"Mme de Noirmont", Oil on Canvas Portrait, circa 18th Century
By (circle of) Nicolas de Largillierre
Located in Detroit, MI
This painting titled "Mme de Noirmont" is an oil on canvas work from the studio of Nicolas de Largilliere, one of the most prolific and esteemed French portrait painters of the 18th ...
Canvas, Adhesive, Oil
$168,489
H 94.49 in W 85.44 in D 1.19 in
Oil on Canvas Painting Portrait of the Italian Noble Family of Zanardi Count
By Lucia Casalini Torelli
Located in Firenze, IT
This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...
Canvas, Oil
$4,229
H 15.75 in W 15.75 in D 1.38 in
Yellow mood- 21st Century Contemporary portrait Painting
By Tania Rivilis
Located in Nuenen, Noord Brabant
Tania Rivilis Yellow mood 40 x 40 cm framed (included in price) 43,5 x 43,5 cm Oilpaint on canvas Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) fr...
Oil, Canvas
$3,900
H 32.49 in W 27.17 in D 2.37 in
The Italian Girl, Oil on Canvas, 1924
By Charles Picart le Doux
Located in Saint Amans des cots, FR
Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1924. The Italian girl. Very beautiful work where post-impressionism embellished with a few cubist touches form a harmoni...
Canvas, Oil
School of Paris, Barbara, Oil on Canvas, 1950s
Located in Saint Amans des cots, FR
This captivating 1950s oil on canvas portrait, possibly depicting the French singer Barbara, exudes an air of mystery and existential reflection. While the identity of the subject re...
Canvas, Oil
$4,000
H 24.81 in W 19.49 in D 2.96 in
Pere Creixams Spanish Woman, Oil on Canvas
By Pere Créixams Picó
Located in Saint Amans des cots, FR
Oil on canvas by Pere Creixams Pico (1893-1965), School of Paris, ca.1920. Beautiful Spanish woman. Provenance: Charpentier Gallery, 76 rue du Faubourg Saint Honore, Paris (Sotheby's...
Canvas, Oil
$9,365
H 39.38 in W 31.5 in D 1.38 in
Etcetera - 21st Century Contemporary Figure Painting of a Bare Chest Man
By Tania Rivilis
Located in Nuenen, Noord Brabant
Tania Rivilis Etcetera 100 x 80 cm Oilpaint on canvas Tania Rivilis (born in Ukraine 1986) 2022 winner of the 'William Locke Price' from the Royal Society of Portrait Painters UK...
Oil, Canvas
$5,000
H 47 in W 47 in D 1 in
"Prisoner of Love" Figurative Oil Painting 47" x 47" inch by Dmitriy Krestniy
By Dmitriy Krestniy
Located in Culver City, CA
"Prisoner of Love" Figurative Oil Painting 47" x 47" inch by Dmitriy Krestniy 2019 ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous,...
Canvas, Oil
$1,975
H 14.97 in W 10.63 in D 0.79 in
Untitled - Portrait Of A Man, Contemporary Figurative Oil Painting, Colourful
By Grzegorz Radecki
Located in Salzburg, AT
Grzegorz Radecki is a Professor at the Academy of Fine Arts in Gdansk, Poland. Painter and graphic artist, born in 1961 in Ostróda. Since 1981 he has been living and working in the...
Cotton Canvas, Oil
$7,500
H 50.01 in W 29.93 in
"THE BLACK COAT PROJECT - AMBER" Oil Painting 50" x 30" in by Charles Malinsky
By Charles Malinsky
Located in Culver City, CA
"THE BLACK COAT PROJECT - AMBER" Oil Painting 50" x 30" in by Charles Malinsky Artwork ships rolled in a tube. ABOUT THE ARTIST: Charles Malinsky is an internationally acclaimed C...
Canvas, Oil
$6,000
H 31 in W 31 in D 1 in
"Longing Lover" Figurative Oil Painting 31" x 31" inch by Omar Abdel Zaher
By Omar Abdel Zaher
Located in Culver City, CA
"Longing Lover" Figurative Oil Painting 31" x 31" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has be...
Canvas, Oil
$12,500
H 40 in W 30 in
"LEAVING VENICE" Oil Painting 40" x 30" inch by Khoren Keshishyan
By Khoren Keshishyan
Located in Culver City, CA
"LEAVING VENICE" Oil Painting 40" x 30" inch by Khoren Keshishyan Khoren Keshishyan is a celebrated American-Armenian painter and artist whose uniqu...
Canvas, Oil
$8,529
H 39.38 in W 59.06 in D 0.79 in
Femininity - Contemporary Figurative Oil Painting, Women Portrait, Realism
By Julita Malinowska
Located in Salzburg, AT
Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Canvas, Oil
Sold
H 37.8 in W 32.68 in
17th Century French Portrait of a Gentleman; Fine Frame
By (circle of) Nicolas de Largillierre
Located in London, GB
This item has a long and interesting provenance. This work formed part of a collection of pictures from the antiquaire André Coltée Ducarel (1713-1785). It descended through the Coltée Ducarel family the Palmer Baronets for over 300 years. This half-length portrait depicts a gentleman believed to be an ancestor of André Coltée Ducarel (1713-1785). The sitter is wearing a Japanese rok which was a type of banyan of rich brocaded silk, a crisp white lace cravat and silk bows. These garments were at the height of fashion in 1680's France. The banyan was commonly worn indoors (sometimes called an Indian or Persian gown due to their Eastern origin and Oriental cut) when visitors were met. Although very comfortable they were highly respectable and quite splendid (often made from brocades, velvets and silks, with elegant masses of fabric protecting against the cold or draughts). These garments and the full bottomed wig would have cost a fortune. The popularity of wigs was immense and this intensified the demand for them so much that natural hair became a valued commodity. Dealers in hair arose in all quarters and there are accounts in France that every peasant girl was trying to sell her hair. Unfortunately wig theft became common. The delicate modelling of the face and the sophisticated handling of the garments, notably the cravat, is indicative of a talented artist who excelled at the oil technique of painting. Presented in a good quality gilded antique frame. Provenance: The portrait has descended through the Coltée Ducarel family and Palmer Baronets for over 300 years:- • André (Andrew) Coltée Ducarel (1713-1785), Doctor of Civil Law in 1742, English antiquary, archivist, and librarian at Lambeth Palace, m. Sarah Desborough (1696-1791) and then to: • the son of his deceased youngest brother Gérard Gustavus Coltée du Carel (1745-1800), Marquis du Carel, Governor of Bengal m. daughter of the Maharajah of Purnea, and then to their son: • Philip John Ducarel (1778-1855) of Newland, Gloucestershire m. Catherine Jane Hyde Shawe (1786-1802) and then to: • his sister Mary's niece Elizabeth Julian Fench Simpson m. Charles Archdale Palmer (1813-1860), and then to their son: • Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933), and then to their son: • Sir John Archdale Palmer, 7th Baronet Palmer (1894-1963), and then to their son: • Sir John Edward Somerset Palmer, 8th Baronet Palmer (1926-) André (Andrew) Coltée Ducarel was born in Paris. His parents, Jacques Coltée Ducarel (1680-1718) and Jeanne Crommelin (1690-1723), were Huguenots from Normandy. Jacques was a banker and merchant, who achieved ennoblement in 1713 with the title Marquis de Chateau de Muids. He died in 1718, just as a new wave of Huguenot persecution was beginning, and in 1719 Jeanne fled with her three infant sons to England where they settled in Greenwich. There, Jeanne married her second husband, Jacques Girardot, another Huguenot. Andrew was sent to be educated at Eton and he later matriculated at Oxford from Trinity College, and graduated as a Bachelor of Civil Law. He was created Doctor of Civil Law in 1742 before being admitted a member of the College of Advocates at Doctors' Commons in 1743, and afterwards served as librarian there 1754-7, and as treasurer 1757-61. Ducarel was a fellow of the Society of Antiquaries of London, and he was one of the first fellows of the society on its incorporation in 1755. He was a fellow of the Royal Society of London. He was keeper of Lambeth Palace Library; a post that he remained in for nearly 30 years. He published a number of his own works. For many years Ducarel went on an antiquarian tour through different parts of the country, attended by a coachman and footman. They travelled about fifteen miles a day, and put up at inns. After dinner, Ducarel transcribed his topographical and archaeological notes. In 1752, he undertook a tour of Normandy and through his publications he effectively put Normandy on the map for the late 18th-century English traveller. He was one of the first Englishmen to see and appreciate the significance of the Bayeux Tapestry, and included the first detailed description in English as an appendix to Anglo-Norman Antiquities. The work later passed to Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933). This branch of the Palmer Baronetcy, family seat Wanlip Hall in the County of Leicester, was created in 1791 for Charles Grave Hudson, a Director of the South Sea Company and High Sheriff of Leicestershire in 1784. Today, the heir apparent is Robert John Hudson...
Canvas, Oil