William Meyerowitz Landscape Prints

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

From: The Cleveland Set (23 plates), No. 1 Edition: Small Signed in pencil Image: 7 3/4 x 11 1/2"

Signed in the plate lower left Note: Printed on September 26, 1980 in an edition of 4 restrikes. Reference: Paul McCarron, The Prints of Martin Lewis: A Catalogue Raisonne (Bro...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

Artist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...

Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...

Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII Hand colored etching of the Christof House (the Yard of Christ) by Henry...

JOSEPH PENNELL (1857 - 1926) NEW FISH MARKET - (NEW YORK) 1921 (W 797) Etching, Signed in pencil, edition probably 50. 9 7/8 x 6 7/8 inches. Full sheet, ...

Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image area. Scattered handling creases and general scattered soiling in the margins, minor and unobtrusive. [Fletcher 217]. This work was commissioned by The Architectural Forum...

A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...

Painter and printmaker, Luigi Lucioni was known for his portraits, still life paintings, and landscapes of Vermont and Italy. This 'New England Barn' ...