Knoll Furniture

Vintage Charles Pollock for Knoll executive chair in burnt orange leather. This executive desk chair has a tilt and swivel base with adjustable height. Four star base with all wheels...

Vintage Charles Pollock for Knoll executive chair in burnt orange leather. This executive desk chair has a tilt and swivel base with adjustable height. Four star base with all wheels...

American mid-century Orange fabric and steel armchairs by Platner for Knoll, 1960s Pair of armchairs with stainless steel structure. The seat is rounded, padded and covered with an ...

A classic mid-century design that is well-recognized, the bird chair and ottoman by Bertoia for knoll features a white finish and canary yellow cover. Circa 1960s, original foam has ...

Classic mid-century modern set of four tulip swivel, armchairs, side, dining chairs, for Knoll designed by Eero Saarinen (USA). Features molded white lacquered fiberglass form resting on cast aluminum swivel base with original knoll removable seat cushions. Genuine Knoll chairs and retains the ‘Knoll Associates sticker (320 Park Ave.) and Knoll Associates Inc’ label attached under cushion and stamped BR 50. to the underside of the chair. An elegant and iconic design with its distinctive tulip shape. This time-honored example of mid-century modern design can be incorporated into virtually any decorating style for additional seating in any room of your home or office effortlessly. The stickers applied to Knoll furniture pieces are helpful in determining the date and authenticity of a particular piece. In the late ‘40s and early ‘50s Knoll occupied showrooms on Madison Avenue. After 1961 Knoll’s offices were located at 320 Park Ave., and in 1970 they moved to 745 Fifth Ave. The logo on this set identifies the chairs for the time period after 1961. Measurements: 32 1/2? Tall X 27? Wide X 24? Deep (arm 25" tall) (seat 18" tall ) About Florence Knoll (Designer) Architect, furniture designer, interior designer, entrepreneur — Florence Knoll had a subtle but profound influence on the course of mid-century American modernism. Dedicated to functionality and organization, and never flamboyant, Knoll shaped the ethos of the post-war business world with her polished, efficient design and skillfully realized office plans. Knoll had perhaps the most thorough design education of any of her peers. Florence Schust was orphaned at age 12, and her guardian sent her to Kingswood, a girl’s boarding school that is part of the Cranbrook Educational Community in suburban Detroit. Her interest in design brought her to the attention of Eliel Saarinen, the Finnish architect and head of the Cranbrook Academy of Art. Saarinen and his wife took the talented child under their wing, and she became close to their son, the future architect Eero Saarinen. While a student at the Academy, Florence befriended artist-designer Harry Bertoia and Charles and Ray Eames. Later, she studied under three of the Bauhaus masters who emigrated to the United States. She worked as an apprentice in the Boston architectural offices of Walter Gropius and Marcel Breuer; Ludwig Mies van der Rohe taught her at the Illinois Institute of Technology. In 1941, she met Hans Knoll, whose eponymous furniture company was just getting off the ground. They married in 1946, and her design sense and his business skills soon made Knoll Inc. a leading firm in its field. Florence signed up the younger Saarinen as a designer, and would develop pieces by Bertoia, Mies and the artist Isamu Noguchi. Her main work came as head of the Knoll Planning Group...

Incredible 1st Generation (original production of this design between 1964 and 1968) collectors examples of the classic Charles Pollock Armchairs (Model 657) for Knoll Associates, signed with Knoll Associates sticker label and paper label (see photos). This pair has beautiful cognac orange color with light attractive age and patina to the leather which adds greater dimension and texture to the leather. Secondly, and most importantly, these labeled with original Knoll Associates tags which date these towards the early few years of production before Knoll Associates changed hands to Knoll International. This pair which was produced between 1964 and 1968 are ideal for a collector who wants the 'original' production examples made when Knoll first introduced this design in 1964. And considering the condition of these - this pair won't last long so buy it while it is still available! These leather sling armchairs perfectly blend comfort, functionality, and style. The frame comprises polished chrome steel tubing with cast aluminum, creating a sleek and subtly contrasting profile. The seat is a heavy cognac orange cowhide suspended on the frame which has been carefully shaped to form the back and seat sling. The thick cognac orange leather contrasts beautifully with the black arms, black leather seat pads and black seat supports attached to the chrome frames. Under the sling-seats are the original Knoll Associates manufacturing stickers which identify these from being in their earlier (original) production runs of this design. The leather has an attractive light patina in excellent vintage conditions. Both chairs present very well, are ideal collectors examples and are ready for immediate use. Here is a quote from Charles Pollock speaking to the design of this chair taken from Knoll's website: “I was penniless, didn’t have a car and I was making my prototypes out of plumbing that I pulled out of an old, abandoned basement. I brought all these prototypes in [to Knoll] without an appointment and pushed them off the elevator and said, ‘I want to see Florence Knoll.’ Fortunately for me, [Senior Designer] Vincent Cafiero came out just by accident, and he said, ‘Who are you?’ I said, ‘I’m Charles Pollock.’ I had had a major article in Interiors, in a series of articles about Saarinen, Eames, and myself about three or four months before, and he had read that…. So Cafiero said, “Look, this stuff is interesting. Why don’t you take this idea and throw this other idea into it?” Eventually, between Vincent Cafiero and myself, I developed a quarter-inch scale model of a chair that was very, very similar to…the 657 chair...

Dimensions 36in H x 41.50in W x 37in D Seat height 15.50in Ottoman: 13.50in H x 25in W x 20in D.

If you are seeking a pair of the classic Charles Pollock Armchairs (Model 657), these are the ones you want and here is why: First, the color combination is in our opinion, the best - while the black on black and brown on black are great as well, the classic cognac orange sling with black cushion is definitely the stand-out icon of the family. This pair has beautiful color with attractive patina to the leather which adds greater dimension and texture to the leather. Secondly, and most importantly, these labeled with original Knoll Associates tags which date these towards the early few years of production before Knoll Associates changed hands to Knoll International. This pair which was produced between 1964 and 1968 are ideal for a collector who wants the 'original' production examples made when Knoll first introduced this design in 1964. And considering the condition of these - this pair won't last long so buy it while it is still available! These leather sling armchairs perfectly blend comfort, functionality, and style. The frame comprises polished chrome steel tubing with cast aluminum, creating a sleek and subtly contrasting profile. The seat is a heavy cognac cowhide suspended on the frame which has been carefully shaped to form the back and seat sling. The thick cognac leather contrasts beautifully with the black arms, black leather seat pads and black seat supports attached to the chrome frames. Under the sling-seats are the original Knoll Associates manufacturing stickers which identify these from being in their earlier (original) production runs of this design. The leather has an attractive light patina in excellent vintage conditions. Both chairs present very well, are ideal collectors examples and are ready for immediate use. Here is a quote from Charles Pollock speaking to the design of this chair taken from Knoll's website: “I was penniless, didn’t have a car and I was making my prototypes out of plumbing that I pulled out of an old, abandoned basement. I brought all these prototypes in [to Knoll] without an appointment and pushed them off the elevator and said, ‘I want to see Florence Knoll.’ Fortunately for me, [Senior Designer] Vincent Cafiero came out just by accident, and he said, ‘Who are you?’ I said, ‘I’m Charles Pollock.’ I had had a major article in Interiors, in a series of articles about Saarinen, Eames, and myself about three or four months before, and he had read that…. So Cafiero said, “Look, this stuff is interesting. Why don’t you take this idea and throw this other idea into it?” Eventually, between Vincent Cafiero and myself, I developed a quarter-inch scale model of a chair that was very, very similar to…the 657 chair...

For your consideration are these beautiful saddle brown leather Brno chairs by Knoll. Featuring chromed tubular frame on nicely patinated leather. Leather style- Spinneybeck Volo...

Seldom seen, early production. Rectangular coffee / cocktail table designed by Richard Schultz manufactured by Knoll, nice original condition. Design Richard Schultz, 1966 Alumin...

Cognac leather Hardoy butterfly chair, designed by Jorge Ferrari-Hardoy for Knoll. An iconic mid-century design with a relaxed and rugged vibe. Our vintage example has the original s...

If you are seeking a pair of the classic Charles Pollock Armchairs (Model 657), these are the ones you want and here is why: First, the color combination is in our opinion, the best - while the black on black and brown on black are great as well, the classic cognac orange sling with black cushion is definitely the stand-out icon of the family. Secondly, and most importantly, these are double labeled with original Knoll Associates tags which date these towards the early few years of production before Knoll Associates changed hands to Knoll International. This pair which was produced between 1964 and 1968 are ideal for a collector who wants the 'original' production examples made when Knoll first introduced this design in 1964. And considering the condition of these - this pair won't last long so buy it while it is still available! These leather sling armchairs perfectly blend comfort, functionality, and style. The frame comprises polished chrome steel tubing with cast aluminum, creating a sleek and subtly contrasting profile. The seat is a heavy cognac cowhide suspended on the frame which has been carefully shaped to form the back and seat sling. The thick cognac leather contrasts beautifully with the black arms, black leather seat pads and black seat supports attached to the chrome frames. Under the sling-seats are the original Knoll Associates manufacturing labels which identify these from being in their earlier (original) production runs of this design. The leather has an attractive light patina in excellent vintage conditions. Both chairs present very well, are ideal collectors examples and are ready for immediate use. Here is a quote from Charles Pollock speaking to the design of this chair taken from Knoll's website: “I was penniless, didn’t have a car and I was making my prototypes out of plumbing that I pulled out of an old, abandoned basement. I brought all these prototypes in [to Knoll] without an appointment and pushed them off the elevator and said, ‘I want to see Florence Knoll.’ Fortunately for me, [Senior Designer] Vincent Cafiero came out just by accident, and he said, ‘Who are you?’ I said, ‘I’m Charles Pollock.’ I had had a major article in Interiors, in a series of articles about Saarinen, Eames, and myself about three or four months before, and he had read that…. So Cafiero said, “Look, this stuff is interesting. Why don’t you take this idea and throw this other idea into it?” Eventually, between Vincent Cafiero and myself, I developed a quarter-inch scale model of a chair that was very, very similar to…the 657 chair...