Roy LichtensteinReflections on Crash1990
1990
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1990
- Dimensions:Height: 59.13 in (150.2 cm)Width: 75 in (190.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU118527625352
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Pop Shop II: one plate (L. pp. 96-97)By Keith HaringLocated in New York, NY1988 Screenprint in colors, on wove paper, with full margins 12 x 15 in. (30.5 x 38.1 cm) Edition of 200, HC Signed, dated, and numbered in pencil, recto FramedCategory
1980s Pop Art Abstract Prints
MaterialsPaper, Screen
- Flowers 2By Alex KatzLocated in New York, NY2017 Screenprint in colors, on Crane Museo Max 365gsm paper Sheet: 23 x 28 1/2 in. (58.4 x 72.4 cm) Edition of 100 Signed and numbered in pencil Unframed, excellent conditionCategory
2010s Pop Art Abstract Prints
MaterialsPaper, Screen
- Grey RibbonBy Alex KatzLocated in New York, NY1990 Screenprint in colors, on Arches paper Sheet: 27 1/2 x 35 9/10 in. (69.9 x 91.2 cm) Edition of 150 + 30AP Signed and numbered in pencil, lower margin FramedCategory
1990s Pop Art Abstract Prints
MaterialsPaper, Screen
- Over the RainbowBy Yoshitomo NaraLocated in New York, NY2005 Set of two lithographs in colors, on wove paper Sheet: 16 1/8 x 12 1/4 in., each Edition of 100 Each signed, dated, and numbered in pencil, lower marginCategory
Early 2000s Pop Art Abstract Prints
MaterialsPaper, Lithograph
- The NewsBy KAWSLocated in New York, NY2018 The complete set of 9 screenprints in colors Sheet: 24 x 24 in., each Edition of 100 Each sheet signed, dated and numbered in pencilCategory
2010s Pop Art Abstract Prints
MaterialsScreen
- Ups and DownsBy KAWSLocated in New York, NY2013 The complete set of 10 screenprints in colors Sheet: 35 x 23 inches, each Edition of 100 Each signed, dated and numbered in pencil Contained in original portfolio boxCategory
2010s Pop Art Abstract Prints
MaterialsScreen
- Plutusia, from Imaginary Places II (Axsom 246). hand signed/N signed COA FRAMEDBy Frank StellaLocated in New York, NYFrank Stella Plutusia, from Imaginary Places II (Axsom & Schnitzer, 246), 1996 52 color lithograph, screenprint, etching, aquatint, relief, mezzotint, engraving on white TGL handmade...Category
1990s Pop Art Abstract Prints
MaterialsFoil
- Abstract Minimalist Color Silkscreen Print Richard Smith On The Bowery Pop ArtBy Richard SmithLocated in Surfside, FLRichard Smith On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- 1969-71 Abstract Minimalist Color Silkscreen Print Charles Hinman On The BoweryBy Charles HinmanLocated in Surfside, FLCharles Hinman On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsScreen, Lithograph
- Color Silkscreen Pop Art Lithograph Print Les Levine Canadian Pop Art PortraitBy Les LevineLocated in Surfside, FLLes Levine On the Bowery, 1969 - 1971 Screenprint in color 25.5 x 25.5 inches, signed, numbered 21/100 Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Abstract Minimalist Color Silkscreen Print Will Insley On The Bowery Pop ArtLocated in Surfside, FLWill Insley On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Vintage Original Poster Sister Corita Kent Lithograph Pop Art "Life Without War"By Mary Corita (Sister Corita) KentLocated in Surfside, FLCorita Kent (American, 1918 - 1986)"We Can Create Life without War" Corita Billboard Peace Project Poster 1985 Corita Billboard Event - Part of Peace Week, January 17-24, 1985 San Lu...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Screen, Offset