William Klein On Sale

American photographer William Klein continually channeled the zeitgeist through his oeuvre, imbuing his photography with startling honesty and empathy, as well as his own particular brand of abstraction. The portraits, scenes and scenarios resemble windows into a world where reality has begun to warp, sometimes dreamily, other times more emphatically, so that snapshot moments are strangely portentous or full of possibility.

Klein was best known for his early fashion shots and arresting street photography, capturing, with candor and humanity, life in cities around the world, including Rome, Moscow, Tokyo and Paris. His gritty and grainy images of 1950s New York are widely considered his most powerful, documenting the underbelly of a growing metropolis, with his focus set on the energy and multidimensional nature of postwar culture. In his 1955 image Selwyn Theatre, 42nd Street, New York, for example, Klein contrasted the gleaming silhouette of a car with the faded-out forms of a group of young men about town, creating strong graphic patterns that suggest a sense of abandon and opportunity.

Klein’s aesthetic, however, is not easy to summarize, since he demonstrated an eager embrace of experimentation through the decades. Early street shots are often out of focus and taken at unexpected angles, while his 1960s fashion shots and celebrity portraits for Vogue’s American, French and British editions are sleek and subtly Surrealist, pioneering a new style that put the spotlight on the beauty of the composition rather than the allure of the clothes, as seen in Smoke and Veil (1956) and his 1961 portrait of Anouk Aimée for Paris Vogue.

In addition to photography, Klein explored painting, filmmaking, graphic design and publishing, adopting a polymathic attitude to the arts. Klein began his career as a painter under the tutelage of French abstractionist Fernand Léger, having moved to Paris in 1948. The experience opened his mind to the possibilities of manipulated form, specifically the illusionary effects achieved through the playful arrangement of light and shadow.

A commission from 1952 was instrumental in his side step into photography. Having created a painted room divider for an architect, Klein took photographs of the rotating piece. His delight in the fragmented shapes created by the movement prompted him to make thousands of abstract photograms by applying shifting geometrical forms on photographic paper during long exposures.

Indeed, the unorthodox mixture of disorder and imperfection, along with beauty and energy, remained a constant in his work, as evidenced by such unconventionally arresting images as Candy Store, Amsterdam Avenue, New York (1955), Independence Day Parade, Dakar (1963) and Black Venus West Indian Day Parade, Brooklyn, New York (2013). Among Klein’s most famous celluloid achievements is his 1964 documentary Cassius the Great, dedicated to a young Muhammad Ali in the run up to his fight with Sonny Liston.

In fact, many of Klein’s photographs and films have a strong sociopolitical dimension, although they were not intended as acts of propaganda. Instead, they raised awareness about conditions of flux, antagonism, hope and change, especially among African American and minority communities as they navigated times of change. This is exemplified by vibrant shots like Easter Sunday, Harlem High Hat, New York and Moves and Pepsi, Harlem, both featured in the self-designed and self-published seminal tome New York: 1954.55.

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The first permanent image created by a camera — which materialized during the 1820s — is attributed to Joseph Nicéphore Niépce. The French inventor was on to something for sure. Kodak introduced roll film in the 1880s, allowing photography to become more democratic, although cameras wouldn’t be universally accessible until several decades later. 

Digital photographic techniques, software, smartphone cameras and social-networking platforms such as Instagram have made it even easier in the modern era for budding photographers to capture the world around them as well as disseminate their images far and wide. 

What might leading figures of visual art such as Andy Warhol have done with these tools at their disposal?

Today, when we aren’t looking at the digital photos that inundate us on our phones, we look to the past to celebrate the photographers who have broken rules as well as records — provocative and prolific artists like Horst P. Horst, Lillian Bassman and Helmut Newton, who altered the face of fashion and portrait photography; visionary documentary photographers such as Gordon Parks, whose best-known work was guided by social justice; and pioneers of street photography such as Henri Cartier-Bresson, who shot for revolutionary travel magazines like Holiday with the likes of globetrotting society lensman Slim Aarons.

Find photographers you may not know in Introspective and The Study — where you’ll read about Berenice Abbott, who positioned herself atop skyscrapers for the perfect shot, or “conceptual artist-adventurer” Charles Lindsay, whose work combines scientific rigor with artistic expression, or Massimo Listri, known for his epic interiors of opulent Old World libraries. Photographer Jeannette Montgomery Barron was given a Kodak camera as a child. Later, she shot on Polaroid film before buying her first 35mm camera in her teens. Barron's stunning portraits of Jean-Michel Basquiat, Warhol and other artists chronicle a crucial chapter of New York’s cultural history.

Throughout the past two centuries, photographers have used their medium to create expressive work that has resonated for generations. Shop a voluminous collection of this powerful fine photography on 1stDibs. Search by photographer to find the perfect piece for your living room wall, or spend some time with the work organized under various categories, such as landscape photography, nude photography and more.