Oxford Reinhard

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

Life becomes art in figurative photography. Shared moments are captured and history is recorded in images of people and their lives.

Figurative photography is often used to describe a kind of photography in which people are the subject. Early black and white photography of people can be a glimpse into a past century — witness the celebrated work of photographers such as Ansel Adams or lesser-known artists like Berenice Abbott, for example. The cultural and social standards of the time are captured in these figurative photographs.

Mid-century photos might show the life and fashions of the day, sometimes with the shared thread of humanity, joy and love. Indeed, figurative photographs can be a source of inspiration and wonder, speaking of common life experiences and beauty. Vintage photos of celebrities and iconic actors can be valuable keepsakes as snapshots of a bygone era.

Just as if you were bringing paintings, prints or drawings into your space as part of the decor, there are many ways to arrange your figurative photography. Large photos can be statement pieces in a room. Smaller photographs can be placed on bookcases or on compact wall spaces to add an artistic element to a living room or a bedroom.

Find a collection of figurative photography on 1stDibs today.