Steichen Photogravure

Though he began his artistic career as a painter, training at the Académie Julian in Paris, Edward Steichen is also known for his role in revolutionizing photography from a commercial tool into an artistic medium. 

Famed artist and gallerist Alfred Stieglitz often featured Steichen’s artwork in the magazine Camera Work, published from 1903 to 1917 as photography gained popularity. Over the years, Steichen served as the chief photographer for Vogue and Vanity Fair as well as the Director of Photography at the Museum of Modern Art in New York. 

Steichen’s dramatic, highly stylized compositions and curatorial eye catapulted photography into greater prestige. An art critic quipped in 1905: "One should not say that he recalls Rembrandt but rather, at this rate, that Rembrandt will, in time, remind us of Steichen."

As Steichen shifted his artistic focus to photography, he destroyed nearly all of his painted compositions. Beethoven represents one of the very few surviving paintings and is considered his most remarkable.

Simultaneously realistic and symbolic, Beethoven reflects Steichen’s unmistakable talent for composition, balance and hue. He completed the painting in 1902, immediately receiving critical praise for its commanding nature. Beethoven was hung prominently beside his photos at Steichen’s first solo show in June 1902 at La Maison des Artistes. The artwork was then proudly exhibited at the St. Louis World’s Fair in 1904, and later at the "National Arts Club Special Exhibition of Contemporary Art" in 1908.

Find original Edward Steichen photography and other art on 1stDibs.

(Biography provided by M.S. Rau)

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.