Paintings

Oil on canvas. Signed and dated lower right. 41.75 x 61 in. 44 x 63 in. (framed) Custom framed in a hardwood floater with a matte white finish. Provenance Estate of the artist Eri...

This is original work by Wada Chizu ( Japanese ) acrylic on canvas Chizu Wada’s artistic practice is centered on engaging with the viewer’s perception to unveil the deceptive nat...

Acrylic painting on canvas by artist Troy Smith. The Drip, Drip, Drip painting measures 48" x 72" and is painted on canvas. Painted in his studio in the summer of 2022, Troy experime...

Infused with a tranquil palette, this textile sculpture was crafted to evoke serenity and growth, drawing inspiration from the resilience of nature. Its cerulean hues and wood founda...

Charles Jiao grew up in China during the Cultural Revolution, which caused his formal education to be frequently interrupted. To avoid wasting his time, his father had him get tutore...

🔸 _Title: Carnaval kawaii 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2024 🔸 _Dimensions: 160 W x 100 H x 2 D cm 🔸 _Medium: Enamel, Spray paint, Acrylic and Oil Stick 🔸 _Su...

A very detailed and life like series from the Artist Huili CHENG. These oil painting are created between 2021 and 2023. Although miniature, they are very rich in details. You can cle...

A study in flight and motion.

Original "cassetta" frame in carved and gilded wood. Expertise by Prof. Giancarlo Sestieri.

Jürgen Reichert - Maler Freischaffender Künstler, Farbflächenmalerei, lebt und arbeitet in Berlin. o.T. (2201) 2019 Acryl auf Leinwand 50 x 60 cm Jürgen Reichert, 1953 in Mannheim ...

It is subjectively proven that artistic inspiration strikes individuals in varied and unique ways. In this single painting, an appreciative audience may examine how the early luminou...

OIL PAINTING SMALL SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIGINAL 20th Century OLD MASTER STYLE OIL PAINTING GOLD GILT FRAME By Similar $3,000 Premier Collection NEW COLLECTION Of RARE PIECES OF OLD HISTORY Description ( 19th century Style ) Salvatore Colacicco is a world-renowned marine artist who was born in 1935 in Bellagio, near Lake Como and studied at Brera Academy, Milan. He has been living in England for over thirty years. Nearly all Salvatore Colacicco's paintings during that time have been exported to the United States and sold through Tonkins of Nantucket Island. These now adorn the walls of many a Board Room and Directors Office throughout the States. Colacicco's style of painting very much reminds one of marine artists throughout the 19th century with an obvious Italian feel. Among Colacicco's achievements were 26 panels illustrating the history and development of the paddle steamer (of which he had made a special study of those used on the Italian Lakes), painted for the Russell Cotes Museum in Bournemouth and most works by Salvatore Colacicco fetch good figures even at auction Nice back story to these pieces , We acquired them from a gentleman that went to school with the artist son in Bournemouth , His Father purchased these ones from the artist roundabout 1960 . Title: Racing...

Signed Lower Left by Artist Cover of The Saturday Evening Post, April 23, 1960

Circular oil and acrylic painting by artist Wenyu Zhu. The artist uses bright yellow and red to cover half of the painting, which is in stark contrast with the sunflower shrubs at the bottom of the painting. Especially for the cicada...

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

Very fun painting by artist, Ekaterina Bokotey, a graduate of the prestigious Repin Academy in St. Petersburg. The whimsical, well-painted tells the story of a serious fly fisherm...

The Ideascape of Minjoo Kim The artist explains that she painted “not the realistic depiction, but the inner tree, the objects, the shapes, and a psycholog...

Aaron Bohrod, 1907-1992 Barbecue Stand, circa 1935 Gouache on board Signed Lower left: “Aaron Bohrod” Inscribed and signed on verso Bohrod-1 Provenance: Private estate, Rhode Island...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Materials: Acryl auf Leinwand

A wonderful painting in the style clearly identified with the artist.

Purchased from Ward Estate after his passing in 1990. Part of a private collection since mid 1990's till now and custom framed in handmade unique frames. Ward had a unique vision on ...

This artwork is inspired by the artist's own garden. The painting depicts an old apple tree in an autumn golden finery. This is how it looks in September, if you look at the garden f...

Children Playing Of A Hillside, Near Cape Curig, Wales, 19th Century by Sidney Richard Percy (1821-1886) Large 19th Century view of children playing in a hillside near Capel Curig...

Purchased from Ward Estate after his passing in 1990. Part of a private collection since mid 1990's till now and custom framed in handmade unique frames. Ward had a unique vision on ...

" The paintings I create are my connections to any city, mountain or coast I visit. I’m fascinated by the everlasting relationship I have with every place I visit, even if in passing...

Pascal Vinardel was born on April 29, 1951 in Casablanca, Morocco, to brillant cultured parents, his father a lawyer and magistrate and his mother a school teacher. Both parents infl...

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Oil on canvas. Bartolomé Esteban Murillo and workshop. Certificated by Enrique Valdivieso who is the most inportant expert in this artist.

Jim Woodson, Simultaneous Relevant Embodiments Enfolded, Oil on canvas, 24 x 48", 2020

Signed by artist lower left. The Century Illustrated Monthly Magazine Cover

Acrylic paint, embroidery and poly-fil video

Aruzhan Zhumabek (born in 1997) - young contemporary artist born in Taraz, Jambyl region in Kazakhstan. Graduated from Eurasian National University named after Lev Nikolaevich Gumile...

Painting after Gerard Ter Borch. The orginal "The Letter" is in Munich, Alte Pinakothek . It measures height: 56 cm (22 in); width: 46.5 cm (18.3 in) and dates from c. 1655.

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Representation of Bugambilia flowers which was the name of the neighborhood I grew up in in Guadalajara city. The streets and our family garden where full of this beautiful flowers. ...

Mass migration and expression of human struggle during his times.

Burning Ember is painted on a wood panel, in acrylic. The size is 40" x 40". The painting hangs on a French cleat. Troy Smith is a Canadian artist, designer, sculptor and painter w...

Oil on canvas

We believe in life after death, where the spirits of our ancestors reside. In Javanese tradition, they believe that ancestral spirits are always with us and take care of us even thou...

Large Format Abstract Pink & Black Mixed Media Painting by Cuban Artist Victor Manuel. Victor is an emerging talent born and raised in Havana. With a great sense of Havana’s always ...

Artist Name: Elise Tsikis Title of Artwork and Date of creation: LE NUMÉRO 15, 2021 Medium on ground: Acrlyic on canvas Signature : Artwork signed in the front Artwork Unique

Hand-painted. Not a print. Painting is signed at front and back. Dated. Contemporary FINE ART Original PAINTING, acrylics, collage(silk, pearls) , spray paint on paper, unframed. Title:Les fruits...

« Reflection » is the result of a very intuitive painting process, the artist working with and through her emotions and intuitive flow, letting laye...

Oil on board Image size: 6 3/4 x 9 1/2 inches (17 x 24 cm) This delicate botanical study evokes the printed and painted flora that historically have been used as pattern books by artists and designers such as William Morris and Alexander MccQueen. This artwork paces emphasis on the aesthetic value of the plant while remaining scientifically and botanically correct. It reflects an intimate knowledge and understanding of the subject based on firsthand observation by the artist. Indeed, Sergeant has here sought out to understand the structure of the plant and to communicate it to her audience in an aesthetically pleasing manner. 'The greatest flower artists...

Presently I am working on a series of charcoal drawings titled “A Promised Land” which is the result as well as a logical progression of my current engagement with art and ecology. The series drew inspiration from my reading of Pranay Lal’s Indica: A Deep Natural History of the Indian Subcontinent (2016). The book’s focus on sheer life force and exuberance stemming out of India’s natural history and the science behind life not only inspired me but also forced me to think deeply about the state of life on the planet. The title, therefore, is ironically suggestive of the way humankind is (mis)treating natural resources to fulfil its unbridled greed. The series across thirty or more drawings attempts to build an apocalyptic vision of life where the natural world and the animals who inhabit it bear the brunt of over-exploitation. The first out of the six drawings which are complete by now shows the dead root-like structure of a tree which looks fossilised and bears the expression of a dissatisfied creature which seems to be stranded on a lonely landscape. The second drawing is that of a neatly fleeced skeleton of a blue whale on a patch of land. The image brings to the forefront issues of poaching and illegal hunting of whales for commercial gains. The third drawing again deals with the same issue but this time the goriness of the misdeeds of humankind is in the shape of a decaying carcass of an elephant. It is half covered in decayed skin and half visible revealing the rib cage. The fourth drawing is a highly metaphorical one where a large pile of elephant tusks is seen neatly arranged and bears an uncanny resemblance with a human pyre. The fifth drawing is that of a synthetic net left on the landscape. The image is a telling account of the ill effects of fishing which results in bycatch thereby impacting the water beds...

Armand Tatossian, Canadian, 1948-2012 Oil on canvas 12 x 16 in Signed lower right ; signed and titled verso framed

Oil on canvas. Signed, dated, and titled verso. 46.5 x 36 in. 47.5 x 37 in. (framed) Custom framed in a maple floater. Charles Strong, who was born in Greeley, Colorado on Christmas Day in 1938, was one of the youngest artists of the San Francisco School of Abstract Expressionism. He was a colleague of vanguard artists such as Elmer Bischoff, Richard Diebenkorn, Jack Jefferson...

Humans need a balance between the physical world and the inner consciousness. One way to get there is through meditation. Meditation has a positive and constructive impact on the psy...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

Tamansariswara is a fun learning concept as taught by the father of Indonesian education, KH Dewantara. He called the school a 'taman' which means a park, a place to play and learn i...

A highway always seems never-ending. On its journey it comes across rivers, villages, cities, forests and mountains. It meets with different languages, different traditions, and many...

The abundance 2 is about the repetition of the same mouvement on different colorful backgrounds and the reaction and contrast among these colors. She loves using the golden color on ...

As a creature that becomes the flower of the world, women are identified with a beautiful, gentle and attractive nature. But behind that gentleness there is power, energy that exceed...

acrylic and pigment on raw canvas. original artwork by los angeles based artist sam kupiec. 60’h x 40’w x 1.5’d.

Sin límites

Ink and watercolour Image size: 3 3/4 x 5 3/4 inches (9.5 x 14.5 cm) Contemporary frame Provenance Private family collection This painting was created in the early 1900's when the Decadent Movement...

German Modernist