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Samuel Chamberlain On Sale

The Hospital, Santa Cruz, Toledo.
By Samuel Chamberlain
Located in Storrs, CT
Samuel Chamberlain, N.A. The Hospital, Santa Cruz, Toledo. 1938. Etching. Kingslund/Chamberlain 271. 9 3/16 x 7 5/8 (sheet 13 1/8 x 10 1/8). Edition 100 for The Print Club of Albany...
Category

1930s American Modern Landscape Prints

Materials

Etching

People Also Browsed

Summer Blues (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Summer Blues. Oil on Arches paper, image measures 9.75 x 11.75 inches; sheet measures 22 x 30 inches....
Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Monotype

The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

White Monday
By Martin Lewis
Located in Fairlawn, OH
Signed in the plate lower left Note: Printed on September 26, 1980 in an edition of 4 restrikes. Reference: Paul McCarron, The Prints of Martin Lewis: A Catalogue Raisonne (Bro...
Category

1970s Landscape Prints

Materials

Drypoint

Le Lever - Impressionist Figures in Interior Pastel by Jean Louis Forain
By Jean Louis Forain
Located in Marlow, Buckinghamshire
Signed impressionist figurative pastel on board circa 1895 by sought after French impressionist painter Jean Louis Forain. The piece depicts a man asleep in a bed while a woman stand...
Category

Late 19th Century Impressionist Figurative Paintings

Materials

Pastel, Board

From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Landscape Prints

Materials

Aquatint, Etching

The Right Honorable George, Earl of Aberdeen, K.T., First Lord of the Treasury
Located in Mount Vernon, NY
Inscriptions: Printed, bottom: Painted by Sir John Watson Gordon R.A. P.R.S.A. / Edinburgh Published May 10th 1853 by Alex Hill Printseller to the Queen & H.R.H. Prince Albert / Engr...
Category

Late 19th Century Portrait Prints

Materials

Engraving

'Soaring Steel' — 1920s Realism, Chicago Cityscape
By Samuel Chamberlain
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the a...
Category

1920s American Modern Landscape Prints

Materials

Drypoint

Shadows of Venice. (Il Ponte di Rialto, Venezia)
By John Taylor Arms
Located in Storrs, CT
1930. Etching and aquatint. Fletcher catalog 229 state g ii. 10 1/8 x 12 (sheet 11 5/8 x 16 1/2). Italian Series, plate #16. Edition 140 (+ 14 trial proofs). Illustrated: Dorothy Noy...
Category

1930s American Modern Landscape Prints

Materials

Aquatint, Etching

Summer Blues (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Oil on Arches paper, image measures 16.5 x 21.5 inches; sheet measures 22 x 30 inches. The subtle var...
Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Monotype

Slender-Billed Cockatoo, Bird Chromolithograph, circa 1885
Located in Melbourne, Victoria
Colour woodblock, finished by hand, by Benjamin Fawcett (1808-1893) after Alexander Francis Lydon (1836-1917). From WT Greene's 'Parrots In Captivity'. Alexander Francis Lydon was a...
Category

Late 19th Century Victorian Animal Prints

Materials

Lithograph

Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impress...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Under the Bridge
Under the Bridge
H 9.5 in W 12.13 in D 0.5 in
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching

At the Market, North Africa, Figural, Late 19th c Oil, Italian Artist
By Rubens Santoro
Located in Wiscasset, ME
Rubens Santoro was born in Mongrassano in the Calabria region of Italy in 1859 and began his apprenticeship with his two brothers in the studio of his father, Giovanni Battista Santo...
Category

Late 19th Century Impressionist Figurative Paintings

Materials

Oil, Board

The Capitol, The Williamsburg Series
By Samuel Chamberlain
Located in San Francisco, CA
This artwork titled "The Capitol, Williamsburg Series" 1940 is an original etching on paper by noted American artist Samuel V. Chamberlain, 1895-1975 It is hand signed and numbered 4...
Category

Mid-20th Century Realist Figurative Prints

Materials

Etching

Fine Antique British Botannical Plant Watercolour Painting, circa 1900's
Located in Cirencester, GB
A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...
Category

Early 20th Century Victorian Paintings

Materials

Other

The Governor Palace, Williamsburg Serie
By Samuel Chamberlain
Located in San Francisco, CA
This artwork titled "The Governor Palace, Williamsburg Series" 1940 is an original etching on paper by noted American artist Samuel V. Chamberlain, 1895-1975 It is hand signed and nu...
Category

Mid-20th Century Realist Figurative Prints

Materials

Etching

Recent Sales

Curving Canyon, Manhattan (the NYC skyline)
By Samuel Chamberlain
Located in New Orleans, LA
"The Curving Canyon, New York" is a great New York etching, image size 8 5/8 x 5 3/4 inches, 1929, cat: Chamberlain-86, pencil signed and numbered below the image. Samuel V. Chamber...
Category

1920s American Modern Landscape Prints

Materials

Drypoint

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Samuel Chamberlain for sale on 1stDibs

Samuel V. Chamberlain, printmaker, photographer, author, lecturer, and teacher was born in Cresco, Iowa on October 28, 1895. His family moved to Aberdeen, Washington in 1901 and, in 1913, Chamberlain enrolled in the University of Washington in Seattle where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued and tried for a few years to work as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel in Spain, North Africa, and Italy. In 1924 he was living in Paris and in the spring he studied lithography with Gaston Dorfinant and in the autumn and winter months, he studied etching and drypoint with Edouard Léon. He published his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne at the Royal College of Art in London. He taught part-time at the School of Architecture, University of Michigan, Ann Arbor; and the School of Architecture, Massachusetts Institute of Technology between his travels abroad. Chamberlain eventually settled for a dozen years in France. He authored and sometimes co-authored, with his wife Narcissa, Domestic Architecture of Rural France, Clementine in the Kitchen, New England Rooms 1639-1863, and Charleston Interiors. Chamberlain was a member of the American Academy of Arts and Sciences, the American Institute of Architects, the American Society of the French Legion of Honor, the Boston Camera Club, the Boston Printmakers, the Chicago Society of Etchers, Photographic Society of America, the Print Club of Albany, the Society of American Etchers, and was elected an Academician in the National Academy of Design. His work is represented in the collections of the Smithsonian American Art Museum, the Library of Congress, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the National Academy Museum, the Harvard Art Museums, the Carnegie Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts Boston, and the Nelson-Atkins Museum of Art. Samuel V. Chamberlain died in Marblehead, Massachusetts on January 10, 1975.

Finding the Right figurative-prints-works-on-paper for You

Bring energy and an array of welcome colors and textures into your space by decorating with figurative fine-art prints and works on paper.

Figurative art stands in contrast to abstract art, which is more expressive than representational. The oldest-known work of figurative art is a figurative painting — specifically, a rock painting of an animal made over 40,000 years ago in Borneo. This remnant of a remote past has long faded, but its depiction of a cattle-like creature in elegant ocher markings endures.

Since then, figurative art has evolved significantly as it continues to represent the world, including a breadth of works on paper, including printmaking. This includes woodcuts, which are a type of relief print with perennial popularity among collectors. The artist carves into a block and applies ink to the raised surface, which is then pressed onto paper. There are also planographic prints, which use metal plates, stones or other flat surfaces as their base. The artist will often draw on the surface with grease crayon and then apply ink to those markings. Lithographs are a common version of planographic prints.

Figurative art printmaking was especially popular during the height of the Pop art movement, and this kind of work can be seen in artist Andy Warhol’s extensive use of photographic silkscreen printing. Everyday objects, logos and scenes were given a unique twist, whether in the style of a comic strip or in the use of neon colors.

Explore an impressive collection of figurative art prints for sale on 1stDibs and read about how to arrange your wall art.