Antique 7th Century Japanese Kintsugi Repaired Pottery Bowl

Exceptionally fine Japanese porcelain blue and turquoise striped Studio Vase by Atsushi Miyanishi. This stunning contemporary bowl is a statemen...

Set of eight vintage Japanese stoneware dishes, in the shape of bamboo with gilded interior. Each piece sold individually. Please ...

A remarkable, delicately hand-painted Kutani porcelain vase with a decoration of camellia blooms, with original paulownia storage box, signed, by Yoshiaki Yamada. Kutani ware has a long history dating back to the Edo period, over 350 years ago. It was featured in the 1873 World Exposition...

A furo tearoom brazier by Raku Kichizaemon XI Keinyu (1817-1902) decorated in bold style over a brick red glaze. The classical scene depicts men in ‘mino’ straw raincoats pulling a barge up river under the overhanging branches of an ancient willow tree. With makers mark to base and sold with its original paulownia wood storage box. Overall the piece is in excellent condition but has sustained several stress cracks in one corner due to heat encountered during continual use. This is typical of Japanese raku ceramics...

A Japanese Kutsu-gata (clog-shaped) chawan (tea bowl) circa 19th century possibly older. The stoneware bowl potted from buff clay has a slight irregular shape and an unusual depth for a tea bowl. Of Mino ware...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A pair of Japanese decorative ceramic plates, made in Arita for export market circa 17-18th century. The cabinet-display dishes feature lotus-petal gilt rim and a lavish tricolor ene...

Vintage pair of Arts & Crafts / Aesthetic style transfer decorated chargers - hand painted highlights - large size - signed - Japan - mid 20th century. Excellent vintage condition...