Kerry James Marshall Figurative Prints
American, b. 1955
In his multifaceted work, Kerry James Marshall strives to address “the lack in the image bank” by elevating Black figures who have been excluded from Western art. Using a variety of black pigments, the artist heightens the skin tones of his subjects to honor their identities rather than ignore them. Best known for his large-scale paintings, Marshall also works in collage, photography, video and other media.
Born in Birmingham, Alabama, Marshall later grew up in the Watts neighborhood of Los Angeles, where his family relocated in 1963. As he studied art, including at the Otis Art Institute (now Otis College of Art and Design) in Los Angeles, he was struck by the absence of Black bodies in art history and museums. At the age of 25, he painted A Portrait of the Artist as a Shadow of His Former Self (1980). Its central figure, whose features almost merge with the background in their varying shades of black, references Ralph Ellison’s Invisible Man, the protagonist of which cannot be seen as a human being by other members of society because he is Black. For Marshall, A Portrait marked the start of an ongoing examination of the simultaneous visibility and invisibility of Black Americans.
Marshall’s practice has continued to concentrate on confronting stereotypes in the Black experience by celebrating joy and commemorating moments of Black history. His paintings frequently engage with the white-dominated traditions of the art historical canon by borrowing elements of style ranging from the Renaissance to the abstract movements of the 20th century. While he has said that he is driven by a sense of social responsibility for what he witnessed growing up in the South before the Civil Rights Act and in Los Angeles during the Watts riots of 1965, Marshall doesn’t focus on trauma in his works’ narrative scenes. Instead, they regularly depict people involved in everyday activities yet portrayed with the monumentality of a tableau painting.
Now based in Chicago, Marshall is recognized as one of the country’s leading contemporary painters, with a 2016 retrospective, "Mastry," touring the MCA Chicago, MOCA and the Metropolitan Museum of Art. In 2018, his painting Marshall’s Past Times (1997) sold for $21.1 million, the highest ever auction price for a work by a living Black artist.
Browse a collection of Kerry James Marshall’s art on 1stDibs.
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Artist: Kerry James Marshall
May 15 2001, signed/N iconic silkscreen by famed African American artist Framed
By Kerry James Marshall
Located in New York, NY
Kerry James Marshall
May 15, 2001, 2003
Four color silkscreen on Arches 88 paper
Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp
Vintage frame incl...
Category
Early 2000s Pop Art Kerry James Marshall Figurative Prints
Materials
Screen
Keeping the Culture, mixed media signed/N print by top African American artist
By Kerry James Marshall
Located in New York, NY
Kerry James Marshall
Keeping the Culture, 2011
Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges
20-1/4 x 30-1/4 inches
Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front
Published by Africa House International, Chicago
Unframed
Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...
Category
2010s Realist Kerry James Marshall Figurative Prints
Materials
Linocut, Screen, Mixed Media, Pencil
Untitled (Frankenstein)
By Kerry James Marshall
Located in Berkeley, CA
Hardground Etching
Category
2010s Kerry James Marshall Figurative Prints
Materials
Etching
Set of Six (Six) Scout Series Embroidered textile Patches brand new and sealed
By Kerry James Marshall
Located in New York, NY
KERRY JAMES MARSHALL
Set of Six (Six) Scout Series Embroidered Patches, 2017
Rayon thread on poly twill backed embroidered patches, set of six. Brand new in original packaging.
Large...
Category
2010s Contemporary Kerry James Marshall Figurative Prints
Materials
Textile, Mixed Media
Untitled (Bride of Frankenstein)
By Kerry James Marshall
Located in Berkeley, CA
Hardground Etching
Category
2010s Kerry James Marshall Figurative Prints
Materials
Etching
Kerry James Marshall Banner Authentic Mastry Exhibition
By Kerry James Marshall
Located in Draper, UT
Mastry 2017 Exhibition Banner
Actual Banner Prominently Displayed in Downtown LA
Throughout a career spanning four decades, Kerry James Marshall has continuously interrogated and addressed the omission of black individuals from the Western art-historical canon. Across painting and a variety of different media, his complex and multilayered portrayals synthesize disparate genres, while seeking to counter stereotypical representations. As Lanka Tattersall notes, "Marshall's determination to mark the historical absence of black bodies in the Western canon of painting and his emphatic, programmatic insertion of blackness into the field of art are carried through the literal matter—the pigments—of his paintings."1
Marshall was born in 1955 in Birmingham, Alabama. He studied at the Otis Art Institute in Los Angeles, earning his B.F.A. in 1978 and an honorary doctorate in 1999. In 2014, Marshall joined David Zwirner...
Category
2010s Kerry James Marshall Figurative Prints
Materials
Vinyl
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Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
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Limited edition: Unknown
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Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
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Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
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Supermodel by Kerry James Marshall
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Kerry James Marshall figurative prints for sale on 1stDibs.
Find a wide variety of authentic Kerry James Marshall figurative prints available for sale on 1stDibs. If you’re browsing the collection of figurative prints to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Kerry James Marshall in etching, fabric, gold and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Pop Art style. Not every interior allows for large Kerry James Marshall figurative prints, so small editions measuring 3 inches across are available. Customers who are interested in this artist might also find the work of Chuck Close, Jeff Koons, and Harland Miller. Kerry James Marshall figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,200 and tops out at $60,000, while the average work can sell for $15,000.
Artists Similar to Kerry James Marshall
Questions About Kerry James Marshall Figurative Prints
- 1stDibs ExpertApril 5, 2022Kerry James Marshall is famous for using a variety of black pigments to depict themes of the black experience and history. His works confront stereotypes of African-Americans by celebrating and commemorating moments in their history. Browse a selection of Kerry James Marshall art on 1stDibs.
- Where is Kerry Marshall's art?1 Answer1stDibs ExpertMarch 22, 2022Kerry Marshall's art is in galleries and museums located around the world. Some of these institutions include Modern Art Oxford in Oxford, UK; the San Francisco Museum of Modern Art in San Francisco, California; the Baltimore Museum of Art in Baltimore, Maryland; and the Museum of Fine Arts in Boston, Massachusetts. You'll find a selection of Kerry Marshall art on 1stDibs.
- 1stDibs ExpertApril 5, 2022Kerry James Marshall is known for his acrylic paintings that pair realism with elements of collage and signage. Strongly influenced by childhood experiences in the Watts neighborhood of Los Angeles, his art reflects this by confronting racial stereotypes in contemporary society. On 1stDibs, find a variety of original artwork from top artists.