1960S PUCCI Purple & Pink Nylon Jersey Underwire Bra Top Mini Slip Dress
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1960S PUCCI Purple & Pink Nylon Jersey Underwire Bra Top Mini Slip Dress
About the Item
- Designer:
- Brand:
- Dimensions:Length: 31 in (78.74 cm)Bust: 36 in (91.44 cm)Waist: 40 in (101.6 cm)Hip: 46 in (116.84 cm)
- Period:
- Condition:Wear consistent with age and use.
- Seller Location:New York, NY
- Reference Number:Seller: SL9ON360451stDibs: LU16129999922
Emilio Pucci
By the mid-1960s, the international fashion press, enamored of his dazzling scarves and slithery dresses in sensuous psychedelic silk jersey, had dubbed Florentine designer Emilio Pucci the Prince of Prints. Less well known is that, starting in the early 1950s, Pucci applied his colorful, abstract patterns to static angular mediums such as ceramics, floors and furniture, imbuing them with movement, not to mention glamour. He was the first fashion designer to enter the lifestyle market, founding the successful brand that exists today.
Born in 1914 to one of Italy’s oldest noble families, Emilio Pucci, Marchese Pucci di Barsento, was a member of the postwar international jet set, hopping from beach to mountain to city. His fashion career began unexpectedly in 1947, when he created a revolutionary stretch ski outfit that was photographed on the Swiss slopes for Harper’s Bazaar.
Eschewing a life of aristocratic glamour, the self-taught Pucci opened a boutique on Capri dedicated to simple resort clothing (think capri pants) that evoked the Mediterranean’s undulating waves and refreshingly bright colors. At the time, luxury fashion was as constricted as a Dior cocktail dress, but the Swinging Sixties were on the horizon. Signed with what Vogue International editor Suzy Menkes calls a “handwritten ‘Emilio’ flourish” — a concept, she points out, as novel as that of designer ready-to-wear — his designs were soon seen on celebrities like Jackie Kennedy and Marilyn Monroe.
From the airline uniforms he created for Braniff in the 1960s to the emblem he crafted for the Apollo XV space mission in 1971, Pucci’s designs were visionary. In spite of his traditional roots (or because of them), the Prince of Prints was forward thinking and outward looking. Pucci put his signature flourish on patterns that were flexible — first for fashion, then for furnishings and objects. Whether on fabric or foam, shelves or sails, as he first explained some 70 years ago, the ornamental designs work in “continuous motion.” Venturing into nontraditional design partnerships, he laid the groundwork for a future brand, a classic legacy that his daughter Laudomia Pucci continues today.
Find vintage Emilio Pucci evening dresses, scarves, skirts and other clothing and accessories on 1stDibs.
Gucci
Long before trend-bucking creative director Alessandro Michele brought his hallucinatory “Utopian Fantasy” campaign to Gucci, it was a modest Italian leather shop. Today, it’s an internationally renowned luxury house with an iconic logo, and vintage Gucci clothing, handbags and shoes are among high fashion's most covetable goods.
Guccio Gucci (1881–1953) admired the stylish suitcases he saw wealthy guests arrive with at the Savoy Hotel in London, where he worked as a bellhop. So, in 1921, after a stint at Franzi, a luggage company in his hometown of Florence, he opened a leather goods shop of his own.
At first, Gucci’s Florence business specialized in equestrian accessories. But as its reputation flourished, particularly among the English aristocracy, so too did its footprint. In 1938, he brought three of his sons — Aldo, Vasco and Rodolfo — into the business and expanded it to Rome and later Milan. In the mid-1930s, a League of Nations embargo against Italy pushed Gucci to experiment with alternatives to imported leather. Its woven hemp fabric from Naples, adorned with the brand’s signature diamond print, was a hit, especially among A-list celebrities. The material was first used on suitcases before finding enduring popularity on handbags. (No list of revered designer purses would be complete without Gucci.)
In the 1950s, Elizabeth Taylor carried one of Gucci’s bamboo-handled tote bags, another adaptation to material rationing. After Jackie Kennedy was seen sporting a slouchy Gucci tote in 1961, it was renamed for the First Lady. Then Grace Kelly, on a visit to the boutique in Milan, inspired Rodolfo Gucci to work with Italian illustrator and Gucci textile designer Vittorio Accornero on the Flora print in 1966. Taking cues from Sandro Botticelli’s Primavera, with its pattern of flora and insects, it was painted entirely by hand and featured no fewer than 37 colors.
In 1953, just 15 days after opening his first store on New York’s 5th Avenue, Guccio passed away at 72. The early 1970s saw store openings in Tokyo and Hong Kong, but by the late 1980s, Gucci was floundering. Rodolfo Gucci took charge in 1982, but family drama and lawsuits ensued. In 1993, Rodolfo’s son, Maurizio, transferred his shares in the company to Investcorp, ending the family’s involvement in Gucci. Dawn Mello, then-president of Bergdorf Goodman, joined as creative director in 1989. But it was Tom Ford, who took over as creative director in 1994, who ultimately revived the brand.
Ford’s racy ads, shot by photographers such as Mario Testino, stirred controversy. And his potent vision of sexed-up femininity — with “jewel-toned satin shirts unbuttoned to there,” as Vogue described his breakthrough 1995 runway show — was wildly successful. The new millennium brought new ownership — Pinault Printemps Redoute in 2004 — and a more toned-down vision from Frida Giannini, who became sole creative director in 2006. Alessandro Michele was named creative director in 2015, and the storied brand took a giant leap forward.
Find vintage Gucci clothing and accessories on 1stDibs.
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