Screen Abstract Prints

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Uniqu...

Artist: Richard A. Heinrich, American Title: The Red Temple Medium: Silkscreen, signed and numbered in pencil Edition: 10/20 Image Size: 15.5 x 14 inches Siz...

Artist: Robert Indiana Title: Love Medium: Screenprint in colors on glossy wove paper Year: 1997 Edition: AP 5/10 (artist's proof, aside from the edition of 150) Frame Size: 30" x 28...

Bridget Riley Print for The Chicago 8, from Conspiracy: The Artist as Witness (Schubert, 15), 1971 Silkscreen on 100% handmade rag paper Signed and numbered 110/150 and dated i1971 n...

Richard Anuszkiewicz Annual Edition, 1970 Silkscreen on Masonite Signed and dated in graphite pencil lower right recto. Edition of 100 8 × 5 1/10 × 1/5 inches Unframed Signed and dat...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

James Rosenquist F-111 TRIPTYCH A (GIRL) Date of creation: 2021 Medium: Digital print on Canadian maple wood Edition: 100 Size: 80 x 20 cm (each skate) Condition: In mint conditions ...

The Blue Space is a screen print on paper realized in 1975 by Aldo Borgonzoni (1913-2004). Hand-signed and numbered, edition of VII /XVI prints. The state of preservation of the ar...

Screen Print in colors on Museum Board, Edition of 100 Signed and Dated Provenance: Artist Studio Private Collection. CA Private Collection, NY

Robert Indiana FALCO Dance Company (Hand Signed/Dedicated), 1968 Silkscreen on metallic and wove paper Hand signed by Robert Indiana with personal inscription on the front Unframed T...

Ed Ruscha (American, born 1937) Insect Slant (Ants), from Reality and Paradoxes, 1973 Medium: Lithograph and screenprint, on Rives BFK paper Dimensions: 55.9 x 76.2 cm (22 x 30 in) E...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Pre...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...

Screen Print in colors on Museum Board, Edition of 100 Signed and Dated Provenance: Artist Studio Private Collection, CA Private Collection, NY

Yaacov Agam, Israeli (b. 1928) Hand signed, and numbered. Limited edition lenticular lens kinetic Agamograph Titled 'Sea Fathom'. Hand-signed and numbered edition 24/99, size of w...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 191 Year: 1971 Medium: Silkscreen, signed in pencil Edition: AP Size: 29 x 22.5 in. (73.66 x 57.15 cm)

Harland Miller (British, b. 1964) Hate’s Outta Date (Yellow), 2022 Medium: Screenprint on paper Dimensions: 100 × 70 cm (39 2/5 × 27 3/5 in) Edition of 125: Hand-signed and numbered ...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Compounded Red Year: 1981 Medium: Screenpri...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 181/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Signed and ...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper S...

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

Damien Hirst (British, b. 1965) Taytu Betul (The Empresses, H10-5), 2022 Medium: Laminated giclée print on aluminium composite, screen printed with diamond dust Dimensions: 100 × 100...

Screen print. Produced in 2007. Edition of 75. Hand signed, titled, dated and numbered in pencil by Bridget Riley. Printed by Artizan Editions, Hove. Schubert 65.

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

Artist: Derrick Adams Title: How I Spent My Summer Medium: Suite of 9 screenprints with collage Year: 2021 Edition: BAT (the good-to-print proofs, aside from the edition of 20 + 4 AP...

Yaacov Agam (b. 1928) Untitled, c. 1980 Silkscreen print Sight: 33 1/2 x 20 1/2 in. (image) Framed: 52 x 29 1/8 x 1 in. Signed lower right Inscribed verso Yaacov Agam was born Yaac...

RETNA Madre (Mother), 2023 Silkscreen and crystallina (diamond dust) on Coventry rag paper Hand signed and numbered by RETNA from the limited edition of only 75 on the front (42/75) ...

Thelma Appel The Magician, 2018 18 Color Silkscreen on 320 gram Coventry Rag paper with deckled edges; accompanied by artist signed COA Signed twice: Pencil signed, titled and number...

Donald Sultan Yellow Roses, April from Fruit and Flowers II, 1992 Color Screenprint Signed in Pencil, DS and 34/100 Printed by Watanabe Studio, Brooklyn Published by Parasol Press, L...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

This brilliantly precise and sophisticated Mid-Century Modernist Abstract Geometric Screen Print in Grey Squares Edition 78/90 is by Mon Levinson and originates from the United State...

Yayoi Kusama With All My Flowering Heart (Triptych), 2014 Set of Three (3) Separate Limited Edition numbered skate decks on 7-ply Canadian maple wood 31 × 8 × 2/5 inches (each) Hand ...

Celebrate New York Richard Anuszkiewicz, American (1930–2020) Date: 1973 Screenprint, signed, dated, and numbered in pencil lower right Edition of 31/300 Image Size: 29 x 22 inches S...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 17-78 Year: 1978 Medium: Silkscreen, Signed and numbered in pencil Edition: 120, AP 25 Image: 27 x 27 inches Size: 35 in. ...

Niki de Saint Phalle Invitation au Musee, original museum poster, 1993 Silkscreen on wove paper 16 × 24 inches Unframed (not signed) original poster; not a later reprint This stunnin...

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and hand signed and annotated by 104 renowned artists, with off...

Margot Lovejoy (American, 1930-2019) Labyrinthe: City 3, c. 20th Century Serigraph in acrylic case Overall: 28 3/8 x 28 x 1 1/2 in. Artist Proof Signed lower right: Margot Lovejoy Si...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Cathedral of Christ the Savior. 1989, paper, screen print, 60x32.5 cm

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Brice Marden Distant Muses 2000 Screenprint 23 1/2 x 19 1/8 inches; 60 x 49 cm Edition of 300 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...

Night City Risaburo Kimura, Japanese (1924–2014) Date: 1970 Screenprint, signed, numbered and dated in pencil Edition of 107/120 Size: 18.5 x 26.5 in. (46.99 x 67.31 cm)

Iain H Williams, Paradigim Distortion V8 (2022) 59.4 x 84.1 cm (23.4 x 33.1 in) Hand-finished work on paper Hand-signed Iain's work has his own bold visual language and motifs...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Untitled (Calvesi 50), 1973-76 Screenprint in colors, on wove paper 16 3/4 x 13 5/8 in. (42.5 x 34.6 cm) Edition: 44/90 Signed and numbered in pencil, lower margin

Robert Indiana New York State Theater, Lincoln Center, 1964 Silkscreen poster 45 1/2 inches (vertical) × 30 inches (horizontal) (Ship rolled in a tube measuring 36 inches x 5 inches...

Iain H Williams, Paradigim Distortion V9 (2022) 59.4 x 84.1 cm (23.4 x 33.1 in) Hand-finished work on paper Signed by the artist Iain's work has his own bold visual language and ...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of abstract painters that radically defined Modern painting in Ameri...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size...

Bob and Roberta Smith Art Makes Children Powerful, 2022 Silkscreen print on paper hand-signed and numbered by the artist 52 x 52 cm Edition of 50...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Iain H Williams, Paradigim Distortion V5 (2022) 59.4 x 84.1 cm 23.4 x 33.1 in Limited edition hand-finished work on paper Hand-signed by the artist Iain's work has his own bo...

Silkscreen screenprint with woodblock and silver leaf Hand signed and numbered. In vibrant color of blue and silver on heavy paper with an almost painting type texture to it. Josep...

Ian Tyson Diversions  - 1970 Screen Print 16'' x 15'' inches Edition: signed in pencil and marked 27/150 Ian Tyson, British painter, printmaker and book artist, was born in Wallasey...

Titled: After the Beginning, one of his most desirable large serigraph silkscreen works. It depicts inter galactic outer space with planets, orbs of bright day glo, neon color in a s...

Untitled (Calvesi 48), 1973-76 Screenprint in colors, on wove paper 16 3/4 x 13 5/8 in. (42.5 x 34.6 cm) Edition: 44/90 Signed and numbered in pencil, lower margin

A very good impression of this color screenprint. Signed and numbered 200/15 in pencil by Bearden. Catalogue reference: Gelburd/Rosenberg GG#59