The postwar-era work of Danish sculptor and designer Jens Harald Quistgaard is still exceedingly popular in living rooms, dining rooms and kitchens in the United States, Europe and Japan, particularly in the homes of mid-century design enthusiasts. Having created serving pieces and barware for Dansk Designs for 30 years, Quistgaard produced striking Scandinavian modernist designs that married function with sophisticated form.

After demonstrating artistic talent at a young age, Quistgaard was gifted a forge and anvil so that he could work in his mother’s kitchen. He built toys, jewelry and hunting knives under his father’s tutelage. Later, he spent years learning from local artisans how to produce wood, metal, ceramic and glass models. Quistgaard’s career path solidified during his apprenticeship as a silversmith with legendary Danish silver firm Georg Jensen.

By 1954, Quistgaard had become known for his designs in Denmark when American entrepreneur and businessman, Ted Nierenberg, discovered his work. The two formed a partnership to mass-produce Quistgaard’s wares in New York while the designer remained in Copenhagen.

The long-distance relationship flourished for three decades, during which millions of Quistgaard pieces were manufactured in the factories of Dansk Designs, Nierenberg’s company. Owing primarily to the partnership between Dansk Designs and Quistgaard, many Americans became familiar with Scandinavian modernism. In the postwar era, American tastemakers sold the citizenry on the “Scandinavian dream,” suggesting that, like us, the inhabitants of the Nordic nations valued home, hearth, family and good craftsmanship and design, as well as democracy.

The designs for Quistgaard’s Købenstyle line and other collections during the mid-1950s were revolutionary, with bowls built like barrels and charming, lightweight monochrome tableware in enameled steel. Quistgaard utilized exceptional materials in the creation of his coveted cookware and serving pieces, opting for warm teak and exotic woods and reintroducing steel as a go-to option for kitchen wares.

Quistgaard’s designs won numerous awards and are held in the collections of museums all over the world. His work can be found in the Victoria & Albert Museum, the Louvre, the Museum of Modern Art and elsewhere.

Find vintage Jens Harald Quistgaard decorative objects, serveware and other furniture on 1stDibs.

Finding the Right chairs for You

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames.

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office.

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.