style several steps ahead of his time.

For his 1954 entrance test for the Institute of Industrial Arts in Helsinki, Aarnio created a whimsical painting of a man reading a newspaper in a red, curved chair whose silhouette foreshadowed Aarnio’s Ball chair of 1963. That spherical seat skyrocketed him to design fame, and decades later, it is still recognized as one of the world’s most futuristic designs.

Born in 1932 to a house painter and a seamstress, Aarnio has always had a cheerful disposition and an independent spirit. He went his own way early on: After just two years at Asko, the big Scandinavian furniture company that originally produced his Ball chair, Aarnio established his own studio in 1962.

Over the next decade, the young visionary made an indelible mark on the world. Open-minded and entrepreneurial, Aarnio embraced the aesthetics, materials and technologies of the Swinging Sixties, working with a new generation of plastics and molding them into fluid, organically shaped, brightly hued forms.

Introduced at the 1966 Cologne Furniture Fair, the pod-like fiberglass Ball chair soon adorned the homes of movie stars and royalty, graced magazine covers around the world and was featured in films and ads. The groundbreaking seat originally came in orange, white, black, yellow and red and could be ordered with a telephone installed in it. Yet this designer of the future, as he was known in the 1960s, has always insisted that he didn’t deliberately seek to be associated with the decade’s sci-fi aesthetic.

“I had no intention to create either pop or Space Age design — as many people label my work,” Aarnio declares in one of the essays included in Eero Aarnio — Designer of Colour and Joy, a book jointly created by the Design Museum and publisher WSOY to accompany 2016’s “Eero Aarnio” exhibition.

The show featured a number of Aarnio’s objects, including his iconic Ball, Pastil (1967), Bubble (1968), Tomato (1971) and Pony (1973) chairs. These were joined by lesser-known seating and other objects like the rattan Juttujakkara, or mushroom, stool (1960); the sculptural Double Bubble lamp (2000), with which Aarnio first explored the possibilities of rotation-cast plastic; and the three-legged Rocket (1995) and Baby Rocket (2006) stools, both parts of a collection produced by Artek after Tom Dixon, the company’s creative director from 2004 to 2009, discovered the original piece in Aarnio’s kitchen.

“Aarnio expanded the whole idea of what constitutes furniture,” explained Suvi Saloniemi, the Design Museum’s chief curator. “His significance as a designer is crystallized in the liberation of form that he has introduced by discovering the properties of plastic as the material of a designer. His furniture is sculpture-like and eye-catching, but the pieces are always utilitarian at the same time.”

Find an extraordinary range of vintage Eero Aarnio chairs, tables and other furniture on 1stDibs.

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.