Ceramics

Pair antique 19th century Japanese Imari porcelain octagonal bowls, Circa 1890.

These Late 19th/ early 20th century traditional Chinese Sang de Boeuf Jars with original lids feature beautiful rimmed glaze that flares from red to ...

A pair of Chinese Ming Dynasty (1368-1644) sancai-glazed ridge tiles modelled as horse and rider. Both tiles are glazed in rich green and amber, the horses ...

A Fantastic 19th Century Chinese Blanc De Chine Model of a Water Buffalo. Beautifully hand-carved and enameled with a bright white body and black enamel eyes. This piece is really superb and in fabulous condition for its age. In Chinese culture, the water buffalo symbolizes the coming of spring. Throughout China the spring season began with a ceremonial plowing by the imperial capital through the use of a water buffalo, symbolizing its importance to the imperial heritage. Water buffalo were created in China for centuries, with terracotta pieces found in Han dynasty tombs...

A blue and white glazed porcelain plate, decorated in the Kangxi manner. Qing dynasty.

Great vase Condition Overall condition C (used) 1 handle is restored and 1 hairline. Size 285mm Period 19th century Meiji Periode (1867-1912).

the base that is shown in the pictures is not included with this vase; 6in(D) x 6in(W) x 11in(H) are the dimensions of the vase without the base

A pair of candelabra consisting of a pair of 18th century Chinese export vases mounted in 19th century French bronze in the Louis XVI style. The porcelains are very decorative and do...

These lovely Imari cake dishes have fine coloring and are in great condition.

This unique piece of ceramic has beautiful color. It also has a collector's box.

A gorgeous pair of Chinese 19th century Famille rose, Tobacco Leaf Style, Baluster Form covered vases, from the Collection of Henry Ford. Each vase is beautifully hand-enameled with ...

A very stylish pair of Japanese 19th century Fukagawa square vases, having pierced leaf decoration, classical motif boarders and classical scenes of people walking in gardens. We ca...

This ceramic vessel was handcrafted in the Jiangxi region of China in the spirit of ancient temple jars. The style and glaze is reminiscent of Han dynasty burial vessels designed to ...

A pair of "butterfly" Satsuma earthenware vases, Meiji period finely decorated in enamels and gilt with scenes of Samurai and retainers and high ranking female members of the househ...

A large Meiji period Satsuma earthenware floor vase, the of baluster form, painted in pastel overglaze enamels and gilding with two large sprays of flowers including prunus blossom, ...

Pair of Japanese Imari chargers showing cranes and Mount Fuji.

Nice pair of Satsuma lamps with black patinated bronze mount. Gilding is somewhat mitigated locally but they are in very good condition, with no cracks or breakages. Electrical wiri...

A large Meiji period Satsuma earthenware floor vase, the skittle shaped body painted in pastel overglaze enamels and gilding with a continuous frieze of the Seven Gods...

Beautiful Antique multicolored brown glazed Chinese terracotta jar, good great, warm finish and patina of the jar, very decorative object, Chi...

These elegant lamps are crafted from Chinese Canton famille rose porcelain and mounted with French gilt bronze (ormolu). The lamps featur...

Ming dynasty pottery figure of a standing woman, likely from the Suzhou region. This is a small figure with a lot of personality, rendered in crea...

Three Antique Japanese Works of Art An oribe "morikage" (for the display of seasonal fruits), classic green drip glaze with spontaneous ink pain...

No breaks, cracks or fractures. Beautifully detailed.

Ionized red areas on leaf shaped cobalt blue Bonsai tray.

Pair of antique temple urns Chinese rare coloring, 19th century.

Beautiful color. No breaks, cracks or fractures.

A Showa period blue cloisonne vase by Tamura, of squat ovoid form with a band of gold, silver and white prunus blossom in gin-bari around the shoul...

A beautiful pair of antique Chinese hexagonal form hand painted Porcelain tea caddies with floral and bamboo motifs. Each is beautifully hand painted on porcelain with a rich brown ground and golden tan flowers. They are of hexagonal form with beautifully hand painted peonies...

Pair Antique Chinese ceramic porcelain lanterns made into lamps, Circa 1890-1900.

Pair antique Imari Porcelain fluted design vases, Circa 1880.

Handsome 19th century Chinese jar converted into lamp.

A curved ceramic urn, crafted in Morroco.

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...