Destination: Alps

This classic David Hockney image was produced for the 1972 Olympics held in Munich from 26 August to 10 September. The XX Olympiad had 195 sporting events and over 7000 athletes atte...

This original vintage poster is from the 1972 Olympic Games held in Munich, Germany. Posters were important for the marketing of this event, the XX Olympiad, which took place between...

Original Barcelona Summer Olympic Poster for the XXV Games by Artist Robert Llimós. Robert Llimós was born on 19 October 1943 in Barcelona. ...

The 1992 Summer Olympics, officially known as the games of the XXV Olympiad and commonly known as Barcelona '92, were an international multi-sport event held from 25 July to 9 August...

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

A wonderful treasure of mid-century advertising, displaying the Alps, this beautiful original tourism poster was created by the Ministere Des Travaux Publics Des Transports Et Du Tou...

Vintage, Alpine Ski photograph. 'THE JUMP', a new mounted black and white photographic image after an original 1930s skiing photograph. Prior to being a recreational activity skiing was purely a means of travelling from A to B through the snow, it only started to become the sport it is today in the mid-1800s. The price displayed is for the mounted photo only. Image size 25.5cm x 40cm = 10 X 15 ½" ". The alpine photograph...

Eduardo Arroyo Rodríguez (26 February 1937 – 14 October 2018) was a Spanish painter and graphic artist. He was also active as an author and set designer. Arroyo, who was born in M...

The painter Guillermo Pérez Villalta was born in 1948 in Cadiz. He studied architecture but eventually moved on to study painting. He moved to...

Lovely design by Jean Boyer features on this 1935 St Honore Les Bains French PLM Railway Travel Advertising Poster. An incredibly rare poster Nestled in the valley of three mountain...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...

We love the beautiful Art Deco design by artist Andre Bermond that features on this original 1930s French Bandol travel poster. Bandol is a modern resort area in Europe which began...