Paravento Giapponese - Foglia d'oro

Paesaggio giapponese della sciuola di Kano dei primi anni del XVIII° secolo a due pannelli con alberi di bambù. Pigmenti minerali e foglia d'oro su carta vegetale. Bordo in seta ne b...

Paesaggio giapponese: paravento a sei pannelli dipinto a pigmenti minerali su foglia d'argento. Elegante e moderno esempio di arte orientale senza figure uccelli o fiori. Paravento b...

Sempre alla ricerca di cose particolari abbiamo acquistato questo paravento giapponese da una collezionista di Osaka. Un esempio di arte del novec...

Paravento a sei pannelli di scuola giapponese Kano: paesaggio con bellissime ed eleganti gru vicino al fiume, con alberi di pino e sakura. Dipinto a mano con pigmenti minerali ed inc...

A Modern oil painting of a harbor town with the water and mountains views in the distance. It is signed on the bottom left hand corner Ataka and dated '30 (1930). The brushwork is ...

Pines and Cranes Anonymous. Kyoto Kano School. Late 17th/early 18th centuries, circa 1700. Pair of six-panel Japanese folding screens. Ink, gofun, pigment and gold leaf on paper. This bold composition presents two pine trees extending to the left and right across a gold leaf background. One tree is silhouetted against a green ground, golden clouds obscuring its true size, the other stretches across a stylized waterway. The pines are paired with Manchurian cranes with red crests and snow white plumage. Both have been highly auspicious motifs in East Asia since Chinese antiquity. Here the artist utilized fluid and instinctive ink brushstrokes to define the trunk, branches and tail feathers, in strong contrast to the precision and sharp angularity of the crane’s legs and beaks. The adoption of this vast metallic painting support required an unerring sense of design and composition, so that the negative space surrounding motifs could imply context for the otherwise floating pictorial elements. The brushwork detailing the trunks of the pines, the exaggerated dimensions of the pine trees and the strength and dynamism of the composition are all reminiscent of Kano Eitoku...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

Dimensions (Each screen): H. 176 cm x W. 378 cm (69’’ x 149’’) This pair of Japanese folding screens depict blossoming plum trees amongst young pines. They are designed to capture t...