Ceramic Decorative Bowls

A lidded bowl designed by Hertha Bengtson at Rörstrand. It is 6 cm (2.4") high and 10 cm (4") in diameter. It is marked as 2nd quality but I cannot see why because it is in excellent...

Set of two Anne and Peter Stougaard Bornholm Keramik bowls. Designed in an organic form with glazing in harmonious shades. Handmade in own workshop Bornholm, Denmark. Both bowls sign...

The antique Sarreguemines ceramic TREFLE big round deep serving platter dish plate is a magnificent and rare piece of French ceramic history. Sar...

Large vintage Tommaso Barbi vase / planter in ribbed fluted ceramic with brass detail. A partially iridescent sand-coloured glaze has been used. Handmad...

A squared bowl designed by Hertha Bengtson at Rörstrand, the bowl is 29,5 x 29,5 cm (11.8" x 11,8") in diameter. It is in excellent condition except from some minor marks and scratch...

Curt Addin, large bowl in chamotte clay. Interior with turquoise glaze. 1970s. Artist signature. In excellent condition. Dimensions: L 31.0 cm x W 12.5 cm x H 15.0 cm.

A large brown ceramic bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 18.5 cm (7.4") in diameter. It is in excellent condition except from some minor scratches and mar...

Vilhelm Bjerke-Petersen for Rörstrand. Ceramic bowl with abstract design. 1960s. Marked. In perfect condition with natural cracks in the glaze. First factory quality. Dimensions: H 6...

A lovely blue bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 14 x 11 cm in diameter. It is in excellent condition and marked as 1st quality. Carl-Harry Stålhane is ...

A beautiful lidded stoneware bowl with amazing glaze. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. The glaze i...

A large and impressive Japanese white glazed orangic shaped studio pottery bowl dating from the 20th century. The heavily made stoneware bowl is of deep rounded shape with kinked rim...

Berndt Friberg for Gustavsberg, Sweden. Ceramic bowl in hare fur glaze. Mid-20th century. Signed. Perfect condition. Dimensions: D 10.8 cm x H 4.8 cm.

Wilhelm Kåge for Gustavsberg, Sweden. Large snail-shaped ceramic bowl in dark blue. Mid-20th century. Marked. In excellent condition. Dimensions: L 31.5 cm x D 19.0 cm x H 5.0 cm.

Gunnar Nylund for Rörstrand. Small ceramic bowl with a beautiful glaze in green-brown tones. Mid-20th century. Marked. First factory quality In excellent condition. Dimensions: L 8....

Danish Art Nouveau icebear and seal bowl designed by Charles Arvesen in 1909 for P. Ipsens Enke. The handcrafted art nuveau bowl featureing a well made li...

A large brown ceramic bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 31 cm (12.4") in diameter. It is in excellent condition except ...

Glazed black ceramic bowl by Gisèle Buthod Garçon. Raku fired. Artist monogram et signature under the base. Circa 1980-1990. H : 3.9’ x 4.7’ inches.

Handmade antique, rustic French stoneware decorative lidded bowl with two large semicircle handles. Thick umber glaze. Beautiful vintage condition consistent with age. France, early ...

A round, green ceramic bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 13,5 cm (5.4") in diameter and 6 cm (2.4") high. It is in excellent condition and 2nd quality. ...

A round, black ceramic bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 15,5 cm (6,2") in diameter. It is in excellent condition except from some minor scratches and ma...

A round unique brown bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 19 cm (7.8") in diameter. It is in excellent condition. This bowl was produced by Carl-Harry Stålh...

A round, brown / gray stoneware bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 13 cm (5.2") in diameter and 6 cm (2.4") high. It is in excellent condition and 2nd qua...

Product Description: Berndt Friberg was one of the most influential ceramists in midcentury Sweden, his works are still popular world-wide and are known for their elegance and beati...

A large unique brown flower pot or bowl designed by Carl-Harry Stålhane at Rörstrand, it is 27,5 cm (11") in diameter and 19 cm (7.6") high. It is in excellent condition. This bowl w...

Very Elegant and antique Berber Terracota tazza on stand, old and beautiful patina and shine of the terracotta, horizontal Brown and Red lines used as decoration, very decorative obj...

Boris Veisbrot (1903-2011) for Limoges, France. Enamel bowl in green tones, with air bubbles. Mid-20th century. Perfect condition. Signed. Dimensions: D 14.8 cm x H 3.5 cm.

A beautiful and unique hand thrown stoneware bowl, with rare and amazing white glaze. Made by Friedl Holzer-Kjellberg at Arabia, Finland. Excellent condition. Incised signature "F....

Shiny scarlet burgundy glazed midcentury regency style decorative serving bowl. Organic relief shape with golden lining. Manufactured at Arnold Wiigs Fabrikker...

A fantastic vintage handmade bowl or plate known as "Cleo" with a gorgeous pattern and glazing made by the very talented and well-known artist Mari Simmulson for Upsala Ekeby in the 60s. It has a deep warm green border around an intricate monochrome center, all hand-crafted to a high standard, a signum for the prestigious designer and the company; Upsala-Ekeby. It is signed and in a really good condition. It is 26.5cm (10.43") in diameter and about 3.5cm (1.37) high, the price includes free shipping. Mari Simmulson (1911-2000), was born in St. Petersburg and was an Estonian-Swedish ceramicist, painter and textile artist. After graduating from Tallinn in 1930, Simmulson studied for Professor Jaco at the State School...

This is a good late 18th century Worcester porcelain TRIO of Coffee Cup, Tea Bowl and Saucer in a combined blue and gold pattern, full...

This is a beautiful Chinese Export porcelain footed Bowl with fine Imari hand painted decoration, which we date to the turn of the 17th to 18th century, circa 1710, Qing period, Kang...

Article: Ceramic shell bowl Producer: Fratelli Fanciullaci, Italy Designer: Fratelli Fanciullaci Decade: 1950s This original studio pottery vintage plate element was d...

This is a beautiful Chinese Export porcelain footed Bowl with fine Imari hand painted decoration, which we date to the turn of the first half of the 18th century, circa 1730. Thi...

A very fine antique English creamware teabowl bat printed with scenes to two sides and attributed to Wedgwood and dating from around 1770. The teabowl is lightly potted standing raised on a narrow round foot rim with a simple raised round bowl shaped body. The teabowl is decorated to sides with black printed designs, one portraying a resting seated shepherd within a landscape with his dog and sheep...

I have been lucky enough to find a great collection of these stunning 18th century blue and white Spanish bowls. Decorated with floral and abstract decoration making them hugely deco...

Product description: This bowl, designed by Korean artist Suku Park, is made with very fine, thin porcelain. The porceiain is thin enough such that when you shine light on it some of it will pass through the material. The raised edges of the bowl are perforated (by design) giving the otherwise clean item a little organic touch. I would like to recommend to display the item on its own in a room with minimalist design. The designer Suku Park was born in 1947 in Seoul, Korea and moved to Sweden in 1974 where he graduated from the Swedish State School...

A beautiful French 1960's faience woven ceramic bowl, handcrafted with braided design intense typical of ceramic artist Pichon’s work executed in mi...

This is a finely hand painted Chinese Export porcelain bowl from the 18th century, Qing dynasty, Qianlong period, 1736-1795. The bowl is beautifully decorated with two panels of f...

Berndt Friberg for Gustavsberg, Sweden. Large ceramic bowl with glaze in blue-green tones. Dated 1964. Perfect condition. Signed. Dimensions: D 32.0 cm x H 9.5 cm.

I have been lucky enough to find a great collection of these stunning 18th century blue and white Spanish bowls. Decorated with floral and abstract decoration making them hugely deco...

Carl-Harry Stålhane (1920-1990) Unique Hand Signed Bowl for Rörstrand, Sweden, 1967. This is a unique and hand signed sizable studio pottery bowl by Carl-Harry Stålhane for the high...

Set of 2 beautiful 'Våga' bowls. Stoneware with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. 'Swedish Modern'. Excellent condition. Stamped 'Gusta...

A beautiful and unique bowl with amazing lava-like glaze. Made by Guido Gambone in Florence, Italy, 1950s. Great condition. With a slight discoloration in the bottom of the bowl (se...

A Classic elegant "Aro" ceramic bowl by Gunnar Nylund. Shades in blue and brown glaze. Made for Rorstrand, Sweden, 1960s. Inscribed with artist signature and Rorstand studio mark. E...

Ceramic Ashtray/Bowl "Galet" by Georges Jouve, France, 1950s

5436 Daisy Makeig Jones for Wedgwood. An “Antique Centre” Fairyland Lustre Bowl decorated int he Lahore design featuring and Elephant, Camel and Horse being ridden by Warriors with a highly lustrous Art Deco exterior...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A stylish and large Carnon Downs Pottery raku bowl made during the 25th anniversary by renowned potter Hugh West (British, b.1950) and dating from 1996. The lightly hand potted bowl ...

Mid-century decorative platter (circa 1960s) by Albert Thiry (1932-2009). A whitened glaze encircles a deeply engraved sunflower motif (with face) in brown and highlighted by forest ...

Rosenthal, Germany, lidded Art Deco bowl in porcelain decorated in royal blue and gold. 1940s. In perfect condition. Marked. Dimensions: H 18.0 cm ...

A beautiful and unique stoneware bowl. Made by Signe Persson-Melin in her studio in Malmoe, Sweden, 2000s. Excellent condition. Marked with signature 'SPM'. The designer Signe Pers...

Decorative handmade ceramic bowl by Søholm which was a Danish company that manufactured ceramics from 1835 until the workshop was closed in 1996. Søholm was located in the little Danish island called Bornholm which has a very long tradition for ceramic workshops and is highly recognized for there high quality ceramics. Søholm Keramik was a ceramics factory that was founded in Rønne on the small island of Bornholm in 1835 by Edvard Christian Sonne and Herman Sonne Wolffsen. Keramisk Forbund became the sole owner of Søholm in 1939. On 30 April 1987, the association was merged with SiD, and the trade union...

Designed in 1984 - Paradisoterrestre Edition 2017 Material: enameled pottery. Colours: white; also available in grey or blue. In the early 80s Mario Lispi organized an exhibition...

Mari Simmulson for Upsala-Ekeby. Large ceramic bowl in a modernist design with a grey-toned glaze. Approximately from the 1960s. Model 4328. Marked. Perfect condition. Label. Dimensi...

Royal Copenhagen, Baca faience bowl with floral motif in modernist style. 1970s. Stamped. First factory quality. Perfect condition. Dimensions: D 22.5 cm x H 4.0 cm.

Wilhelm Kåge Stoneware Bowl "Wave" by Gustavsberg. White stoneware with Carrara Glaze. 1940s. Fantastic condition. An eye-catcher object, for every design hunter.

Designed in 1984 - Paradisoterrestre Edition 2017 Material: enameled pottery. Colours: blue; also available in grey or white. In the early 80s Mario Lispi organized an exhibition...

Glazed ceramic bowl with pearly white interior by Gisèle Buthod Garçon. Raku fired. Artist monogram et signature under the base. Circa 1980-1990. H : 4.3’ x 7.5’ inches.