Assouline Publishing Photography

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Au...

Large black and white historical picture depicting the ship Virgen de Africa Cadiz, dated 1917. Original frame, 112 x 79 - inches 44 x 31. Good condition.

Collection of Leather Bound Art Deco Photo Albums of European Travel, the actual albums are probably French, circa 1920's. They document fabulous trips throughout Europe in the 1920'...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Audrey Hepburn collection stamp and numerical notations verso From the Personal Collection of Audrey Hepburn...

Audrey Hepburn on the set of 'Paris When It Sizzles' Vintage gelatin silver print by Vincent Rossell Photographer's credit stamp, Audrey Hepburn ...

Vintage style Photography, framed Alpine Ski Photograph, the lift. 'THE LIFT', a modern framed and mounted black and white photographic image after an original 1930s skiing photogra...

Vintage style photography, framed alpine ski photograph, Opps!. 'OPPS!', a modern framed and mounted black and white photographic image after an original 1930s skiing photograph. Th...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

Out of the Studio by Tom Bianchi. Published by St.Martin's Press, 1991. Stated 1st Ed hardcover with dust jacket. The unself-conscious and affectionate con...

"Wonderful Time, An Intimate Portrait of the Good Life by Slim Aarons." New York: Harper & Row, Publishers. Stated first edition hardcover with no dust jacket, 1974. A photo essay do...

Emerging Bodies: Nudes from the Polaroid Collections by Barbara Hitchcock. Published by Edition Stemmle, Zurich, 2000. 1st Ed with dust jacket. A long list of well-known and relative...

COLLECTION OF EARLY 20TH CENTURY SPORTING PHOTO'S BELIEVE THAT THESE ARE REPRINTS