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Hornsea Vase

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John Clappison Slipware Anvil Vase with Studiocraft Vase for Hornsea, 1966
John Clappison Slipware Anvil Vase with Studiocraft Vase for Hornsea, 1966

John Clappison Slipware Anvil Vase with Studiocraft Vase for Hornsea, 1966

By John Clappison

Located in Halstead, GB

John Clappison Slipware Anvil vase with Studiocraft Vase for Hornsea, 1966 Measures: Height 20 cms Diameter 35 cms John Clappison Studiocraft vase Print silkscreen over glaze...

Category

Vintage 1960s British Mid-Century Modern Vases

Materials

Ceramic

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A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Urns for You

Decorative vases and antique and vintage urns are statement objects for the home that can date back centuries. Ranging from pieces with intricate, hand-painted details to more minimal forms with abstract shapes, decorative vases and urns come in a range of styles and sizes.

An urn is a type of vase that typically has a cover, a narrow neck and a round body, sometimes with a footed pedestal. However, when a vessel is called an urn, this often denotes its purpose rather than its origin or shape. One of the urn’s most crucial roles was and remains to be to hold the ashes of people for funerary rites. Another type of urn is adorned with figures that tell a story or show a scene.

Some of the earliest vases were formed from clay or metal-like bronze. Mesopotamians used them not only for decoration but also for storage. In ancient Greece, vases and urns frequently depicted stories from mythology, showing images of the gods and heroes. In ancient Egypt, vases such as the amphora had ceremonial purposes.

Over time, vases grew in popularity among artists as a different kind of canvas for expression. Unlike many of the ancient examples, these vases were not always functional but instead made for a striking addition to one’s decor. Even a plain, solid-colored vase can add color or style to a room. Metal urns are elegant additions to your living room or foyer rather than outside, unless you’re partial to the alluring weathered patina that is expected to characterize an antique cast-iron garden urn.

Every interior designer will tell you that decorative objects are what make a house a home. Decorative objects trumpet the homeowner’s personality while bringing a room to life. For designers, they present an opportunity to express their creative vision.

When looking for a decorative vase, it’s important to note the design and also the size and shape. Decorative vases vary from those with a wide base to those with long slender necks. Browse decorative vases and an extensive ceramic urn collection on 1stDibs.