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Max Ingrand 2126 Model

Max Ingrand ‘2126’ Model 3-Light Ceiling Pendant for Fontana Arte, Italy
By Fontana Arte, Max Ingrand
Located in Rovereta, SM
Rare three-light ceiling pendant by one of Fontana Arte, Max Ingrand. The ‘Gemme di Cristallo
Category

Mid-20th Century Italian Mid-Century Modern Chandeliers and Pendants

Materials

Aluminum

Rare Max Ingrand for Fontana Arte Chandelier, Italy, C1961
By Fontana Arte, Max Ingrand
Located in London, GB
Max Ingrand for Fontana Arte Model 2126. Italy, c1961. Three cones. Nickelled oxidised brass with
Category

Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Brass, Nickel

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Marco Zanuso, Pair of Senior Chairs, 1950s and matching pair of ottomans
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Category

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Oscar Torlasco Table Ligth
Oscar Torlasco Table Ligth
H 18.9 in W 14.97 in D 14.97 in
Asymmetrical Mirror by Max Ingrand for Fontana Arte
By Max Ingrand, Fontana Arte
Located in London, GB
Rare asymmetric mirror by Max Ingrand for Fontana Arte. Glass is beautiful grey colour Fontana label verso.
Category

Vintage 1960s Italian Mid-Century Modern Wall Mirrors

Materials

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Vivai del Sud Mirrored Screen with Bamboo Palm Trees, C1970
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Tavolino Mod. "1774", Disegnato Da Max Ingrand Per Fontana Arte Italia, 1958
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By Nathalie Grenon, Fontana Arte
Located in London, GB
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Category

1990s Italian Mid-Century Modern Table Lamps

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Nathalie Grenon for Fontana Arte
Nathalie Grenon for Fontana Arte
H 24.41 in W 13.78 in D 9.85 in
Pair of Large Minimalist Gallotti and Radice Table Lights, Italy c1965
By Gallotti & Radice
Located in London, GB
A rare pair of Gallotti and Radice table lights. There were three sizes of this model. These being the largest size. Measures: Height. 65cm.     
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Vintage 1960s Italian Modern Table Lamps

Materials

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Recent Sales

Max Ingrand ‘2126’ Model 3-Light Ceiling Pendant for Fontana Arte, Italy
By Max Ingrand
Located in London, GB
directors, Max Ingrand. The ‘Gemme di Cristallo’ ceiling light was designed in 1961 and is comprised of
Category

Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Brass

Max Ingrand for Fontana Arte No. 2126 Three-Cone Chandelier
By Max Ingrand
Located in New York, NY
Rare Max Ingrand for Fontana Arte "gemme di cristallo" chandelier model no 2126, produced by
Category

20th Century Italian Mid-Century Modern Chandeliers and Pendants

Materials

Crystal, Brass

Rare 3-Cone Pendant #2126 by Max Ingrand
By Fontana Arte, Max Ingrand
Located in New York, NY
oxidized finish. Each cone holds a faceted crystal diffuser. A very rare and special model.
Category

Vintage 1960s Italian Chandeliers and Pendants

Rare Max Iingrand Ceiling Lamp N. 2126 by Fontana Arte 1961 "Gemme di Cristallo"
By Fontana Arte, Max Ingrand
Located in Rome, IT
rare Max Ingrand ceiling lamp " gemme di cristallo " model n. 2126 manufactured by FONTANA ARTE
Category

Vintage 1960s Italian Modern Chandeliers and Pendants

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Finding the Right chandeliers-pendant-lights for You

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.