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Couture 1969 YSL YvesSaintLaurent HandPainted SilkCrepeDeChine Floral PareoShawl

$6,790
£5,105.53
€5,928.76
CA$9,482.09
A$10,516.34
CHF 5,522.67
MX$129,148.16
NOK 69,911.73
SEK 65,927.69
DKK 44,235.08
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About the Item

Given the "YSL" stenciled logo that had been created in 1961 while the fashion designer was only producing haute couture, paired with the French-blue bordered "Yves Saint Laurent" brand tag noting only "Made In Italy", this 52x52-inch hand-painted transparent vibrant crepe-de-chine silk panel with intricately hand-sewn rolled edges was commissioned as a couture shawl or pareo by the French designer in the late 1960s. Based on two similar museum-collected couture hand-painted-floral silk evening ensembles created for NYC socialites at TheMet (1984.592.2a-d for Nan Kempner and 1971.79.2a-c for Sunny von Bulow), it was most likely commissioned by the designer from French textile-artist Andree Brossin de Mere for Spring/Summer 1969. At that time, American cosmetics-and-perfume firm, Charles of the Ritz, owned the perfumes and haute-couture house of the founder since the launch of his initial fragrance Y. Since 1965, the designer's three initials were used to brand products and materials funded by Charles of the Ritz, which did not include items sold in the designer's Saint Laurent Rive Gauche ready-to-wear boutiques. Notably, the cobalt-color linear-design packaging later produced by Charles of the Ritz for YSL Rive Gauche perfume for women or men (Pour Homme) widely introduced the couture branding to an international audience in 1971. In 1972, Yves Saint Laurent and his partner Pierre Berger retired the blue-border label when they bought out the U.S. company's interests since benefitting from the popularity of the prestige-market fragrances, along with the success of their internationally expanding boutiques, whose initial Parisian retail store in 1966 had been the first in the city under the name of a couturier. In the 1980s, the blue-bordered Yves Saint Laurent tag was revived for less expensive clothing diffusion labels with additional ready-to-wear text that identified them, such as "foulards", "variation" or "pour homme". Since the designer introduced shocking sheer chiffon clothing beginning with a 1966 collection, we suspect that our see-through piece was made around that time in the late 1960s. With a bright pink border, the painted silk's organically-shaped abstract imagery evokes flowers with additional colors of lavender, lime, orange and yellow. Perhaps the image is an homage to a favored contemporary British "color-field" painter, like the designer did for a number of artists whose work he collected--starting with the haute-couture Mondrian collection in 1965. The pristine-condition fabric also still retains its black materials/production/care tag that reads "Made In Italy/pure silk" in Italian, French, English and German (no other language). During the ownership of Charles of the Ritz, Yves Saint Laurent likewise had his men's silk ties produced in Italy with the tag reading "Yves Saint Laurent Paris" like his initial couture-clothing tag for women.
  • Designer:
  • Brand:
  • Dimensions:
    Height: 52 in (132.08 cm)Length: 52 in (132.08 cm)
  • Style:
    Abstract Expressionism (In the Style Of)
  • Place of Origin:
  • Period:
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU3244223931212

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