1920s Paintings

This is a colorful mountainous view in what is likely Northern Italy. Angiola Meucci captured a dramatic sunrise or sunset to play off the verdant green mountain side in the foreground. The fencing and the pathway lead one through this breathtaking landscape that undoubtedly offers stunning views...

Signed oil on canvas figures in landscape circa 1920 by sought after French impressionist painter Edouard Cortes. The work depicts an autumnal scene of the the Porte Saint-Denis (St ...

Signed figure in riverscape oil on panel circa 1920 by sought after French impressionist painter Edouard Cortes. This beautiful piece depicts a worker with his horses travelling alon...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...

Antique American impressionist coastal seascape painting. Oil on canvas. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready...

☀️⭐Road Line III ⭐☀️ Landscape - Sky scrappers, office- NYC Building avenue Painting with mirror effect Technique: oil, acrylic, and ink on old book pages on wooden strecher frame ...

Work on canvas This painting by Josep Maria Mallol Suazo (1910-1986) depicts a lively country scene, bathed in warm light. In the foreground, a large leafy tree dominates the compos...

➡️Provence Landscape from Anonymous french painter⬅️ This painting appears to be in the Impressionist or Post-Impressionist style. The artist uses a warm and earthy palette, dominat...

European Painter (dated 1925) - Mountain landscape. 62 x 41 cm. Old oil painting on canvas, without frame. - Work signed indistinctly lower left. - Autograph inscriptions and dat...

Signed fauvist oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view a river winding amongst wild flowers fields in...

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of ...

Portrait of a Young Boy signed and dated 1928 (indistinct signature) oil painting on canvas, framed framed: 31.5 x 22 inches canvas: 26 x 16.5 inches Provenance: Private collection,...

Signed and dated seascape oil on paper laid on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the sea at Honfleur, a commune in the Calvados depa...

Forest Landscape - an Antique Oil Painting by 19th Century American Artist, Clara Davis Inness (1874-1932) Art measures 36 x 24 inches F...

This enigmatic 1920's Art Deco Slade School portrait oil painting is by noted Russian born British artist Jacob Kramer. Painted circa 1922 it is a seated portrait of Miss Hilda Wilki...

Signed fauvist oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view a river winding amongst wild flowers fields in...

Antique American impressionist coastal seascape painting. Oil on canvas. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready...

European Painter (dated 1925) - Mountain landscape. 62 x 41 cm. Old oil painting on canvas, without frame. - Work signed indistinctly lower left. - Autograph inscriptions and dat...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm - 37.4x24.2 inches - without frame: 73x40cm ...

⭐Apple Starwars ⭐ This painting is a striking representation of an apple, blending realism with expressive abstract elements. ⏩Subject & Composition⏪ The painting features a single...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 24L.

Oil on canvas by Charles Kvapil, France, ca.1920. "On the edge of the lake". with frame: 78x58.5x6 cm - 30.7x23x2.4 inches - without frame: 65x46 cm - 25.6x18.1 inches. 15M format. Signed lower left "Kvapil" Charles Kvapil was born in Czechoslovakia on November 1, 1884, and died in Paris in 1957. He takes courses at the Royal Academy of Fine Arts in Antwerp. His first works are exhibited in 1908, at the Salon of Antwerp. In 1911, he exhibits in Munich; his works show a definite cubist influence in a well-tempered, organization and simplification bill. Arrived at a young age in Paris, he sets up his studio in Montmartre in the Hamlet of Artists, between Lepic Street and No. 11 Junot Avenue near those of Utrillo and Valadon; it is there that he will die. In 1912, he exhibits at the Salon des Independants. In 1914, he presents his works again in Belgium at the Brussels Triennal. After the war, he lives a very poor life but, with an optimistic temperament, he hopes to break through; he has to work to survive and he paints especially in the evening, especially during his first years in Paris. It is at the Salon des Independants in 1920 that Kvapil is revealed to the Parisian public. He exhibits six paintings: "My campaign", "portrait of woman", "Houseboat", "Poplars", "Bras St. Jean (landscape)" and "Still Life". He is domiciled at 233, rue d'Alésia in Montparnasse." "In the wake of the legendary figures of Montparnasse, in their shadow, and by them held at a relative discretion (the behavior of artists entering many into the brilliance of their career and the exclusive attachment to their production, without extension" social " " condemning them to darkness), is Charles Kvapil. He frequents the Parnassus café [...] and is exhibited there in a small group organized by A. Clergé, "the Company of professional painters and sculptors", which manifests itself in 1921. The preface is written by Romoff. A second follows shortly. It includes 102 participants, including Friesz, Lagar, Zorate Ortiz, Scouëzec, Astoy, Roysen, Loutreuil, Krémègne, Gallien, Goncharova, Lebedeff, Ramey, Kvapil. He remains attached to the folklore of the Bohemian painter whose Montparnasse is the field of exploits and the model of life "(Jean Jacques Lévêque" The Roaring Twenties, 1918-1939 - The Triumph of Modern Art ", 1992). He exhibits at the gallery Colette Weill. In 1923, his works are hung at Marcel Bernheim, then at Dalpeyrat, in Limoges, where he shows mostly landscapes. Subsequently, he participates in the Salon d'Automne; to that of 1941, he presents "Phlox", and in 1944 "At the window". In 1951, at the same Salon, he exhibites "Plaisir d'été" and "Le Goûter". He exhibits during his lifetime in Paris, Munich, Brussels, Geneva, Italy, Stockholm, London and New York. He is now represented in numerous public and private collections, including the Museum of Modern Art in Paris, the museums of Le Havre, Libourne, Rouen, Saint-Etienne, Amsterdam and Tunis. Charles Kvapil is known mainly as a painter of characters, especially for his representations of naked women for which his friend Ginette often served as a model; he painted models in the studio, sometimes in front of his window with the Montmartre hill in the background; often bathers or female nudes placed in groups of characters, in the manner of Courbet and the Impressionists at their beginning. He is also creator of many portraits; but he did not disdain either the still lifes, especially the bouquets of flowers, or the landscapes, which form an important part of his work. He painted many regions, including Corrèze, where he "knew how to grasp the character of the country that is not his, with his usual mastery" (SSHA Bulletin Corrèze), the Mediterranean coast, Corsica, where he stays regularly in the 1920s and 1930s; in Paris he participated in exhibitions of painters of Corsica in 1925 and 1933. In 1939, at a new exhibition of Art Corse, at the Gallery The Team, still in Paris, he presented two paintings titled "Costa Brugiata, Cap Corsica "and" View of Rogliano ". He is also the creator of "On the Island" (1923), "Querciolo, Rogliano" (1923), "Corsican Woman" (1924), "Landscape of Corsica" (1933) (information Cronica di a Corsica). Charles Kvapil was influenced by fauvism and a very temperate cubism; Paul Cézanne and to a certain extent Matisse (as a colorist), also marked his style. The desire of construction of the artists of the group to which Kvapil belongs, "did not lead to distortion, except once or twice at Kvapil" .... Kvapil and his friends "thus engaged in thorough technical studies according to the masters, all without exception have loved the beautiful solid and dense material. Their work is related, moreover, not to the classical tradition of transparent painting, but to that of the opaque painting of Frans Hals, Rembrandt and Chardin, almost alone in force since the beginning of the nineteenth century [...] so they paint all in dense pasta but without excessive excess "... (Germain Bazin," the love of art ", 1934). Charles Kvapil's paintings are original and modern, his nudes and bouquets of flowers are strong and powerful. His palette is rich in cobalt blue and warm colors. His technique is voluntary and powerful. His works in oil are often of modest size, sometimes painted on panels, or on cardboard. He also practiced with great skill the technique of pastel. P. Béran, in a study he has dedicated to him, praises the richness of his material and all that his art owes to the joy of living. "A work modeled on a life totally devoted to the pleasure of painting. (Jean Jacques Lévêque, ibid.) He was an indefatigable worker, and this is what he says: "the painter must speak little, but he must comb a lot" Bibliography Jean-Daniel Maublanc, Charles Kvapil, painter of figures, 72 p. Jean-Daniel Maublanc (preface by Louis Parrot), Perspectives - Marcel Lemar, François Eberl, Marcel Roche, Jacques Villon, Charles Kvapil, Charles Jacquemot, Pierre Bach...

4032 Scandinavian painting of a female bather on cut out wood applied to a painted backround Set in a wood frame image size 8.5x10.5"

3822 Hudson river view landscape 1920 Set in a period frame Image size 12x16"

We are pleased to offer an exquisite painting by Finnish artist Reino Partanen (1889–1972), titled Birch Trees and Snow-Laden Spruces. Created in 1927, this impressive work measures ...

5-2519a Oil on artist board displayed in a painted wood frame Image size 10x12.5"

4096 A 1920's oil painting on canvas of an elegant southern lady .Artist unknown. Unframed

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Portrait of a Man French School signed and dated 1923 oil painting on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: good and sound conditi...

Morris Kantor New York (1896 - 1974) Paris from the Ile St. Louis, 1927 (view of Eiffel Tower) Oil painting on canvas Hand Signed lower left. Provenance: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution ( bears label verso) Size: 20 3/4"H x 28 1/8"W (sight), 28.75 "H x 36"W (framed) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018 Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...

Antique American impressionist oil painting portrait. Oil on canvas. Signed. Framed.

Signed figures in cityscape oil on board circa 1920 by Russian-born post impressionist painter Elie Anatole Pavil. The work depicts citygoers in Boulogne. Two elegantly dressed ladie...

This lovely British 1920's Art Deco vibrant portrait oil painting is by Charles A. Buchel. Painted in 1925 and signed and dated it is a seated portrait of a young woman, Mary Haggie,...

This early 20th-century portrait of a dog by the renowned Scottish painter John Murray Thompson (1875-1974) is a remarkable blend of artistic mastery and emotional warmth. Thompson, ...

Signed figure in riverscape oil on panel circa 1920 by sought after French impressionist painter Edouard Cortes. This beautiful piece depicts a worker with his horses travelling alon...

A fine full length portrait of Janet Thurston Newbold by Russian American artist Ossip Perelma (1876-1949). Perelma was born in Odessa, Russia, studied at the Imperial Academy in Pet...

Oil Painting by Frank Moss Bennett "By the Fountain" 1874 -1952 Painter of figurative scenes and townscapes, studied at the the Royal Academy school and regular exhibitor there and L...

A very beautiful large French impressionist oil on canvas still life depicting a plant and brass kettle, probably in a kitchen. The work is very well painted and atmospheric on a gen...

Lucien Jonas (1880 - 1947) Men Portrait 1920 Oil on canvas 81 x 65,5 cm Signed and dated bottom right

Oil on canvas sold with frame Total size with frame 57x66 cm Charles Felix APPENZELLER is an artist born in Switzerland in 1892 and died in 1964. His works have been sold at public...

Frameless. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla, nephew and disciple of Segundo Matilla. Specialist in landscape painting and gender. Barcelona, Madri...

Very nicely painted American impressionist cityscape painting. Oil on canvas. Signed. Housed in a period frame and in excellent ready to hang condition. Image size, 14"Lx 22"H.

Josephine Reichmann Bass Rocks Signed lower right Oil on canvasboard 14 x 16 inches Reichmann was born in 1864 in Louisville, Kentucky. After studying at the School of the Art Inst...

Work on canvas Frame in plaster and molded and gilded wood 67 x 59.5 x 6 cm

Whistlers Mother by Anonymous Artist Original Oil on Canvas 1924 Nicely executed painting after James McNeil Whistler of his mother by an anonymous artist (American, 19th-20th C.) I...

Exquisite, original oil on canvas painting of a ballet performance by the well known French artist, Jean-Louis-Marcel Cosson. Signed by the artist lower left. Condition is very good. Old wax reline. Solid mahogany wood frame with gold decoration. Overall framed measurements are 24.75 by 33.25 inches. Jean-Louis-Marcel Cosson was born in 1878 in Bordeaux. His first exhibition was in Paris at the Salon des Artistes Français, of which he would later become a member. He received an honourable mention at the age of 23 in 1901, and a third-place medal in 1911. He also exhibited at the Société des Beaux Arts and the Salon des Tuileries. ​ Cosson is a post-impressionist artist who developed a very distinctive style which makes him immediately recognisable among his peers. His passion was to capture a bustling Paris which was the epicentre of the Modern art world at the beginning of the twentieth century. ​ Fascinated by Edgar Degas, he almost invariably followed the themes beloved by the Impressionist Master, such as Parisian women or horse racing. But like for Degas, his most admired works remain his paintings of...

Serene early 20th century landscape of a winding creek in verdant country side with a distant farmhouse in the background, by an unknown artist (American, 20th Century), c. 1920. Pre...

Signed divisionist landscape oil on panel circa 1920 by French painter Henri le Sidaner. This stunning piece depicts a white house framed by trees at nighttime. Light glows from the...

Paulette Van Roekens Old Whaling Wharf, Newport, Rhode Island, 1921 Signed and dated lower left Oil on canvas 30 x 40 inches Painter Paulette van Roekens was born in France and attended the Philadelphia School of Design for Women (now Moore College of Art and Design) and the Pennsylvania Academy of the Fine Arts. Her talent was recognized early on, and in 1916, she was awarded the John Sartain Fellowship at the Philadelphia School of Design. Her early paintings often were of still lifes, using flowers...

'Oranges and Apples', oil on canvas, still life by Guillaume Dulac (circa 1920s). A magnificent study of fruit and light painted with a deft touch and a delicate brushstroke. The evi...

Signed lower left, 'G. Ames Aldrich' for George Ames Aldrich (American, 1872-1941) and painted circa 1915. One of the best known Indiana landscape painters of the 20th century, Geor...

Impressive early American impressionist seascape oil painting by Margaret Munro Stratton McLennan (1911 - 1995) . Framed. Oil on board. Signed. Image size, 12H by 16L.

⭐Garlic Starwars ⭐ This painting follows the same expressive, semi-abstract style as the previous ones, featuring a textured and dynamic portrayal of garlic. ⏩Subject & Composition...

Very finely painted American impressionist fall landscape of Mt Denali in Alaska by Paul Lauritz (1889 - 1975). Oil on canvas. Excellent color and composition. Housed in a period...

A bright and beautiful Canadian modernist landscape. This unsigned work has a label on the reverse from a Canadian gallery and an inventory number and stamp from a collector in NYC....

Here for your consideration is a circa 1920’s still life of red poppies and purple grapes. Oil on artist canvas board . Signed lower right but artis...

Portrait of Franklin Atwood Park, VP of Singer Mfg. Co. Stately portrait of Franklin Atwood Park by Arthur Trevethin Nowell (British, 1862-1940). Park is sitting for a classical portrait, wearing a suit with a blue bowtie against a dark background. Of particular note are his glasses and moustache, both rendered with expert detail. Park was the VP and Chairman of the Board for Singer Manufacturing Company and Manager of the Singer Division in Scotland when the portrait was commissioned. We show a digital image of a photographic portrait of Franklin. Signed and dated "A T Nowell. 1922" Includes paper with biographical information on the sitter. Frame size: 37.5"H x 32.5"W Canvas size: 30"H x 25"W Arthur Nowell (British, 1862-1940) was born at Garndiffath, near Pontypool, and was the youngest of six children born to the Rev. John Nowell and his wife Mary...

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

A delicately painted portrait of a pretty young maid imbued with a beautiful light. James P Barraclough 1891 - 1942 The Kitchen maid Signed and dated 1923 Oil on canvas 30 x 25 inc...

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece ...

This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist Norah Nielson Gray. Painted circa 1923, the model for the painting was Rita McIlraith but the artist did not want to use her name in the title and it was called 'Exotic.' Norah Neilson Gray...

Signed figures in interior oil on canvas circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family in a typical Breton kitchen scene. An elderly lady is seated at the table with her back to the artist and a young girl also sits at the table beside a bowl of oranges and a carafe of red wine. Another lady stands at the table under the light of the lamp. Signature: Signed lower right Dimensions: Framed: 29.5"x34" Unframed: 21.5"x26" Provenance: Salon des Independants - 1922 exhibition Galleries Maurice Sternberg - Chicago Original artists label with title and number "9" on the reverse. Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...

Forest Landscape - an Antique Oil Painting by 19th Century American Artist, Clara Davis Inness (1874-1932) Art measures 36 x 24 inches F...

Impressive early American impressionist still life oil painting by Harriette Bowdoin (1880 - 1947). Framed. Oil on board. Signed. Image size, 18H by 22L.

Presenting an extremely rare, early oil painting by English artist Ernest Procter. Ernest Procter was classically trained and extensively exhibited throughout his lifetime. Procter ...

Luminoso quadro con mazzo di fiori arancioni su fondo verde

Josef Jungwirth (Austrian, 1869-1950) Sclien, 1921 Oil on wood panel 19 x 16 1/8 in. Framed: 21 3/4 x 18 3/4 x 7/8 in. Signed, dated, and inscribed lower right: J. Jungwirth, Sclien,...

Signed oil on panel landscape by Italian impressionist painter Emma Ciardi. The work depicts a view of the Rio de San Barnaba which runs through Venice, It...

Oil on canvas. Framed. Signed.

Signed fauvist oil on canvas laid on panel riverscape circa 1925 by French painter Louis Valtat. The work depicts a boat being rowed on the Bois de Boulogne lake in Paris, France. It...

This stunning romantic Art Deco portrait oil painting is by noted Australian/British artist Frederick Leist. He was born in Sydney, his parents both Londoners, and moved to England with his wife Ada in 1910 and exhibited prolifically, including at the Royal Academy, on his return. Like many artists, he became a war artist during the first world war and his dramatic battle scenes contrast markedly with his more delicate portraits. This composition is of a beautiful young woman kneeling on the ground, a striped blanket covers her head and auburn curls and is around her shoulders and spread out on the ground around her. In one hand and scattered around her are beautiful pink flowers the colour of her lips. One shoulder and her face are bathed in light as she gazes down to her left, lost in thought. The brushwork and use of light are superb. Almost Orientalist by design, it is a super roaring twenties painting, full of vitality and impressionistic colour and influences and an excellent example of Leist's work. Signed lower right. Provenance. Collection IMI PLC. Condition. Oil on canvas. Unframed size is 30 inches by 25 inches, in excellent condition. Housed in a fine Bourlet gilt gallery frame. Framed size is 40 inches by 35 inches, in excellent condition. Frederick William (Fred) Leist (1873-1945) born Sydney. He was the eighth surviving and fifteenth child of Edward Frederick Leist, builder, and his wife Harriet Eliza, née Norris, both Londoners. Leist was educated at Crown Street Public School and, while training as a furniture designer in the workshops of David Jones Ltd, studied art at Sydney Technical College before becoming a student of the Art Society of New South Wales; under Julian Ashton's tuition he learned plein air techniques. 1898 he married Ada Sarah Roberts. Leist drew for the Bulletin in the 1890s and became staff artist on the Sydney Mail; he was also local representative for the London Graphic from 1900. According to William Moore he 'was the first to portray the Australian girl as a definite type'. Leist was an original council-member of the Society of Artists, Sydney, in 1895 and, after their merger, of the Royal Art Society of New South Wales. However in 1907 he was one of the twelve who re-established the Society of Artists. The Leists moved to England and from 1910 to 1925 he exhibited regularly at the Royal Academy of Arts. His first successful picture, 'The Mirror', a portrait of his daughter, was hung on the line at the Royal Academy in 1911 and next year at the Salon de la Société des Artistes Français. At the 1914 Royal Academy exhibition his painting of two Spanish guitar players, 'The Rivals', was acclaimed. The Review critic wrote: 'it is a composition in light and a pattern of colour, given power and meaning by restraint'. Noted for his studies of handsome women, Leist was elected to the Royal Society of British Artists and to the Chelsea Arts Club in 1913 and next year to the Royal Institute of Oil Painters; later he also exhibited with the Royal Society of Portrait Painters. During World War I, Leist worked for the War Office designing recruiting posters. Then, in September 1917, he was appointed an official war artist with the Australian Imperial Force and attached to 5th Division headquarters as an honorary lieutenant. From September to December and from June to August 1918, 'dodging shells and mustard gas', he produced about 150 small sketches, drawings and watercolours, and a portrait of Lieutenant-General Sir Talbot Hobbs. He later fulfilled commissions to paint four large battle scenes including 'Battle of Polygon Wood' and 'Capture of Mont St Quentin'. The striking colours of these battle scenes are in strong contrast to the delicacy and muted tones of his watercolours such as 'The Lacemaker'. In London, Leist consolidated his reputation: he was represented in the 1918 exhibition of Australian war...

A gorgeous early 20th century landscape oil painting of fields of yellow and blue wildflowers in bloom by Northern Californi...