Sigrid Kupetz

The fine brass, copper and silver metalware produced by distinguished manufacturer Württembergische Metallwarenfabrik (WMF) has adorned the tabletops of restaurants, hotels and homes around the world. WMF is especially prized by collectors for its Art Nouveau works of the late 19th century and Art Deco pieces manufactured throughout the early 20th century.

WMF traces its beginnings to 1880 when the merger of Straub & Sohn and Ritter & Co. formed the public limited company Württembergische Metallwarenfabrik. The company initially focused on tableware and decorative pieces, such as vases and planters. In 1892, WMF introduced its patented “perfect hard silver plating,” a technology that distributes twice as much silver to the sections of cutlery that experience the most wear, allowing the whole piece to hold its luster longer than other silver-plated products.

In 1905, WMF acquired a majority holding of Orivit AG, a company in Cologne that manufactured products from a tin alloy, further expanding its range of materials. By 1910, its main facility in Geislingen, Germany, employed 4,000 workers. It had branches in Vienna, Warsaw and London, and printed a catalog in 12 languages.

As a German business, WMF experienced extensive asset loss in the aftermath of the world wars. However, by 1950, its main facility once again had a workforce of more than 3,000 employees, and its high-quality products returned to popularity. There was an increase in demand for its Cromargan cutlery as well as work by WMF’s preeminent lighting designer, Wilhelm Wagenfeld.

By the 1960s, WMF’s main facility had 5,800 employees. More factories were opened to keep up with demand. WMF is now one of the largest manufacturers of metalware in the world and continues to produce pieces of superb quality. The company has over 200 branches in Germany, Austria and Switzerland, and owns branches in 40 other countries.

On 1stDibs, explore serveware, decorative objects, lighting and more from Württembergische Metallwarenfabrik (WMF).

In 1880, polymath designer William Morris declared: “If you want a golden rule that will fit everybody, this is it: Have nothing in your houses that you do not know to be useful or believe to be beautiful.” His words encapsulated the Aesthetic Movement, which prized beauty above all and blurred the lines between fine art and the decorative arts, particularly through lavishly crafted furniture pieces.

The Aesthetic Movement, whose major proponents included author Oscar Wilde, flourished from the 1860s to the 1880s and was mostly popular in England and the United States. Design expositions like the 1876 Centennial International Exhibition in Philadelphia, as well as the publishing of how-to books for interior design, helped disseminate Aesthetic Movement bedroom furniture, serveware, coffee tables and other items, especially to the middle class.

The establishment of new art museums, art clubs and a rising passion for collecting at the time contributed to a growing appreciation for art. Morris’s founding of Morris & Co. in 1862 and the commercializing of this “cult of beauty” by the Liberty store in London, starting in the late 19th century, further disseminated the idea of a domestic space that was thoughtfully and floridly designed.

Leading Aesthetic Movement furniture designers included E.W. Godwin, who drew on Japanese influences and whose work reflected a wider enthusiasm for imported East Asian art. British designer Christopher Dresser created textiles, ceramics and more that were also inspired by Japanese decorative art but were representative of additional diverse design sources that ranged from Egypt to Mexico.

The Aesthetic Movement’s eclecticism resulted in dazzling interiors. Japanese fans were positioned on Renaissance-inspired cabinets with brass hardware, while mantels made of rich walnut or finely carved ebonized wood and adorned with painted Minton tiles mingled with cast-iron chairs against a backdrop of floral wallpaper. In 1881, in New York City, stenciled checkerboard motifs and painted floral murals could be found under an opalescent glass chandelier in a luxurious dressing room designed by German émigré cabinetmaker-decorator George Alfred Schastey. Amid the rise of the industrial age, the style’s promotion of art in everyday life would inform the Arts and Crafts Movement and Art Nouveau.

Find a collection of antique Aesthetic Movement seating, tables, decorative objects and other furniture and antiques on 1stDibs.

For thousands of years, vases and vessels have had meaningful functional value in civilizations all over the world. In Ancient Greece, ceramic vessels were used for transporting water and dry goods, holding bouquets of flowers, for storage and more. Outside of utilitarian use, in cities such as Athens, vases were a medium for artistic expression — pottery was a canvas for artists to illustrate their cultures’ unique people, beliefs and more. And pottery skills were handed down from fathers to sons.

Every antique and vintage vase and vessel, from decorative Italian urns to French 19th-century Louis XVI–style lidded vases, carries with it a rich, layered story. 

On 1stDibs, there is a vast array of vases and vessels in a variety of colors, sizes and shapes. Our collection features vessels made from delicate materials such as ceramic and glass as well as durable materials like rustproof metals and stone.

A contemporary vase can help introduce an air of elegance to your minimalist space while an antique Chinese jar would make a luxurious addition to an Asian-inspired interior. Alternatively, if you’re looking for a statement piece, consider an Art Deco vase crafted by Italian architect and furniture designer Gio Ponti.

Vases and vessels — be they handmade pots, handblown glass wine bottles or otherwise — are versatile, practical decorative objects, and no matter your particular design preferences, furniture style or color scheme, they can add beauty and warmth to any home. Find yours on 1stDibs today.