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Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.

As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.

Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.

His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.

The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.

The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.

Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.

Whether they are implemented as decorative accents or makeshift partitions to ensure privacy, antique and vintage folding screens and room dividers easily introduce sophistication and depth to any space in your home.

The earliest examples of folding screens are said to have originated in China and go back at least as far as the Han dynasty. Screens of the era were heavy structures made of wood and had hinges of cloth or leather. They were adorned with elaborate landscape paintings that were typically created on silk or paper canvases and applied directly to the screen’s panels afterward. Just as they had been in the 20th century and today, the folding screens then were recognized for both their practical and purely decorative properties.

Japanese room-divider screens were also decorated with paintings but constructed to be lightweight and mobile. They took on considerable event-based importance when the structures gained popularity in the East Asian country, as the folding screens were used in performing arts such as concerts, tea ceremonies and more. Later, artists elsewhere warmed to folding screens and sought to create their own.

In European countries such as France, where they were known as paravent, folding screens began to materialize in apartments in Paris, gaining favor with the likes of pioneering couturier Gabrielle “Coco” Chanel, who is said to have accrued more than 30 and used them as a precursor to what we now know as wallpaper.

On 1stDibs, find a wide range of antique and vintage folding screens and room dividers, which, given their history, may do a better job of bringing people and cultures together in your home than sectioning off a space. Search by material to find options in metal, fabric or wood, or browse by style for mid-century modern designs and examples from the Art Deco era.