Decorative Objects

A handsome and high quality French 19th century Louis XVI st. Ormolu and black Belgian marble centerpiece, signed F. Barbedienne. This stunning centerpiece/tazza is raised on a circu...

A very impressive 19th century French gilded ormolu and bronze mantel clock, having a pair of bronze putti entwined around the eight day duration chiming clock with four scrolling fo...

Beautiful set of 5 engravings by Jacques Renaud Bernard representing the parade hall and the apartments of the Duchess of Orleans at the Royal Palace in Paris, architectural ensemble designed by the architect of Louis XV Pierre Contant D'Ivry. The engravings represent the architectural details of the different rooms (moldings, sculptures, furniture etc.) This set of engravings...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

A dazzling pair of French 19th century brass candlesticks, Louis XVI in style, to complement a dining table for fireplace mantel. Neoclassical influences are evident as foliate motif...

Earthenware vase- sculpture by Georges Martin. Artist monogram on the base. Unique piece; Circa 1970-1980. H : 22.8 x 5.9 x 13.8 inches.

A magnificent and most impressive pair of French 19th century Louis XVI st. Sarrancolin marble and ormolu lidded urns. Each large scale urn is raised ...

Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry. Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship. Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown. The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver. Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection. The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity. Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement. The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express. Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved. At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence. Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands. One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...

A Fine Louis XVI Style Gilt-Bronze and Sèvres Porcelain Mounted Cartel Clock and Aneroid Barometer En Suite, After the Models by Martinout and Passemant. The clock having a circula...

A Patinated and Gilt-Bronze Hanging Clock, with an enamelled dial and Arabic Numerals. The dial signed 'E. Artult / Moulins S.Allier'. The clock with a twin-train movement and a ...

Louis XVI Style Ormolu Mounted White Marble Clock, 19th century, the tapering marble block mounted with a frieze and ram's heads issuing foliate and fruit swags, centered by the dial...

Pair of large, ornamental jasper urns from Russia with ormolu mounts. The handles are formed with scrolling acanthus leaves and they hold in place a piece o...

Stoneware panel by Georges Martin with wood base. Artist monogram on the base. Unique piece. Circa 1970-1980. H : 1.8 x 15.7 x 26.2 inches.

Tiffany French Louis XVI Clock Garniture Set, Bronze, Marble, 19th/20th Century A French Louis XVI style three-piece gilt bronze and w...

A monumental and important 19th century French sevres porcelain ormolu-mounted two-handle campana form centerpiece/vase. This is a truly Sevres...

Stoneware ovoid vase with abstract decoration by Georges Martin. Artist signature on the base. Circa 1970-1980. Unique piece. H : 19.9’ x 7.7’ x 10’ inches.

With a floral bow over an enameled clock face signed Tiffany And Co. Set in a conforming bronze case with leaf and floral decoration.

Magnificent and very large (23 inch tall) antique (19th century) trophy form vase or urn with cover, finely crafted from bronze with body and lid featuring multi-colored floral and a...

Earthenware sculpture vase by Georges Martin. Artist monogram on the base. Unique piece. Circa 1980- 1990. H : 18.9 x 8.7 x 15.7 inches.

Yellow/brown glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 6.3’ x 3.9’ inches.

A Magnificent and Large 19th Century French Louis XVI Style Patinated and Doré Bronze Jardinière/Planter, Attributed to F. Barbedienne The large and imposing piece features a regal ...

Antique French Sèvres-style ormolu mounted porcelain mantel clock French, 19th Century Height 50cm, diameter 21cm This superb 19th century porcelain clock...

Louis XVI Style, Clock Garniture, Gilt Bronze, Marble, France, 1920s A finely cast bronze and marble clock set depicting Leto and her Children Apollo and Diana. The set having a Mad...

A Very Fine Pair of Mid 1800's Swedish Neoclassical/Louis XVI Style Cobalt Blue Glass Ormolu Mounted Vases with Hanging Ormolu Chains. Each vase con...

A splendid pair of large Louis XVI style cassolettes in light brown marble with white veining from the Napoleon III period. Rare for their size (56 cm high), they are also well-balan...

A high quality pair of French 19th century Louis XVI st. Vert Patricia marble and ormolu lidded urns. Each urn is raised by a square ormolu base with concave corners decorated with a...

A fine pair of Paris porcelain vases on pedestal bases, featuring landscape scenes within acid-etched gilt borders. The body of each vase with a green ground, above and below with gi...

Pair of Monumental Gilt Bronze Louis XVI Style sconces.

An exquisite and finely detailed pair of French 19th century Louis XVI st. white Carrara marble and Ormolu candelabras. Each beautiful six arm candelabra is raised on a circular Ormolu stepped pedestal decorated by swaging garments, foliate designs, a beaded band, and supported by four floral designed feet. Atop the pedestal stands a white Carrara marble cherub dressed...

A large impressive original parcel gilt and silvered 19th century bronze sculpture by Georges Charles Coudray of a female Egyptian harpist, “T...

A handsome pair of French 19th century Louis XVI st. ormolu and white Carrara marble lidded urns. Each urn is raised by a circular white Carrara marble base with an elegant lightly c...

Probably Mdme. Pompadour and Mdme. DuBarry caricatures, popular motif in the 19th century. On coral colored marble bases, and probably of architectural origin. Great color contrast b...

Pair of French 19th Century large cassolettes crafted from richly veined Maurin Green marble, showcasing timeless neoclassical design. These substantial decorative urns feature fine...

A Garniture de Chemineé in the Louis XVI taste By Arnold & Lewis (late Simmons) The mantle clock, and its two matched vases, are constructed in jewelled 'Sèvres' style porcelain, hand and polychrome decorated, with gilt highlights and finely gilt bronze. The clock, rising from toupie feet, supports a rectangular base frame with rounded ends, set with cast stiff leaf decoration, and having inset Roi de Bleu and gilt work panels; over, the circular porcelain dial, signed by the maker (qv) has Roman numerals and blued steel hands, and is set over a central porcelain panel with a bucolic scene, and flanked by elliptical female portraits; the ends are curved and conformingly polychrome and gilt decorated; the whole is surmounted by a decorated twin handled urn, having a pine cone finial, set on an addorsed acanthi gilt bronze base. The two train clock...

A Magnificent Pair of 19th Century French Lapis Lazuli Scagliola Vases with Ormolu Rope Mounts. Each is crafted from lapis lazuli scagliola and mounted with finely cast ormolu. They...

C1780 Pair of 18th Century French Louis XVI Covered Jars with Dore Bronze Mounts. Beautiful pair purchased in France. Age appropriate wear, see detailed photos or message us with que...

A monumental palace size Sèvres Porcelain blue lapis painted vase. Beautifully hand-painted to imitate natural Lapis Lazuli stone. Hand-painted in R...

A superb quality 19th century French Louis XV Style Ormolu Mounted Mahogany and King-wood Parquetry "Re´gulateur de Parquet" Grandfather longcase Clock by Haentges Freres. The drum...

Pair of French Louis XVI-style (19th Century) gilt bronze and grey marble base 5 scroll arm candelabra with cornucopia on side of base and foliate mounts. (PRICED AS Pair)

Pair of 18th century Meissen porcelain subjects. A pair of 18th century Meissen porcelain sculpture subjects, circa 1760, depicting a Turkish couple. H: 13cm, D: 5cm

The creamy and smooth exterior of this 19th Century Opaline Box harmonizes beautifully with its streamlined Dore Bronze mount and clasp. All elements, including its oval shape, contr...

A striking and high quality true pair of French 19th century Louis XVI st. Belle Époque period patinated bronze, ormolu, Rouge Griotte, and black Belgian marble busts attributed to F...

A fine antique French Gilt bronze and white marble garniture set of three putti playing in Thor's chariot. Rendered in crisp and bronze, a pair of Rams in dynamic poses pull the char...

Unique, one of a kind, French 19th century patinated bronze sculpture using multiple materials. Main figure of Viking holding a battle axe. Bronze mounted h...

A zoomorphic ceramic-sculpture- vase by Guerin. Signed under the base. Circa 1950-1960.  

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand ...

A 19th Century carved alabaster bust sculpture of a young girl with a frilled bonnet peeling an orange. After a work by Italian sculptor Pietro Giorgi. There is an old repaired crack...

A Highly Important and Very Rare Pair of 19th Century English Mintons Olive Green Ground Pâte-Sur-Pâte Porcelain Covered Moon-Flask Form Vases, Signed by Louis Solon. These Mintons p...

An exquisite pair of Russian Louis XVI style doré bronze mounted hand-diamond cut amethyst crystal double swan handle vases. The doré bronze swan handles are beautifully matted and burnished finished with hand-chiseled and hand-chased details to the neck, wings, and body. The waisted doré bronze neck and base are finished in two-tone matted and burnished doré bronze and are further hand-chiseled and hand-chased. The amethyst crystal is hand-diamond cut with prismatic lattice patterns as well as feathered decorations in the midsection of the vase. The Amethyst Crystal vases are attributed to the Imperial Russian...

Exquisite pair of candelabra, composed of a young cupid on clouds in patinated bronze, holding an ormolu torch. A vase with flowers and fruits sits where the flame of the torch would...

A Monumental Pair of 19th Century French (attributed) Bacarrat Hand-Diamond Cut-Crystal Vases of Superb Quality and Craftsmanship. The vases are of inverted baluster form, each vase transitions...

Magnificent and high quality pair of French gilt bronze candelabra from the late 18th/early 19th century, raised by a circular Griotte red marble pedestal on gilded feet, with 6 ligh...

A monumental and palace size pair of green Paris porcelain vases exquisitely hand-painted with botanical still life panel on one side and lovers in a royal garden on the reverse. The...

Blue and pearly white glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram and signature under the base. Circa 1980-1990. H : 9.6’ x 10.2’ inches.

19th century gilt bronze pair of French ormolu and figural six light candelabra featuring two cherubs. Each cherub holds a candelabra sitting barefoot on a rock with clothed in a sma...

Pair of Louis XVI Style Ormolu Mounted White Marble Cassolettes All original, finely chased gilt-bronze with removable acanthus leaf tops, the three legs with satyr heads at the top...

After the antique, his helmet decorated with centaurs and panthers. In Homer’s Illiad, he is described as a hero of colossal frame who was trained by the...

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

Bust of 'Marie Antoinette' After the original by Felix Lecomte Constructed in Carrara statuary marble, the bust of the Queen is set on a truncated ...

An early 20th century French faience candlestick from the faiencerie of Desvres, hand-painted with the traditional Rouen floral decor and colors of blue, yellow, orange and green. Fo...