Decorative Objects

Émile Gallé (1846-1904) French Art Nouveau Cameo Mold Blown Glass Vase « Fleurs de Pommier » circa 1910 Beautiful and very rare Art Nouveau molded-blowned g...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Glass vase designed by Louis C. Tiffany, manufactured by Tiffany Studios New York, 1894, signed signed "L. C. T. B2216" (underneath) Material and technique: mouth-blown glass, reduced and iridescent Louis Comfort Tiffany (New York 1848 – 1933 New York) was a famous American designer, artist and painter of American Art Nouveau. He was best known for his works in glass colored with metal salts and made a name for himself in the decorative arts at the time. In the course of his career, he created a unique style that combined outstanding craftsmanship with a love for natural shapes and bright colors. Nature had always been his inspiration and in his designs he tried, in his very own way, to capture its beauty forever. Tiffany designed lamps...

Executed by Michael Powolny for the Wienerberger Keramikwerkstätten, ceramic and stoneware, ochre colored, body holding a dish in her outstretched arms standing above a three-tired C...

Vintage Finnish Tapio Wirkkala textured art glass cylinder vase for Ittala. Asymmetrical icicle patterns. Beautiful vintage condition. Finland, 1970s.

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

A lovely green bronze sculpture in shape of a jumping frog. The frog is 26 cm (10.4") tall and in excellent condition. Marked A.P.G below.

Little is known about the origins of this amazing piece, apart from it being from France, circa 1900. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, ...

Pharmacy bottle from circa 1900s, blue glass, measures: height about 35 cm. Up to 4 available price/bottle   

Elegant Royal Copenhagen crackle glazed candlesticks with gilded banding on the rim and base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made in Denmark, 1957. Gre...

Decorative, Scandinavian modern, dish in bronze, Guldsmedsaktiebolaget (GAB) ca 1930's. Signed with makers mark. Good vintage condition, wear and patina consistent with age and use.

A stunning antique French art nouveau bronze sculpture of the personification of night (La Nuit) (woman sitting on a moon with a star crown) by Henri Louis Levasseur (1853-1934), sig...

A stunning and very rare cameo glass vase etched and enameled with a fabulous landscape of silver birch trees blown in the wind and the rain, exhibiting excellent colors of deep pink...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

"Red Sunset Vase" by Daum Frères A striking and unusual early 20th Century cameo glass vase enamel painted with a green forest landscape against a fiery yellow and orange field, Sig...

Large Swedish Birch Burl Bowl, ca 1850 Beautiful gray patina, with incredible patterns in the wood grain. Four old drilled holes in the bottom, and owner marks: 'BAD'. Made from bi...

A ceramic vase with a lovely glaze designed by Carl-Harry Stålhane at Rörstrand, it´s 32 cm (12.8") high. It´s in excellent condition, it is marked as 2nd quality because a small whi...

Dansk Mid-Century Silver Plate Animal Elephant Figurine Paperweight. Vintage Dansk silver plate elephant figurine paper weight. Marked Dansk Designs Japan. Dimensions: 1.75ʺW × 2.25ʺ...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 This important and monumental vase was done by four different artists in the late 19th century: Alphonse Adolphe Lamarre, French, 1837 - 1912 (Artist who designed the vase) Paul Louchet, French (founder of bronze mounts) (Founder) Charles Pillivuyt Porcelain Manufactory, French, Paris, 1853 - 1922 (Manufacturer) Louis Chalon, French, born 1866 (modeler of mounts) (Modeler) "An Art Nouveau Collaboration" The vase in this case is an exceptional example of the collaboration between numerous artists during the late 19th century. The ceramic was made by Alphone Adolphe Lamarre (1837-1922) for the Charles Pillivuyt Porcelain Manufactory; the gilded bronze mounts, modeled by sculptor Louis Chalon and cast by Paul Louchet. Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

Scandinavian midcentury ceramic bowl or centerpiece and vase set with relief decoration produced by Royal Copenaghen, Denmark 1950s.

A rare and beautiful stoneware vase with amazing glaze. Made by Annikki Hovisaari for Arabia, Finland, 1960s Great condition. Incised signature 'AH' and 'ARABIA'. Annikki Hovisaari...

Hadeland Norway NAUTILUS Art Glass Crystal Ashtray By Willy Johansson. HADELAND GLASSWORKS - NAUTILUS series - Design by Willy Johansson Circa 1960s. G...

A monumentally large Charles Schneider French art glass floor vase. In the 'decor Dahlia' pattern. The vase has a pink and purple palette and i...

A lovely spheral vase in porcelain designed by Stig Lindberg at Gustavsberg. It is 9.5 cm in diameter. It is in excellent condition and one of the most iconically designs from the 19...

Austrian Art Nouveau Three Rooster Diminutive Vase with Talon Legs Austria, Circa 1890s, Franz Bergmann School, Unmarked This rare and striking Art Nouveau vase exemplifies the o...

This is a highly collectible Bibendum Michelin Man bronze car mascot, Hood Ornament, Mascotte voiture. It´s approximate 4 inch tall depiction of ...

A large and impressive Boehmian Art Nouveau pulled feather iridescent art glass vase dating from around 1900. The tall hand-blown vase stands on a flat round base with a polished cen...

Majolica white swan jardinière Nimy, circa 1900. Stamped: Nimy Faiences imperiale 1789-1951 Belgium. A real treasure for the ceramics' collector. ...

Berndt Friberg miniature vase in a beautiful yellow-green hares fur glaze, hand-crafted at his studio at Gustavsberg factory in the 1960s. Height: 5.5 cm Diameter: 4 cm Excellent c...

Antique 1890s Victoria Austria Vase. Comprising Austrian porcelain vases with hand-painted decorated scenes of cattle watering. Measure: Height 14 inc...

Beautiful faience vase by Stig Lindberg in an ample form. Vivacious, colorful decor of a variation of flowers and leaves.

Pair of antique Italian rooster sculptures, hand-made in Italy in the early 20th century, in the Art Nouveau period, inspired to the Animalier style, ...

Scandinavian Modern, set of 6, candle holders in brass, Hans-Agne Jakobsson, ca 1960's. Signed with makers mark. 3 different measurements: Height: 5,2 cm, diameter: 2,8 cm. Heigh...

Antique French Blue Opaline Crystal Glass Hinged Trinket Box, trimmed in beautiful ormolu gilt metal around the opening of box. France, Circa 1920

Swedish sculptor, Olle Hermansson is primarily known for his cast iron sculptures and fire screens in his signature Brutalist style. The characters and shapes appearing in his works ...

A stunning late 19th Century French cameo glass vase decorated with deep green conifer and mountainous backdrop in an attractive green and turquoise colour against a variegating yell...

A beautiful set of 2 antique vases, made of glass. With beautiful relief decoration on the sides and hand-painted with graceful motifs. The vases are i...

Early 20th Century Teco Pottery Art Nouveau Vase by Fernand Moreau. Excellent Condition. Matte Green Glaze. Teco double stamped on base.

French Daum Nancy attr. Art Nouveau cameo glass mushroom vase from the turn of the century. Wheel cut with raised designs in colored enamels on an etch...

Tapio Wirkkala for Humppila "Northern Light" Large art glass bowl in amber-colored glass. From the 1970s. Perfect condition. Dimensions: D 29.0 cm x H 15.0 cm.

A lovely dark green vase designed by Ewald Dahlskog at Bo Fajans, Sweden in the 1930s. The vase is 19.5 cm (7.8") high and in excellent condition.

Beautiful graal vase by Edward Hald, crystal clear with nuances of green. Beautiful underwater motif of fish, where the layers of glass create a lively, wat...

Large multi-layered glass vase, with acid-etched decoration, of comumbines in flowers and buds Japanese-style Gallé signature Good condition, no cracks or chips Early 20th century...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

French Art Nouveau Olive-Green Planter Jardinière 13 h x 14.5 diameter Original vintage preowned Refer to images

Mini Cameo Glass Vase by Emile Galle Glass vase with a floral design. It has a domed shape that tapers slightly toward the top and base. The glass has a matte or satin finish in shad...

Exceptional Art Nouveau glass vase by Loetz Witwe Klostermuehle, Bohemia, circa 1902. This absolute rare, iriscident Loetz vase shows an unusual shaped body with a beautiful green gl...

A Crown Staffordshire powder blue ground gold plated chinoiserie inkwell early 1900s. Excellent quality inkwell gold gilt Chinese scenes Printed mark and of the dealer T Goode & Co. ...

From Lalique, France, the iconic Dahlia Parfume bottle, circa early 1980s. Black enameled accents highlight the Dahlia blossoms seen on both sides of the rounded front bottle. Mold...

Elegant Royal Copenhagen crackle glazed lidded urn with painted flowers and gilded banding on rim and lidd. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made in Denma...

Elegantly crafted heavy stock candelabra in solid brass. It features 5 arms/candle holders for regular sized candles. It was made anonymously in Scandinavia during the 1960s and has ...

Majolica pink butterfly wall pocket signed Fives Lille, circa 1900.

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

This is a Nouveau Art Rueven Glass Flower Bud Vase. It depicts an elongated pink, green-yellow, and grey blue amphora shaped bud vase with ruffles upper border. Below the base, it is...

Loetz Art Nouveau vase whit Colered Details of Irradiated glass 1900s Beautifully decorated whit Irradiated glass Rare to find with original condition The piece is in good conditio...

Skultuna, Sweden. "Lampett" wall-mounted candle holder in brass with original box. Designed by Pierre Forsell in the 1970s. 1970s/80s. Marked. In excellent condition with patina. Hei...

Model #2 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on his own aesthetic aspirations, Stellmacher left Amphora when the workshop was at its most prosperous, in 1904. Together with entrepreneur Karl Frank, who provided the financial backing, he founded Ed. Stellmacher & Co. in Turn-Teplitz in 1905. From the outset, Stellmacher worked hard to achieve a major position among other high-end ceramic art producers. He believed the success of the company would depend on his products of “appropriate methods and unerring quality, perfect from both the technical and artistic sides”. Stellmacher based his first collection on artistically progressive products, pieces he believed would be in high demand. The greater part of the designs were either large vases complemented with sculptures of fantastic dragons or natural animals. With this series, Stellmacher continued the themes he had created for Amphora from 1899-1902, however, his naturalistic renderings of animals was even more elaborately precise. He developed a special ceramic material called refined earthenware, which minimized the shrinkage that was common during firing and allowed for greater preservation of details in the original models. Unfortunately, by 1905, contrary to Stellmacher’s plans, there was little to no demand for objects of this type. Very few pieces exist today as very few were originally produced. Even after redirecting the company to produce commercial goods Stellmacher still could not ward off the company’s demise. By 1910 the Stellmacher & Co. fell into bankruptcy and was liquidated. Art Nouveau Dragon...