Maitland Smith Cache Pot

The eclectic furnishings of Maitland-Smith celebrate artisan skills in an age of machines. Hand-carved woodwork, inlaid marquetry, painted detailing, gilding and lost wax casting lend the company’s decorative accents an artistic flair. Focused on pieces that add a dynamic flourish to an interior by incorporating tactile materials like leather, seashell inlays and crushed eggshell, the manufacturer draws inspiration across centuries, from the curvy forms of the Louis XV period to the geometric angles of mid-century modernism.

Paul Maitland-Smith established the company in Hong Kong in 1979, after getting his start in London in the 1950s as an antique dealer who also sold reproduction furniture, something that would become a Maitland-Smith specialty. The manufacturer’s early reproductions of 17th- and 18th-century furniture included Chippendale dining chairs, and soon afterward, Maitland-Smith expanded into a range of decorative designs that often exuded a whimsical spirit, whether a coffee table shaped like a stack of books or a pair of decorative obelisks. Maitland-Smith’s signature sculptural table lamps in particular show off this playful sensibility, with one balancing a pen-shell shade on a monkey’s tail and another taking on the form of a miniature hot-air balloon.

Since its founding, Maitland-Smith’s sourcing has been based in Asia, and although Paul Maitland-Smith later sold the company that still bears his name and is now headquartered in North Carolina, the brand’s furnishings are still largely made in Cebu, Philippines.

Today, Maitland-Smith continues to innovate on its finely crafted offerings by collaborating with contemporary designers and studios such as Tony Duquette Studios (founded by set and costume designer Tony Duquette in 1941), Celerie Kemble and painter and textile designer Susan Hable Smith.

Find a wide range of Maitland-Smith furniture for sale on 1stDibs.

Emerging in the 17th century, chinoiserie appropriated the aesthetics and imagery of popular East Asian design for European-made versions. Reflecting the exoticization of China, Japan and other countries in this era, the word directly translates from French to “Chinese-esque,” which reveals its shortcomings as a style of furniture and decor that often stereotypically and reductively mimics Asian culture rather than showcasing and paying tribute to its artistic traditions.

The enthusiastically decorative chinoiserie style was propelled by influential tastemakers including French King Louis XIV, whose Trianon de Porcelaine in 1670 was inspired by Chinese architecture. Expanded trade between the East and West led to a demand for porcelain, lacquer objects, silk and other goods, which further informed the fanciful furniture being crafted in Europe.

Artisans working in the chinoiserie style used materials and elements like pagoda shapes, bamboo, lacquer surfaces, bird and flower motifs and other interpretations of Asian design on pieces that were frequently set against vibrant wallcoverings. This whimsical approach yielded chinoiserie furniture that boasted dramatic flourishes drawing on the natural world and reflected the dominance of Rococo during the 18th century.

As chinoiserie was shaped by approximations of Asian design by European creators, it had regional variations, such as Chinese Chippendale in England where cabinets, chairs and tea tables had wooden fretwork designs and “japanned” surfaces intended to resemble lacquer work that was created in East Asia. In North America, furniture makers in Boston and New York integrated chinoiserie-painted scenes into Queen Anne furniture.

Antique chinoiserie furniture has continued to be fashionable, from its popularity with decorators of the Hollywood Regency era — James Mont, Tommi Parzinger, William Haines and Samuel Marx favored the style — to contemporary interior designers, although it brings with it a complex history.

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Decorative vases and antique and vintage urns are statement objects for the home that can date back centuries. Ranging from pieces with intricate, hand-painted details to more minimal forms with abstract shapes, decorative vases and urns come in a range of styles and sizes.

An urn is a type of vase that typically has a cover, a narrow neck and a round body, sometimes with a footed pedestal. However, when a vessel is called an urn, this often denotes its purpose rather than its origin or shape. One of the urn’s most crucial roles was and remains to be to hold the ashes of people for funerary rites. Another type of urn is adorned with figures that tell a story or show a scene.

Some of the earliest vases were formed from clay or metal-like bronze. Mesopotamians used them not only for decoration but also for storage. In ancient Greece, vases and urns frequently depicted stories from mythology, showing images of the gods and heroes. In ancient Egypt, vases such as the amphora had ceremonial purposes.

Over time, vases grew in popularity among artists as a different kind of canvas for expression. Unlike many of the ancient examples, these vases were not always functional but instead made for a striking addition to one’s decor. Even a plain, solid-colored vase can add color or style to a room. Metal urns are elegant additions to your living room or foyer rather than outside, unless you’re partial to the alluring weathered patina that is expected to characterize an antique cast-iron garden urn.

Every interior designer will tell you that decorative objects are what make a house a home. Decorative objects trumpet the homeowner’s personality while bringing a room to life. For designers, they present an opportunity to express their creative vision.

When looking for a decorative vase, it’s important to note the design and also the size and shape. Decorative vases vary from those with a wide base to those with long slender necks. Browse decorative vases and an extensive ceramic urn collection on 1stDibs.