Eugène Atget Still-life Photography

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will...

"Stanley Korshak" photographed in Dallas, TX, is an exquisite, original work of art by the talented Roman Crescimanno. This captivating photograph measures 10.5 x 10.5 inches and is ...

This vintage silver gelatin print is signed in pencil on the front of the mount.

Black and White, Trees, Botanical, Nature, Study, Still Life, Ecological, black & white, b&w, texture, trees, bark, leaves, photography, contemporary photography, woodlands, botanica...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Sweet Peas, 1907 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

This early silver gelatin contact print with margins bears the photographer's numerical exposure notes in pencil on the back of the print.

Monochromatic black matte photography on paper by well-known Polish artist Czeslaw Czaplinski. The artwork is minimalistic with composition in which...

New York City based wildlife and street photographer Viet Chu, shot this black and white image of people walking on century old cobblestone in New York City. With monochrome color he...

Monochromatic black matte photography on paper by well-known Polish artist Czeslaw Czaplinski. The artwork is minimalistic with composition in which...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

New York City based wildlife and street photographer Viet Chu, shot this black and white image of people walking on century old cobblestone in New York City. With monochrome color he...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...