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Elsa Schiaparelli's "Sleeping de Schiaparelli" Perfume Sachets

About the Item

Schiaparelli's Mint in Box, "Sleeping" perfume sachets (3) of "Sleeping Blue" satin, over stitched with Schiaparelli's signature "S". Still fragrant wrapped in the original unopened cellophane, tied with vibrant yellow ribbon. "Sleeping," is one of many perfumes Schiaparelli designed, debuted for her summer 1940 collection. For her spring 1939 Commedia dell' arte collection, Schiaparelli had been inspired by Man Ray's 1939 painting, "Le Beaux Temps," designing a patchwork harlequin coat based on the painting. As Dilys Blum, author of "Shocking! The Art and Fashion of Elsa Schiaparelli," points out, the perfume bottle mirrors the candle form with conical snuffer depicted in the harlequin's head of Ray's painting. Billed as a night perfume, it was meant to be spritzed the moment before falling into bed, and the scent was supposed to illuminate the subconscious and "light the way to ecstasy," according to an ad illustrated by Marcel Vertès. The turquoise blue of the packaging was also a new color for the summer 1940 collection, called Sleeping blue

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Rare and unusual figural Surrealist Elsa Schiaparelli lingerie bag. This amusing, rare Schiaparelli figural cat lingerie bag is made of bright pink acetate, with "Shocking" Pink ribbon accents and long pink raffia fringe. With a white plush snout and hand cut felt eyes eyebrows and mouth. Excellent Condition. Signed, Zipper Entry on back. Length 18" x Wide 9". 1950's. Schiaparelli, "I gave to pink, the nerve of the red, a neon pink, an unreal pink, Shocking Pink". Yves Saint Laurent: Schiaparelli's pink was "an aggressive, brawling, warrior pink” Elsa Schiaparelli's "Shocking" Pink was a color which derived from a 17.27 carat rose colored Cartier diamond known as the Tete de Belier, belonging to her friend and client, Daisy Fellowes. Shocking Pink was used for the eponymous perfume "Shocking", which was launched in 1937. The packaging was designed by artist Leonor Fini and the bottle was based on Mae West's curvaceous figure. Her first shoe-hat, designed for her autumn 1937 collection, had a Shocking Pink heel. Salvador Dali loved...
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Elsa's Schiaparelli's 'Sleeping de Schiaparelli' Perfume Sachets
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Schiaparelli's Mint in Box, Sleeping perfume sachets.Of Sleeping blue silk satin, hand stiched with Schiaparelli's signature S. Still fragrent wrapped in the origional unopened celophane,tied with vibrant yellow ribbon. Excellent condition. "Sleeping," is one of many perfumes Schiaparelli designed, debuted for her summer 1940 collection. For her spring 1939 Commedia dell' arte collection, Schiaparelli had been inspired by Man Ray's 1939 painting...
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Schiaparelli Haute Couture Black Changeant Faille Evening Jacket
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Rare Schiaparelli Black Quilted Faille Evening Cape, 1951
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Extraordinary Elsa Schiaparelli Haute Couture Evening Jacket
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Located in New York, NY
"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...
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