Polyester Asian Art and Furniture

This is an old Japanese vase. It is old but in good condition with no cracks or chips. We will always suggest the best shipping method. Please contact us first. We also introduce m...

This wonderful embroidered band was created in India in the early 19th Century. The band was originally designed to form part of a skirt or dress. It still may be used for this purpo...

Japanese two-panel screen: Pink and white magnolias in early bloom, Taisho period (1912-1926) painting of Japanese magnolia tree branches as the flowers...

Stunning antique Japanese lacquer hair comb with a geometric petal-like background of stylized chrysanthemums and flowers done in gold and red maki-e. Possibly Edo or Meiji time peri...

An antique Persian Iranian Safavid dynasty hand woven embroidered textile, circa 17th century, showcases the dynastys intricate craftsmanship. The fabric features horizontal bands fi...

A lot of two antique hand woven embroidered textiles. The pieces are from the Persian Safavid dynasty period and are adorned with hand woven floral and foliage motifs, featuring prim...

Framed Japanese brush painting of two white geese swimming in a pond, 19th century, ink on paper, original brocade mount. Overall size with frame: 58" height 26" width Image size...

This is an antique wooden flower stand from the Meiji period. At the time, it was used as a workbench by craftsmen. There are small marks on it, probably from using a hammer. A clo...

This is an old Japanese stool made in the Taisho period (1913-1930s). It was made by reusing the iron frame of a bicycle at a time when supplies were scarce. The wooden part is made...

School of Ogata Korin White Chrysanthemums 18th Century, Edo period. A two-panel Japanese screen. Ink, color, gofun and gold leaf on paper. Dimensions: H. 171 cm x W. 188 cm (67.5” x 74”) On this two-panel Japanese screen we see blooming chrysanthemums, a flower which embodies the essence of autumn in Japan. Here the traditional floral theme has been simplified and stylized. The bright colors and asymmetrical composition against the delicate gold leaf create a luxurious and ornate work of art. Its background, a strikingly patinated grid of gold leaf, denies any sense of place or time and imbues everything with an ethereal glow. The leaves and stems of the plants are nothing more than pools of mottled color and ink without any outline whatsoever. These are typical Rinpa adaptations of traditional ink painting methods; tarashikomi, or diluted washes of color blended while very wet, and mokkotsu, or “bonelessness,” which creates forms without exterior outlines. The relief work of the rounded flower petals has been obtained by the moriage process (a mixture based on ground shells modeled on the surface of the paper). On the lower right of the screen, the siganture “Hokyo Korin Jakumyo” and the “Hoshuku” seal can be read. Korin is Ogata Korin, famed for the Irises (Nezu Museum) and Red and White Plum Blossom (MOA Museum of Art) folding screens, both National Treasures. Korin worked in both Kyoto and Edo in the mid-Edo period. Korin was using the art name “Jakumyo” just after he received the Hokyo level, which was in 1701. This particular screen was published in May of 1961 in the Japanese Sansai Fine Art Magazine*. An in depth article accompanies the photograph of the screen and and a photograph of the signature and seal. This article devotes much of its body to discussing the moriage technique, how it enlivens the chrysanthemum flowers and Korin’s specific skill in using the technique. The article goes on to discuss the most famous works of Korin, utilizing this technique, which were known at the time. Specifically a two-panel screen held in the Honolulu Museum which was discovered in the store-house of Takahashi Soan. A two-panel screen pair which the Nakano family own. A two-panel screen pair with chrysanthemums in moriage in fan designs owned by the Nomura family. Also a small folding screen featuring chrysanthemums held in the Yamato Bunkakan. The article goes on to say that this particular two-fold screen came from the Nijo family. Korin is known to have had a strong connection with the aristocratic Nijo family. The article explains that Korin received a lot of favors from the Nijo family and that this screen would have been gifted to them. Since that time the Honolulu screen has been amended to ‘attributed to Ogata Korin’ and I do not know further details of the other 3 screens. Other Chrysanthemum screens...

Beautiful round porcelain dish or circular box with a cover in blue and white. This circular chinoiserie box with a cover is finely decorated with a crisp blue and white hue. This di...

Japanese bronze vessel with pair of dragon handles, falcon lid, birds in landscape and elephant heads base.