Naturalistic Art

Title: Poppy Year: 2023 Location: Photographed in London, United Kingdom Edition: Limited to 20 Medium: Giclée print on Hahnemühle Photo Rag Baryta 308 gsm fine art paper Camera: Lar...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This unique cyanotype monotype diptych explores repetition and subtle variation through layered blue fields and softly undulating white forms. Evoking both modernist abstraction and ...

Julien Dupre (French, 1857–1910) Pastoral Scene Oil on canvas Signed lower left 20 x 25.5 inches 33.5 x 39.25 inches, framed Julien Dupré was a French painter, born in Paris on Ma...

Alfred Crowdy Lovett C.B.E (British, 1862-1919) Palm Tree & Coconut of Palm (in pencil on verso), single palm signed top right. Descriptions in pencil verso Watercolours on paper,...

This original triptych by Romina Milano presents a vibrant botanical landscape rendered in expressive, fluid brushwork. Stylized tropical blooms unfold across three panels, creating ...

A late 19th century or early 1900´s seascape with waves, beach and sailing ships. This finely executed seascape depicts big blue-green waves breaking against a sandy shoreline, rende...

Venus Trap Bloom is a bold diptych that reimagines botanical forms through vibrant color and dynamic brushwork. Oversized leaves and exotic blossoms—some reminiscent of Venus flytrap...

This is a sensitive small-scale study portrait of a young girl, executed in warm monochrome brown tones. Painted during the second half of the 19th century, oil on paper and mounted ...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

Coral Forest Triptych is a beautiful original triptych that explores the energy of organic forms through repeated lines and gestures. Branch-like shapes weave across the paper in shi...

'Euphorbiaceen' (Euphorbia) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

'Winter Jasmine' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateu...

Poppy No.9 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Explorer in an Alpine Landscape - Early 20th Century Oil Painting Antique landscape painting by an unknown artist, likely early 20th century or late 19th century. Painting is unsign...

'Picotees' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

Edward Niemann Junior Signed Antique oil painting on canvas Picture size: 24 x 42 inch (61 x 107 cm) Frame size: 31 x 49 inch (79 x 125 cm) Landscape and marine painter Addresses:...

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...

'Clematis' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...

A beautiful original oil painting by Swedish artist Per Julius (b.1951). Julius is best known for his beautiful depictions of the Scandinavian nature and t...

'Ixia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and ...

"Springtime Mushroom Harvest I" is a illustration style painting diptych by Romina Milano that captures the whimsical essence of nature's bounty through two panel paintings . Each pa...

In this piece, I've poured my soul into capturing the essence of movement and freedom. With each stroke of acrylic and oil, I've blended realism with a hint of impressionism to embod...

This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...

Winter Landscape with Red Cottage by Otto Lindberg 1930 This oil on canvas, signed and dated “Otto Lindberg 1930”, captures a serene winter scene in Sweden. A low winter sun filters ...

'Magdalen Hall' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (platemark) 200mm ...

'Flowering Shrubs' Antique English flower botanical chromolithograph.

Exclusive limited edition cyanotype diptych. Details: + Title: Duo of Egyptian Palms + Year: 2024 + Edition Size: 20 + Medium: Cyanotype on Watercolor Paper...

Orange and Turquoise Corals by Romina Milano is a vibrant diptych that captures the rhythm and complexity of underwater life. Created with gouache crayon on paper, the work layers or...

'Ubersichtskarte Des Mondes' (Overview Map of the Moon) German chromolithograph, circa 1895. 245mm by 305mm (sheet). Central vertical fold as issued.

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...

This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...

'Poppy’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle phot...

A really charming and beautifully executed study of a horse by this very talented artist. A most attractive picture of this noble creature in ready to hang condition Rafael Mckenzi...

'1-4 Morchella Lutescens 5-7 Morchella Abietina' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

English painter (late 19th century) - Landscape with Highland herd at the lake. 102 x 77 cm without frame, 108 x 82 cm with frame. Antique oil painting on canvas, in a gilded woode...

'Ruddy Rock Rose' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fr...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

Contemporary oil on canvas, this very large painting has fine naturalistic detail, with deep sky tones, rich coloring, crisp trees/leaves and lines of lighted meadow reflected in the...

"Retro Overlaps II" is a unique handmade cyanotype on watercolor paper, presented as a striking abstract triptych. The artist layers fluid, organic shapes in luminous shades of blue ...

Early naturalistic landscape painting of a horse attributed to English artist George Cole. The work features a horse in a green field with a polo match going on in the far distance. ...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. For his portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue with tassels and a matching headdress, a necklace including his presidential peace medal, two metallic bands on each arm, beautiful high moccasin boots and he carries a rifle. He appears to be standing in a desert landscape. This original beautifully hand-colored McKenney and Hall lithograph is presented in a cream colored mat (adhered at the top), suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is one tiny spot in the lower portion of the left and right margins and minimal discoloration at the left and right edges (obscured by the mat), but the print is otherwise in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...

Oil on canvas 60x60 cm

'Shooting an African Buffalo' Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

Rich and detailed country landscape by an unknown artist (19th Century). A grove of large oak trees is carefully rendered on the right side of the composition. In the center, there a...

'Uniformen ausserdeutscher Staaten' (Uniforms of non-German states) German chromolithograph, circa 1910. Central vertical fold as issued. 245mm by 305mm (sheet)

This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...

A very dramatic marine scene with the translucency of the waves captured with incredible skill and vision. Attributed to Miles Edmund Cotman (1810-1858) Shipping in rough seas Oil on board 7 x 10 inches The eldest son of John Sell Cotman...

Italian painter (late 18th-early 19th century) - Landscape with cows, goats, and a dog by the stream. 21.5 x 26.5 cm unframed, 35.5 x 41.5 cm with frame. Antique oil painting on ca...