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Joseph Stella Drawings and Watercolor Paintings

American, Italian, 1877-1946

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Lucano, a small town in the southern Apennines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals.

Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp.

Stella was 19 when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133).

(Biography provided by Hirschl & Adler)

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Artist: Joseph Stella
Lily and Bird
By Joseph Stella
Located in New York, NY
Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...
Category

Early 20th Century American Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Paper, Color Pencil

"Man with Beard"
By Joseph Stella
Located in Warren, NJ
This is an Joseph Stella original pencil drawing “man with beard” . In good condition comes from joseph Stella’s estate. In good condition measu...
Category

Early 20th Century Joseph Stella Drawings and Watercolor Paintings

Materials

Paper

Two Wood Ducks on a Flowering Branch
By Joseph Stella
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...
Category

20th Century American Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Color Pencil

STUDY OF A MAN WITH A HAT AND OVERCOAT
By Joseph Stella
Located in Portland, ME
Stella, Joseph. STUDY OF A MAN WITH A HAT AND OVERCOAT. Blue, red and black crayon on tan wove paper, c. 1920. 6 7/8 x 4 3/4 inches; 173 x 120 mm. Signe...
Category

1920s American Realist Joseph Stella Drawings and Watercolor Paintings

Materials

Crayon

Study for "The Jade Necklace"
By Joseph Stella
Located in Fairlawn, OH
Study for the painting "The Jade Necklace" Silver point drawing on prepared paper, n.d. Stamp lower right: "J Stella/JML Coll" (see photo) The painting of the same sitter and title, measures 21 3/4 x 18 1/8 inches, formerly handled by Richard York Gallery. (see photo) Provenance: Collection of the artist Mrs. Giovanni Stella, the artist's sister-in-law Josephine M...
Category

20th Century American Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Pencil

"Flowers" Joseph Stella, Vibrant Modernist Flower Composition on Paper
By Joseph Stella
Located in New York, NY
Joseph Stella Flowers Signed lower center Crayon and pencil on paper 13 1/4 x 10 1/4 inches Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Nap...
Category

Early 20th Century Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Paper, Crayon, Pencil

"Tropical Flower with Azalea" Joseph Stella, circa 1919 Academic Azalea
By Joseph Stella
Located in New York, NY
Joseph Stella Tropical Flower with Azalea, circa 1919 Signed lower right Silverpoint and crayon on paper Image 10 3/4 x 8 1/4 inches Sheet 11 x 12 1/4 inches Stella was born June 1...
Category

Early 20th Century Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Cactus Flower
By Joseph Stella
Located in Bryn Mawr, PA
Silverpoint and crayon on paper 4 11/16 x 3 inches 11.9 x 7.6 cm Framed dimensions 8 1/8 x 9 7/8 inches Provenance The artist; By bequest to his nephew, Sergio Stella, 1946; By desc...
Category

20th Century American Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Crayon

"Original Joseph Stella Drawing" - 20th Century Portrait Pencil Drawing
By Joseph Stella
Located in New Orleans, LA
A pencil sketch by famed American Modernist Joseph Stella, who burst on to the American scene at the epochal Armory Show of 1913 and whose work is today in the collections of every m...
Category

Early 20th Century Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Graphite

Blue Waterlily
By Joseph Stella
Located in Bryn Mawr, PA
Provenance The artist; By bequest to his nephew, Sergio Stella, 1946; By descent in the family, until the present Joseph Stella’s artistic career defies easy categorization. He was ...
Category

20th Century Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Crayon, Pencil

Joseph Stella Flower Study
By Joseph Stella
Located in Norwood, NJ
Joseph Stella (1877-1946, American, Italian) "Flower Study". Crayon and pencil on paper. Signed lower left. Image 6 7/8” x 4 /34”. Framed 12 1/2” x 10”. Gallery label Beadleston Gallery N.Y. N.Y. Joseph Stella (American, June 13, 1877–November 5, 1946) was a Futurist painter known for his association with the American Precisionism movement and his works depicting industrial America. Stella was born in Lucano, Italy. In 1896, he relocated to New York, NY, to study medicine. After becoming interested in art, Stella left his medical studies and began to study art at the Art Students League of New York. While there, he studied under William Merritt Chase. During this time, Stella's early works featured a Rembrandt style...
Category

20th Century American Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Crayon, Pencil

Three Flowers
By Joseph Stella
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of ...
Category

20th Century American Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Paper, Crayon

Middle Eastern Man with Turban and Blue Cloak in Profile against Yellow
By Joseph Stella
Located in Miami, FL
Portrait in primary blues and yellow of perhaps a Persian man. He is in profile set against a decorative yellow background with floral elements. The work...
Category

1940s Modern Joseph Stella Drawings and Watercolor Paintings

Materials

Paper, Pencil, Color Pencil

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Joseph Stella drawings and watercolor paintings for sale on 1stDibs.

Find a wide variety of authentic Joseph Stella drawings and watercolor paintings available for sale on 1stDibs. You can also browse by medium to find art by Joseph Stella in pencil, paper, color pencil and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Joseph Stella drawings and watercolor paintings, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Winold Reiss, Dong Kingman, and Emil Bisttram. Joseph Stella drawings and watercolor paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $675 and tops out at $77,500, while the average work can sell for $10,500.
Questions About Joseph Stella Drawings and Watercolor Paintings
  • 1stDibs ExpertOctober 15, 2024
    Joseph Stella is known for his work as an artist. He was a visionary artist who painted what he saw: an idiosyncratic and individual experience of his time and place. Stella was 19 when he arrived in the United States and studied in the early years of the century at the Art Students League and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line and his mastery of its techniques are apparent in his early illustrations for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved to more and more abstract forms, Stella freely reverted to earlier realist modes of representation whenever it suited him. Some of his most famous works include Battle of Lights, Coney Island, Mardi Gras; The Brooklyn Bridge: Variation on an Old Theme and Flowers, Italy. Shop a selection of Joseph Stella art on 1stDibs.
  • 1stDibs ExpertAugust 29, 2024
    No, Frank Stella was not related to Joseph Stella. While it's possible that in-depth genealogical research may uncover a shared ancestor many generations ago, the two artists are not currently believed to be related. Joseph Stella was born in 1877 in Muro Lucano, Italy, while Frank Stella was born in 1936 in Malden, Massachusetts. On 1stDibs, shop a diverse assortment of Frank Stella and Joseph Stella art.
  • 1stDibs ExpertAugust 29, 2024
    Opinions differ about what kind of artist Joseph Stella was. At various times, his work echoed the concerns and techniques of the so-called Ashcan School, New York Dada, Futurism and Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. Some people also associate him with the American Precisionist movement, which emerged after World War I and explored industrialization and urbanization themes. Shop a diverse assortment of Joseph Stella art on 1stDibs.
  • 1stDibs ExpertAugust 29, 2024
    Joseph Stella first painted the Brooklyn Bridge in 1918. He actually returned to the subject numerous times, completing additional paintings of the landmark in 1918, 1920, 1939 and 1941. Examining these paintings side by side shows how Stella's style became more and more abstract over the course of his career. Explore an assortment of Joseph Stella art on 1stDibs.

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