Ceramic Bowls and Baskets

19th Century English Majolica Fan Shape Dish.

Set/5 Ceramic Vases and Bowl, White & Green, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. This beautiful set includes four waterproof ceramic vases...

A large decorative platter with decor of birds/doves designed by André Baud for Vallauris, France mid-1900s. With hallmark and signature of artist and maker. With signs of age and...

Mid-Century West German Pottery WGP Bowl from Steuler, 1960s, in Very Good conditions. Designed 1960 to 1969 official proof of authenticity such as vintage catalogs, designer records...

DYKA Centerpiece Bowl by ZEMNA Designed by Tetiana Krasutska. Dimensions: D 17 x W 25 x H 14 cm. Materials: Clay. Each object in the DYKA collection is unique because it is sculpte...

Unusual large antique Japanese quality Imari bowl having a quality hand painted Imari bowl with wonderful fan decoration in fantastic red, green, white, blue and yellow colours

A fantastic vintage Regency plate. Made by the iconic Wedgwood group and signed on the bottom. A beautiful blue green high gloss glazed finish. Acquired from a Palm Beach estate

Vibrant model V-33 triangular earthenware bowl by California, artist Fred Stodder. The piece is signed and is 17.5" long x 10.75" wide x 3.5" high with a bright low fire glaze of ora...

Pair of antique Chinese plates having a quality pair of antique Chinese plates with hand painted trees, leaves and flowers in wonderful red, blue, ...

François Guillaume 20th century art deco stoneware ceramic vide poche or basket by François Guillaume Signed under the base Dated 1935 Origina...

I am offering you this fabulous Meissen reticulated fluted bowl from the 1880s. It has a beautifully painted central flower bouquet with accents of...

A lovely miniature Mid-Century Italian majolica basket of lemons, apples, and peaches accented by green leaves and flowers in a white basket. Maker's mark on reverse. Freshen up your...

Georges Jouve Soleil Bowl, Black glazed earthenware. Incised artist's cipher to the underside. France, c. 1950 It can hang on the wall.

Sharing this lovely Japanese Imari dishes bowl from the Meiji period. With intricate floral designs. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Pe...

Mid-Century Danish Studio Pottery Bowl from Aage Würtz, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Materials: ...

We were lucky enough and also proud to be able to buy this Chinese porcelain Famille Rose Large dish, decorated with the scene of the Yang Jia Jian Yanyi (generals of the Yang Family...

Discover ONDA, an exclusive modern design centerpiece made entirely by hand in Raku ceramic by artist Nino Basso. This unique piece, modeled without the use of molds or machinery, i...

Berndt Friberg (1899-1981) studio ceramic bowl or vide poche, modern Swedish design for Gustavsberg. Unique, handmade. Amazing glaze in blue nuances. Signed with incised marks.

A petite small clay roadside decorative touring bowl. This catchall or dish is short, and wide, and decorated with a malachite look green marbled design on the exterior. The inside is glazed in deep verdigris or turquoise. A lovely piece of earthenware, it is hand made and marked on the bottom with: Central City...

Hand-painted Rosenthal porcelain bowl stand, Chippendale decoration, made in the 1940s Ø cm 34 h cm 8 Rosenthal is a German company founded in 1879 in Bavaria. Produces porcelain a...

Beautiful ceramic dish by Marcel Vertes, Vallauris Tapis Vert Manufacture, circa 1950, signed, in perfect condition.

A large Blue & White transitional plate with a nice decoratrion. Additional information: Material: Porcelain & Pottery Type: Plates Region of Origin: China Country of Manufacturing:...

Stylistically 'Hammershoi' distinctive bowls executed by ceramist Nils Kähler during the 1960s to commemorate Svend Hammershøi (1873-1948). Spiderweb relief pattern executed in black...

A sizable low bowl designed by Carl Harry Stålhane for Rörstrand. Would work well in a variety of applications including as a small fruit bowl, as a catchall, ashtray, etc. Really ni...

A striking centrepiece for the dining table or kitchen bench, the Billy bowl remixes the irreverent design codes of 1980s postmodernism with nods to the postpunk music and fashion of the same era. Finished in a monochrome palette and raised on a trio of playfully juxtaposing geometric blocks, the round ceramic vessel...

The round ceramic plate with a slightly raised foot ring is dated from late Korean Goryeo Kingdom (918 to 1392 AD) likely toward the end of the 14th century. The plate features a celadon glaze and underglaze slip inlays in black and white. The inlays showcases a pair of bird (appears to be cranes) in the center of a radiating double walled ring...

Decorative slip casted ceramic platter finished with a rich black or dark green glaze, highlighted with gold luster details. Inspired by Jama-Coaque (350 BC - 1532 AD), a circular c...

Saxbo, Denmark. Ceramic bowl with brown glaze. Approximately 1940s. Ying Yang mark. Perfect condition. First factory quality. Dimensions: D 24.0 cm x H 4.0 cm.

Vallauris, France, three ceramic bowls in brightly colored glazes in red, yellow and green on a dark base. 1960/70s. Marked. In excellent condition. Measuring: L 20.0 x W 14.0 x ...

A large and spectacular lidded bowl with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at ...

Sharing with you this very nice and unusual example of 18th century porcelain in famille rose with gilt combination. Absolute top quality painting Condition minimal rimfritting on...

A set of 3 beautiful faience dishes with amazing geometric patterns. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg...

Jean Picart Le Doux Plate. Signed and numbered 7/150. Very decorative. circa 1960, France. Jean Picart Le Doux (1902-1982) Son of the painter Charles Picart le Doux, the self-tau...

Faboulous japanese porcelain plate. With box. Mark at the base. Additional information: Material: Porcelain & Pottery Japanese Style: Satsuma Region of Origin: Japan Period: 20th ce...

Stunning handmade item by Swedish Tilgmans Keramik. Fully glazed hanging wall decoration depicting 2 fishes and seaweed . Manufactured around 1960 by German/Swedish Paul Harald Tilgm...

An especially rare example of Pat and Covey Stewart's ceramic work in Laguna Beach, California, this dish depicts a group of three nude male figures bathing in a marshy area along the California coast. Here, Pat Stewart used a squeeze bag...

Blue Mid-Century Modern stoneware plate by Atelier Knabstrup Stoneware plate with beautiful ceramic glazing in different tones of blue. Produced by Dan...

Gunnar Nylund for Nymølle. Large triangular dish in glazed ceramics. Beautiful glaze in light brown shades, 1960s. Measures: 37 x 19 x 6 cm. In excellent condition. Signed.

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Unusual Dutch Decorated Kakiemon Style deep dish. The dish itself is a white porcelain plate from the Kangxi period, ca 1700-1720. The painting is Dutch Enamelling from ca 1710-1725. Visisble is a scene in what seems to be a garden of a pagode house depicting a Lady with a Man listening to a Nightingales singing, with a Bird Cage nearby. It's a well known example of the original version of a pattern which is used at the Bows and Chelsea factories in England in the 1750's where it is know as the 'Lady' and 'Old lady pattern' and which was also copied on oriental porcelain in Holland around 1720. The piece is unmarked. References / Robert McPherson Oriental ceramics writes For an octagonal Kakiemon beaker and saucer of this design from The Burghley House Collection see : Porcelain for Palaces, The Fashion for Japan in Europe 1650 - 1750 (Various authors, The Oriental Ceramic Society,1990. ISBN 0-903421-24-0) page 155, plate 127, for a Chelsea example of this Kakiemon pattern see 328 and for the Bow porcelain version see 327. Helen Espir illustrates the Burghley example mentioned above two illustrated it`s connection with two Dutch decorated blanc de chine beakers and a Japanese saucer...

Wilhelm Kåge (1889-1960) for Gustavsberg. Square ceramic bowl. Classic green glaze from the Argenta series. Mid-20th century. In perfect condition....

1980s California Pottery signed by artist Leon Handmade Artisan Glazed Ceramic Bowl Studio Pottery 11 in diameter x 4.38Tall clean neutral colors original Preowned Unrestored Condit...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Kähler, ceramic bowl. Cow horn technique on crea...

Mari Simmulson for Upsala Ekeby, Sweden. Large rectangular dish on foot. Retro-style flower motif. Approximately from the 1960s. Model: 4126. Marked. In perfect condition. Holes on ...

A Chinese Export Porcelain saucer dish after the ‘Dame Au Parasol’ design by Cornelis Pronk (1691 - 1759) commissioned by the Dutch East India Company (Verenigde Oost-Indische Compagnie or V.O.C.) in 1737. Cornelis Pronk (1691-1759) was an accomplished painter and draftsman who was commissioned by the VOC in 1714 to provide designs for porcelain manufactured and painted in China. Decorated in underglaze-blue, iron-red and gilt with ‘La Dame au Parasol...

Knud Kyhn (1880-1969) for Royal Copehagen. Small ceramic dish with a motif of a reclining deer. Model number 21664. In perfect condition. Marked...

Extraordinary white ceramic centerpiece representing two beautiful swans turned back to each other to form an oval bowl resting one large squ...

This unusual ceramic centerpiece bowl was made in Italy for American importer Raymor. The piece has an elongated scoop form and has been hand-painted in shades of blue and green. The...

Nils Thorsson and Johanne Gerber for Aluminia, Royal Copenhagen. Square Baca dish decorated with fish, patterned glaze in the sand and light brown shades. 1960/70s. Measures: 22.5...

Royal Copenhagen, Baca faience bowl with floral motif in modernist style. 1970s. Stamped. First factory quality. Perfect condition. Dimensions: D 22.5 cm x H 4.0 cm.

Wonderful antique Japanese Imari scallop shaped edge bowl having a wonderful Imari bowl with a scallop shaped edge with a vase of hand painted flowers ...

Wonderful pair of large 19th Century Minton Plates having a wonderful quality pair of large Minton chargers decorated with pastoral scenes in lovely gre...

Wilhelm Kåge (1889-1960) for Gustavsberg. Large bowl with handle from the "Argenta" series. Glaze in green tones. Silver inlays. Rare shape. Model A13. Mid-20th century. Marked. In...

A very nicely decorated Set of 5 dishes in Blue and white, Kangxi Period. Decorated in the centre with a pagode garden scene. The border with flowers and bamboo. Additional informa...

A nice pair plate. Qing Dynasty - Qing Period. 20-1-20-1-1 Symbolism: Prunus Symbol of Winter, corresponding to the month of January. One of the "Three...

Carl Harry Stålhane (1920-1990) for Rörstrand, Sweden. Ceramic bowl in modernist design with lines in the decoration. Glazed in dark brown shades. Mid-20th century. Marked. In excel...

A Kakiemon dish Edo Period ( 17th century) Decorated in typical coloured enamels on underglaze blue, flowers and foliage and birds among rocks Color bursting from it Period; 1660- 1...

Nils Thorsson and Johanne Gerber for Aluminia, Royal Copenhagen. Square Baca dish decorated with fish, patterned glaze in sand and light brown shades. 1960/70s. Measures: 22.5 x 4...

Berndt Friberg (1899-1981) for Gustavsberg Studio, Sweden. Unique ceramic bowl with glaze in blue-green tones. Mid-20th century. Signed. In excellent condition with glaze imperfecti...

Nils Thorsson for Royal Copenhagen Aluminia Faience glazed Baca bowl, in abstract design, circa 1960s Beautiful pieces of signed and numbered Danish top craftsmanship Nils Thorss...