Salvador Dalí Paintings

Salvador Dalí 1904-1989 Spanish The Golden Calf (Chariot Tarot Card) Signed “Dalí” (lower center) Gouache on a photographic base This gouache exemplifies a unique fusion of spiri...

Salvador Dalí 1904-1989 Spanish La petite sirène II Signed with the monogram 'DALI' (center right) Oil, gouache and watercolor on paper Few artists have reached the ethereal heig...

Salvador Dali "Combat de Cavaliers" The present sheet is a hand-signed color etching with Auqatinta from 1971. This is the sheet E.A. Professionally and museum-like framed with MIRO...

Salvador Dalí 1904-1989 Spanish Two of Swords Signed “Dalí” (upper right) Gouache on photographic background Representing a unique blend of spiritualism and Surrealism, this gouache hails from Salvador Dalí’s fascinating and highly inventive deck of custom-made tarot cards. The original commission for the design came from Albert Broccoli, the producer of the James Bond film Live and Let Die, who sought a tarot card deck to use in the film. Though the contractual deal eventually fell through, Dalí continued the project of his own accord, largely thanks to the inspiration of his wife Gala, who had an interest in mysticism. The Surrealist maestro drew upon a number of influences to complete the deck, which comprised 78 cards in total — 22 major arcana and 56 minor. His own self-portrait served as the Magician card, while his beloved wife Gala naturally posed for the Empress. Jan Gossaert’s 1516 Renaissance work Neptune and Amphitrite was the basis for the Lovers card, while the Queen of Cups card represents a fascinating marriage of Duchamp’s iconic Mona Lisa remix, L.H.O.O.Q., with a portrait of Elizabeth of Austria. The iconography of the deck is as eclectic as one would expect from the Surrealist master; it is little wonder that it took him 10 years to complete the project. The present gouache is among the original 56 minor arcana cards, this one depicting the Two of Swords. Traditionally depicting a blindfolded woman balancing a sword in each hand, the Two of Swords card represents rational decision-making, intuition and self-discipline. When one draws this card, it indicates a need for reflection rather than action — to look inward for direction and conviction in one’s own judgment. Reversed, the card suggests indecision in the face of a difficult choice. Dalí reimagines the traditional visual elements of this card, modeling it after a 12th-century German manuscript illumination depicting Saint Mark writing his Gospel, his quill replaced with swords. A crescent moon, representing cyclical change, floats above the figure, and below is a bull containing a drawing of the sea, symbolizing our deepest thoughts and feelings. After Dalí completed his deck, the original cards were assembled and published in a limited art edition in 1984. While a number of editions have since been printed of the cards, the present Two of Swords is the artist’s original gouache and collage creation. Born in Catalonia in 1904, Dalí was formally educated in the fine arts in Madrid, particularly falling under the influence of the Impressionists and the Renaissance masters. He became associated with the Madrid avant-garde group Ultrae at a young age, though he eventually grew more acquainted with avant-garde movements such as Cubism, Dada and Futurism. By the late 1920s, his mature Surrealist style had already begun to emerge, and in 1929 he officially burst onto the avant-garde art scene with his Un Chien Andalou, a short film he made with Spanish director Luis Buñuel. Today, he is remembered as one of the most legendary and significant contributors to Surrealism. His Persistence of Memory, with its melting clocks, is arguably the most recognizable painting of the movement. Two museums — one in St. Petersburg, Florida and another in Catalonia — are entirely devoted to his oeuvre; other important works by the artist can be found in the Museum of Modern Art (New York), the Art Institute of Chicago, the San Francisco Museum of Modern Art, the Philadelphia Museum of Art and the National Gallery of Art (Washington, D.C.), among many others. The Archives Descharnes have confirmed the authenticity of this work under the reference number d4861. It is accompanied by a certificate of authenticity. Circa 1971 Card: 12 1/2" high x 9 3/8" wide Frame: 29 3/8" high x 25 7/8" wide Provenance: Gertrude Stein Gallery, New York. Opera Gallery, London. Matsart, Jerusalem, International Fine Art sale...

Signed and numbered original Dali lithograph.

Salvador Dalí 1904-1989 Spanish Nine of Swords Signed “Dalí” (lower center) Gouache on photographic background Representing a unique blend of spiritualism and Surrealism, this gouache hails from Salvador Dalí’s fascinating and highly inventive deck of custom-made tarot cards. The original commission for the design came from Albert Broccoli, the producer of the James Bond film Live and Let Die, who sought a tarot card deck to use in the film. Though the contractual deal eventually fell through, Dalí continued the project of his own accord, largely thanks to the inspiration of his wife Gala, who had an interest in mysticism. The Surrealist maestro drew upon a number of influences to complete the deck, which comprised 78 cards in total — 22 major arcana and 56 minor. His own self-portrait served as the Magician card, while his beloved wife Gala naturally posed for the Empress. Jan Gossaert’s 1516 Renaissance work Neptune and Amphitrite was the basis for the Lovers card, while the Queen of Cups card represents a fascinating marriage of Duchamp’s iconic Mona Lisa remix, L.H.O.O.Q., with a portrait of Elizabeth of Austria. The iconography of the deck is as eclectic as one would expect from the Surrealist master; it is little wonder that it took him 10 years to complete the project. The present gouache is among the original 56 minor arcana cards, this one depicting the Nine of Swords. The card traditionally depicts a woman on a bed who has suddenly awoken, representing feelings of worry or fear. In the upright position, it urges one to resolve these feelings in order to grow and heal. Reversed, the card suggests one has overcome a period of turmoil and has achieved a more positive frame of mind. Dalí reimagines the visual elements of this card, using the image of a funerary monument by the great Italian Baroque sculptor Gian Lorenzo Bernini located in the Church of San Francesco a Ripa in Rome, Italy. It depicts the Blessed Ludovica Albertoni, a noblewoman who devoted her life to Christian charity. In the sculpture and in Dalí’s card...

Salvador Dalí 1904-1989 Spanish Le voile de Pénélope Penelope’s Shroud Signed and dated “Dali 1970” (lower right) Gouache, watercolour, and brush and ink o...

Salvador Dalí 1904-1989 Spanish Pénélope et Ulysse Penelope and Ulysses Signed and dated “Dali 1970” (upper left) Gouache, watercolor, pen and ink and felt-tip pen on paper Compo...

SALVADOR DALI (1904-1989) Salvador Dali's work is associated with the surrealist movement of the 20th Century. A diverse and multi-talented artist, Dali is considered one of the most...

SALVADOR DALI (1904-1989) Salvador Dali's work is associated with the surrealist movement of the 20th Century. A diverse and multi-talented artist, Dali is considered one of the most...

An oil on canvas painting by Surrealist artist Salvador Dali´. "Les Yeux Fleuris" is executed mainly in reds and ochre and depicts crying eyes against a red brick wall. Dali´ often depicted eyes in his painting, sculpture, and fashion (especially jewelry) as both a symbol for the act of perception and as an allusion, and to promote a new way of seeing. Dali´ parlayed the idea of accumulated, or “flowering,” eyes into a grand oil and tempera painting for the set of his 1944 ballet Mad Tristan...

Salvador Dalí (1905-1989) Plantes Carnivores 1954 enamel paint on artists’ board 20 x 20 cm signed ‘Dalí’ (centre left) Price: $157,500 USD (inc. 5% UK import VAT) Provenance: Maurice Duchin, New York, 1954 Private collection, USA Thence by descent Notes: This work is accompanied by a certificate of authenticity issued by Nicolas R. & Olivier M. Descharnes, dated 14.06.17 (no. d5808) This design was commissioned from Dalí in 1954 by Maurice Duchin, a businessman and collector of the artist's work. The full commission was for a series of six tile designs for which Duchin paid the artist $5,000. He passed the designs to ADEX, the leading Spanish manufacturer of ceramics to be made into tiles. The tiles were sold to collectors through Macy's, selling at $1.98 each or $10.00 for six. As Macy's advertisement in the New York Times declared 'Dalí ... yes, Salvador Dalí ... designs decorative tiles for Duchin and only Macy's has them. From the flamboyant colors to the famous Dalí signature emblazoned on every one, these are the surreal-iest tiles we've ever seen. ... You'll be thrilled with every Salvador Dalí tile...