Robert Indiana Prints and Multiples

Robert Indiana, American (1928 -2018) - To the Bridge from the American Dream Portfolio, Year: 1964 (1997), Medium: Screenprint on Wove Paper (unsigned), Edition: 395, Image Size:...

Robert Indiana Deluxe Limited Edition with Slipcase: Robert Indiana Early Sculpture 1960-1962 (Hand signed and inscribed with heart drawing by Robert Indiana ), 1991 Hardback monogra...

Robert Indiana Robert Indiana (Monograph hand signed & inscribed), 2006 Hardback book Hand signed, dated and inscribed by artist on title page, with a star drawing. 13 1/4 × 11 1/4 ×...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The phrase "God is the...

Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...

Artist: Robert Indiana (American, born 1928) Title: "ISusan B." Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Robert Indiana American, 1928–2018 Love Is God Edition: 12/50 Silkscreen in 18 colors on 2-Ply Museum Board Size: 32 × 32 in 81.3 × 81.3 cm Signature: Hand-signed & numbered in penc...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Artist: Robert Indiana, American (1928 - ) Title: Lillian Russell from Mother of Us All Series Year: 1977 Medium: Lithograph on Arches, signed and numb...

Robert Indiana 9, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame Included: Elegantly matted and fra...

"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own g...

ROBERT INDIANA Hirshhorn Museum & Sculpture Garden Opening Exhibition (Signed & Numbered Edition), 1974 Lithograph on wove paper 32 × 26 inches Signed and numbered 4/100 in pencil on...

From the artist that gave us LOVE, he now gives us HOPE. This is the complete suite of four HOPE silkscreens on Silver in the original folio. Each print is signed and numbered in pe...

Paper Size: 22 x 17 inches ( 55.88 x 43.18 cm ) Image Size: 17 x 13.5 inches ( 43.18 x 34.29 cm ) Framed: No Condition: A: Mint Additional Details: Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". In his youth, Indiana lived in an abandoned warehouse for 12 years in lower Manhattan. He devised his own meter to syphon gas from the city grid for himself and his fellow denizens, many who would go on to have their own illustrious careers in the arts. This was a tribute to his 12 years of free gas. The circles, ringed by numbers, are references to gas meters...

Robert Indiana 4, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fr...

Artist: Robert Indiana (1928-2018) Title: HOPE (Spring) Year: 2012 Medium: Silkscreen on Coventry Rag paper Edition: 18/125, plus proofs Size: 35.25 x 25.5 inches Condition: Excellen...

Artist: Robert Indiana, American (1928 - 2018) Title: Mississippi from the American Dream Portfolio Year: 1965 (1997) Medium: Serigraph Edition: 395 Image Size: 16 x 14 inches Size: ...

Robert Indiana HEAL, 2015 Silkscreen on 2ply Rising Museum Board Signed, dated and numbered 5/25 on the front This is one of the last works the artist personally signed before he pas...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "yield" can i...

Robert Indianna (American, 1928-2018) 4 Americans in Paris, 1970 Screenprint Framed: 46 1/4 x 23 x 3/4 in. Signed in the plate: (c) R Indiana 1970 Published by American Image, distr...

Artist: Robert Indiana (1928-2018) Title: HOPE (Winter) Year: 2012 Medium: Silkscreen on Coventry Rag paper Edition: 18/125, plus proofs Size: 35.25 x 25.5 inches Condition: Excellen...

Artist: Robert Indiana, American (1928 - 2018) Title: Oranges from the American Dream Portfolio Year: 1969 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.75 x 14 inches Si...

Artist: Robert Indiana (American, born 1928) Title: "Constance Fletcher" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Signed, Dated, Numbered, Titled and Uniquely Inscribed front and back in pencil, with two original artist's drawings "WALL TO WALL" FROM WALL: TWO STONE SUITE IV, WITH TWO ORIGINAL I...

Artist: Robert Indiana, American (1928 - 2018) Title: Gertrude Stein from Mother of Us All Series Year: 1977 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 150...

Artist: Robert Indiana (American, born 1928) Title: "Anthony Comstock" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Gertrude S." Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Anne" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items. Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design. The work of Robert Indians...

Artist: Robert Indiana (American, born 1928) Title: General U.S. Grant Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (1928-2018) Title: Indiana in Lewiston Year: 1991 Medium: Silkscreen on wove paper Edition: 150, plus proofs Size: 46.5 x 26.75 inches Condition: Excellent Ins...

Artist: Robert Indiana, American (1928 - ) Title: Tilt from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 x 14 inches...

Artist: Robert Indiana (American, 1928-2018) Title: "The Calumet" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper Limited edition: 395, (there were also 30 artist's proofs) Printer: Marco Fine Arts Contemporary Atelier, El Segundo, CA Publisher: Marco Fine Arts Contemporary Atelier, El Segundo, CA Sheet size: 22" x 16.75" Image size: 15.07" x 14" Condition: In excellent condition Notes: Provenance: private collection - Düsseldorf, Germany. Comes from Indiana's 1997 "The American Dream" book portfolio of thirty screenprints. Printed in three colors. Text on verso of the following work as issued. Robert Indiana's 1997 black leather-covered book portfolio "The American Dream" was printed and published with 30 screenprints: 6 loose each signed and numbered and 24 bound not signed and numbered, as issued. Forward by Susan Ryan, text by Michael McKenzie and poems by Robert Creeley. The book was issued within a white cardboard packing box with red and black lettering. This image is based of Indiana's 1971 screenprint edition "The Calumet", (Sheehan No. 64, page 43), from his 1971 "Decade" series, (Sheehan No. 63-72, page 42-44). The prints in that portfolio reproduce one of Indiana's paintings from each year of the 1960's. The bear they same titles as the corresponding paintings. "The Calumet" is a 1961, 90" x 84", oil on canvas painting which is within the permanent collection of the Rose Art Museum, Brandeis University, Waltham, MA. "The Calumet", derived from Longfellow's "Song of Hiawatha", reflects Indiana's ongoing involvement with American literary associations and sources. As interpreted, by Indiana, the schematized image of the red clay peace-pipe smoked by the Indians in Longfellow's poem symbolizes mankind's potential to eradicate war. - (Sheehan page 9). Seven stars for seven spheres...

Artist: Robert Indiana (1928-2018) Title: Susan B. Anthony (Virgil Thomson, Mother of Us All Suite) Year: 1977 Medium: Silkscreen on wove paper Edition: 11/150...

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

Artist: Robert Indiana, American (1928 - 2018) Title: God is a Lily of the Valley from the American Dream Portfolio Year: 1961-62 (1997) Medium: Serigraph Edition: 395 Image Size: 16...

Artist: Robert Indiana (1928-2018) Title: Gertrude Stein (Sheehan 97) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 57/150, plus proofs Size: 24 x 20 inches Condition: G...

Artist: Robert Indiana Title: The Santa Fe Opera Year: 1976 Medium: Screenprint, signed and numbered in pencil Edition: 250 Paper Size: 38 in. x 24 in...

Artist: Robert Indiana (1928-2018) Title: Angel More (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 35/150, plus proofs Size: 24 x 20 inches Condition: Good ...

Artist: Robert Indiana Medium: Original serigraph Title: The President Portfolio: The American Dream Year: 1997 Edition: 61/395 Image Size: approx. 9 7/8...

Artist: Robert Indiana (1928-2018) Title: Anne (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 77/150, plus proofs Size: 24 x 20 inches Condition: Good Inscri...

Artist: Robert Indiana, American (1928 - 2018) Title: The President from the American Dream Portfolio Year: 1961 (1997) Medium: Screenprint Edition Size: 395 Image Size: 17 x 14 inch...

Artist: Robert Indiana (1928-2018) Title: Jo the Loiterer (Sheehan 100) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 45/150, plus proofs Size: 24 x 20 inches Condition:...

Artist: Robert Indiana (1928-2018) Title: Indiana Elliot (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 57/150, plus proofs Size: 24 x 20 inches Condition: G...

ROBERT INDIANA Angel More (Mother of Us All) Screenprint in colors on Arches, 1977 Impression 14 of an edition of 150 Image Size: 18” x 14” Signed, dated, and numbered in lower margin Printed by Mourlot, Paris. Intended for publication by Amiel, New York. Sheehan 96-108. The Mother of Us All, is an opera which imaginatively chronicles the story of Susan B. Anthony and the women's suffrage movement, written by Gertrude Stein and composed by Virgil Thompson in 1945. In 1976 Robert Indiana was hired to create the costumes and set design for the Santa Fe Opera Company’s production of The Mother to Us All. This collection of lithographs illustrates Indiana's costume designs for the Virgil Thomson-Gertrude Stein same-titled opera. Robert Indiana is one of the most recognized names in Contemporary and Pop Art, his LOVE sculptures, paintings, and prints are by far his most iconic pieces. It all began in the summer of 1965, when The Museum of Modern Art commissioned Indiana to design its Christmas card. He submits LOVE in four color possibilities; the museum selects the red, blue, and green version. In 1967 he produces three serigraphs of LOVE, and two serigraphs of LOVE Wall. During the next two years, produces other serigraph variations on LOVE, with more following in 1972, 1973, 1975, 1982, and 1991. Indiana’s LOVE motif has since been translated into a US postage stamp...

Artist: Robert Indiana (1928-2018) Title: Constance Fletcher (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 51/150, plus proofs Size: 24 x 20 inches Conditio...

Robert Indiana’s (American, 1928-2018), Star of Hope is a reoccurring image, in fact, he named his charitable foundation the Star of Hope Foundation in 20...

Artist: Robert Indiana Title: Sunburst Marilyn Medium: Screenprint in colors on wove paper Year: 2001 Edition: AP XV/XX (aside from the edition of 100) Sheet...

Artist: Robert Indiana (1928-2018) Title: Jenny Reefer (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 49/150, plus proofs Size: 24 x 20 inches Condition: Goo...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana Title: The Hartley Elegies - KvF IX Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 50 Paper Size: 60 x 60 inches Printer: Bob Blant...

A silkscreen Love print with poem by Robert Indiana from the Book of Love. Presented in a plexi-box frame. Artist: Robert Indiana, American (1928 - ) ...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24" x 20" , 60.9 cm x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Fritz Genkinger, German (1934–2017) Title: August (Number 8) Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) ...

Artist: Robert Indiana, American (1928 - 2018) Title: Number 2 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint Edition: 395 Image Size: 16.75 x 14 inches Size...

Artist: Robert Indiana, American (1928 - 2018) Title: The New Glory Penny from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint (unsigned) Edition size: 395 Image S...