Peter Max Central Park

Born Peter Max Finkelstein in Berlin in 1937, psychedelic Pop art icon Peter Max spent the first part of his childhood in Shanghai after his parents emigrated from Germany to flee the Nazis. While there, Max developed his deep interest in American pop culture — namely comic books, jazz and cinema. Max’s paintings, graphic design, prints and illustrations, which were inspired by these interests, were also informed by his experience with synesthesia, a sensory condition that causes him to see music and hear color.

After relocating to Haifa, Israel, then Paris, where he spent a significant amount of time in sketching classes at the Louvre, a teenage Max and his family finally moved to the United States, settling in Brooklyn. Max enrolled in the Art Students League of New York in 1956, training under Frank J. Reilly, and then the School of Visual Arts. Throughout art school, Max focused on photorealism, but he found the style too restrictive. When he graduated and opened his graphic design studio with friends in 1962, he began experimenting with abstraction and color — just in time for the psychedelic era.

The technicolor works for which Max would become known are characterized by big and bold graphic qualities — not dissimilar to what you’d find in his beloved comic books. Some deeper themes emerged across his work too: Max spent a good portion of the 1960s and 1970s creating his signature cosmic style, inspired by his fascination with astronomy and Eastern philosophies.

For Max and his partners, the graphic design business was highly successful, with commissions rolling in from advertising agencies, magazines and even Hollywood in the form of movie posters. The artist was featured on the cover of Life in 1969, and by the 1970s, he was practically a household name.

Max's body of work extended into product design, including a line of clocks for General Electric, while his domination of the commercial art scene continued for decades. He was commissioned to paint a postage stamp honoring the World’s Fair of 1974 (Expo ‘74); a Statue of Liberty series in which some proceeds went on to fund the statue’s restoration; posters and other advertising materials for major events like the Super Bowl, the U.S. Open and the Grammys; a Dale Earnhardt race car; and even the hull of the Norwegian Breakaway cruise ship.

Commercial activities aside, Max has long been the subject of many museum exhibitions, from his first solo show in 1970, “The World of Peter Max,” at the M.H. de Young Memorial Museum in San Francisco to 2016's “Peter Max: 50 Years of Cosmic Dreaming” at the Tampa Museum of Art in Florida. Today, his work belongs to the collections of the Museum of Modern Art in New York, the Philadelphia Museum of Art and other institutions.

Find original Peter Max lithographs, paintings, signed art and other works for sale on 1stDibs.

Add a welcome personal touch to your space and tie your distinctive interior scheme together by introducing antique and vintage posters to any and every room of your home.

In the late 19th century, following the advent of text-heavy posters printed from woodblocks for use in taverns and shop windows, hand-drawn poster art had become commonplace in regions such as France, England and the United States. Well-known illustrators were commissioned to produce decorative posters to advertise political campaigns, theatrical events, books, household goods and other items. Early poster artists used a printmaking technique called lithography, which sees drawings or paintings created on a stone (or metal) surface with an oil-based substance, such as a greasy crayon or tusche (an oily wash). The image is eventually affixed to the surface by means of a chemical reaction, and ink adheres to certain sections of the surface while non–image areas are made to repel the ink.

If you wanted a color lithograph in the early days, the number of stones prepared had to match the number of colors you commissioned for the poster. French painter Jules Chéret, widely known as the father of the modern poster, designed some of history's most popular lithographic posters that featured color. Today, Chéret’s art is highly collectible, along with original works by Czech painter and decorative artist Alphonse Mucha, whose posters advertising theatrical productions helped define Art Nouveau.

Over time, poster artists transitioned to more advanced techniques. Using silkscreens, woodblocks and photolithography, painters and illustrators printed larger quantities at a faster rate.

If you’ve finally tracked down that vintage movie poster, mid-century modern promotional travel poster or other work and you’re looking to find out if it is valuable, distinguishing between an original poster and a reproduction can be complicated. A professional appraiser can work with you on factors such as rarity, assessing the physical condition of your poster and authenticating your piece. For now, take care of your new acquisition because conserving posters is essential in helping them retain their value. A practical conservation method is to have the work mounted on archival, acid-free paper and thin artist’s canvas, then enclosing it in a sturdy frame. (And here is a primer on how to hang wall art, be it arranged gallery-style or otherwise.)

On 1stDibs, find all kinds of posters for your home today.