Hand-Painted Snuff Boxes and Tobacco Boxes

Sterling silver gold plated snuff box with translucent fired enamels on guillochè and monochrome blue hand-painted miniatures on five sides and fine hand engravings on all edges. Eng...

Oval curved snuff-box in 925/1000 sterling silver gold-plated with translucent fired enamels on guilloché, above and below. Modern contemporary style. Size cm. 4.5 x 6.5 x 2.3. Weigh...

Rectangular snuffbox in 925/1000 sterling silver gold plated with two-tone translucent stripes fired enameled on guillochè and fine hand-engraved on all sides, French Empire Napoleon...

18th Century Bilston Enamel Patch Box / Bonbonniere Circa 1780, white ground, hand-painted floral motifs around outside, base and lid, white interior. 60mm high x 55mm wide x 55mm ...

Art Nouveau Jewel: Guilloché Enamel & Hand-Painted Pill Box by Giorgio Salimbeni, 1977 This exceptional oval pill box is a masterful synthesis of two revered decorative arts: th...

Sterling silver Jewel box with Rectangular rounded corners gold plated with translucent fire enamel stripes on guilloche and hand engraved with late Russian Empire style ornament app...

Snuff Box noble coat of arms is in 925/1000 sterling silver. Snuff Box noble coat of arms has White fired enamels on guilloché and handpainted miniature of arabesques with noble coat...

Square snuff box in 925/1000 sterling silver gold plated with perforated lid, embossed and engraved by hand, with fine round miniature diameter cm. 3.8 hand painted in tempera on veg...

Snuff box “savonette” shape in 925/1000 sterling silver with fire enamel and hand painted miniature on white background depicting two heads of running horses . English “Art Nouveau” ...

ENAMEL AND SILVER GILT TABLE SNUFF From our collectables category, we are delighted to offer this incredible quality Italian Mid-Century Modern Silver and Enamel Circular Box. The S...

Rectangular snuffbox in 925/1000 sterling silver gold plated with two-tone translucent stripes fired enamelled on guillochè and fine hand-engraved on all sides, French Empire Napoleo...

Round snuff box in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè and hand-painted floral miniature, surrounded by a frame with leaves on a blue bac...

Octagonal snuff box in gilded 925/1000 silver with English Queen Anne style borders and sides with fired enamels painted like lapis lazuli stone. On the lid, a very fine fire-enamell...

Round curved snuffbox in 925/1000 sterling silver with translucent fired enamels on guilloché, above and below, and miniature on the lid of a stylised bird, hand painted by the paint...

An excellent quality late 18th or early 19th century Battersea enamel snuff or patch box. The pink enamel background with white enamel lattice and a raised gold around the hand paint...

Square snuff box with rounded sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand painted miniature parrotlets on flowering branches. Ar...

Octagonal snuffbox in 925/1000 sterling silver gold plated with English Queen Anne style borders and sides with translucent fired enamel on hand engraving similar to wood grain. On t...

An 18th Century South Staffordshire Snuff Box, decorated with a couple and two seated musicians in parkland, the sides with small panels within rai...

An 18th Century South Staffordshire Snuff Box Top / Lid, decorated with a Lady and Gentleman with a flute in parkland, gilt scroll border, the unde...

Collectible and very unique, Limoges porcelain miniature trinket box is handmade and hand painted in France and features a very detailed bellows...

Oval rounded "soap" shaped snuff box in 925/1000 sterling silver with fired enamels above and below and hand-painted miniature of a horse's head, English "Art Nouveau" style, early 1900s. Measurements cm. 4.7 x 6.7 x 2. Weight gr. 96. Designed by Franco Salimbeni in 1980 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Beautiful condition and highly attractive mid 20th century French Napolean III style burlwood and hand painted humidor for cigars or possibly tea leaves. Shaped in a square with a ro...

Octagonal snuff box in sterling silver 925/1000 gold plated with borders in the English Queen Anne style and sides with translucent fired enamels on ...

This fine wood lacquered wood case is painted both on the sides: there is the elegant portrait of a pretty woman on one side and on the other side, a natura...

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire enamels depicting a sailing ship. Early 19th century Viennese Baroque style. Fine hand engraving on all sides and bottom. Measurements cm. 7.5 x 7.5 x 2. Weight gr. 151. Designed by Franco Salimbeni in 1976 on inspiration of ancient original artifacts and manufactured in Florence at the Salimbeni company headquarters in several specimens, also with different colors and miniatures, with completely manual execution by artisan artists with thick slabs and large reinforcements suitable for supporting numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

Round snuff box in 925/1000 sterling silver gold plated with translucent fire enamel on guilloche and hand-painted miniature of stylized blue bird, late 19th-century Viennese Art Nou...

The front of the case exhibiting an exquisite hand painted panel depicting sprays of irises in shades of lavender, royal blue & green, set against a radiant white enamelled machined ...

19th Century Enamel Rectangular Patch Box, pwhite with hand-painted floral motifs around edges and base, and a central scene depicting 3 you men fishing, a faded mirror inside and th...

18th Century Bilston Enamel Oval Patch / Snuff Box Circa 1780, blue-ground, transfer printed and painted with a flautist and a lady singer in a garden. 35mm high x 90mm wide x 65mm...

18th Century Bilston Enamel Rectangular Patch / Snuff Box Circa 1780, of shallow form, white with hand-painted floral motifs around edges and base, and a central scene depicting 3 ch...

18th Century Bilston Enamel Rectangular Patch / Snuff Box Circa 1775, rare purple ground colour, floral motifs around edges, and a central scene of a bird surrounded by fruit, white ...

Presentation Snuff box from the 18th century French School. A very important and rare Neoclassical oval box, made in Paris, France circa 1790. It was crafted with translucent natu...

This important German porcelain snuff box exhibits delightful artistry and craftsmanship. Hand painted classical tableau celebrating the e...

The white ground floral decorated snuff box with openings at both ends, one opening revealing painted initials D.V. for Duc de Villroy.

Rounded rectangular snuffbox in 925/1000 sterling Silver gold plated with beautiful fire enamelled miniature hand-painted by the painter Renato Dainelli of a basket with flowers, in ...

This diverse set of early 19th-century English painted snuff boxes, of various shapes and sizes, are finely decorated with a variety of subjects, inc...

Round snuffbox in 925/1000 sterling Silver gold plated with hand-painted miniature pastoral image fired enamelled. 18th century French style. Diameter cm. 8 cm high. 1.8. Weight gr. 171. Designed by Franco Salimbeni in 1968 on inspiration from previous boxes also manufactured in the Salimbeni company headquarters with manual workmanship by talented artisan artists with a thick plate suitable for supporting numerous glazing firings at high heat at around 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

19th century French porcelain and brass trinket box with flower decorations.

This antique and elegant lacquered snuff box was handmade in The Netherlands. It is painted on both sides: there's the scene of the fire in Hamburg on the right so detailed to be as ...

19th century French papier mâché trinket box with hand painted romantic vignette.

This rare pair of Russian folk art treen tobacco containers are beautifully hand turned from one solid piece of limewood. They have well hollowed interiors with a neatly fitting lid ...

These boxes were a specialty of Brunswick and are highly collectible, especially if an interesting subject or view. Here we see a banker bagging up his gold...