Assouline Publishing Photography

Vintage style photography, framed alpine ski photograph, Opps!. 'OPPS!', a modern framed and mounted black and white photographic image after an original 1930s skiing photograph. Th...

Collection of Leather Bound Art Deco Photo Albums of European Travel, the actual albums are probably French, circa 1920's. They document fabulous trips throughout Europe in the 1920'...

Audrey Hepburn on the set of 'Paris When It Sizzles' Vintage gelatin silver print by Vincent Rossell Photographer's credit stamp, Audrey Hepburn ...

Vintage style Photography, framed Alpine Ski Photograph, the lift. 'THE LIFT', a modern framed and mounted black and white photographic image after an original 1930s skiing photogra...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Au...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Audrey Hepburn collection stamp and numerical notations verso From the Personal Collection of Audrey Hepburn...

Out of the Studio by Tom Bianchi. Published by St.Martin's Press, 1991. Stated 1st Ed hardcover with dust jacket. The unself-conscious and affectionate con...

Large black and white historical picture depicting the ship Virgen de Africa Cadiz, dated 1917. Original frame, 112 x 79 - inches 44 x 31. Good condition.

Emerging Bodies: Nudes from the Polaroid Collections by Barbara Hitchcock. Published by Edition Stemmle, Zurich, 2000. 1st Ed with dust jacket. A long list of well-known and relative...

COLLECTION OF EARLY 20TH CENTURY SPORTING PHOTO'S BELIEVE THAT THESE ARE REPRINTS

"Wonderful Time, An Intimate Portrait of the Good Life by Slim Aarons." New York: Harper & Row, Publishers. Stated first edition hardcover with no dust jacket, 1974. A photo essay do...

The Gernsheim Collection, Edited by Roy Flukinger. University of Texas Press, Sep 1, 2010. One of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. It includes some 35,000 major and representative photographs from the 19th and 20th c; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim Collection one of the world's premier resources for the study and appreciation of the development of photography. Published to coincide with a landmark exhibition staged by the Harry Ransom Center at the University of Texas at Austin, which owns the collection, this book presents masterpieces of the collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-20th c. Each full-page image is accompanied by an extensive annotation in which Roy Flukinger describes the photograph's place in the evolution of photography and also within the Gernsheim Collection. Flukinger also provides an enlightening introduction in which he traces the Gernsheims' passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry. Appreciations of the Gernsheim Collection by Alison Nordström and Mark Haworth...