Hand-Painted Snuff Boxes and Tobacco Boxes

Beautiful condition and highly attractive mid 20th century French Napolean III style burlwood and hand painted humidor for cigars or possibly tea leaves. Shaped in a square with a ro...

Art Deco "naughty" sterling silver novelty item; a cigarette case depicting a reclining nude woman on a bed in suggestive pose; hand painted enamel on oval raised plaque; with bright...

Art Nouveau Jewel: Guilloché Enamel & Hand-Painted Pill Box by Giorgio Salimbeni, 1977 This exceptional oval pill box is a masterful synthesis of two revered decorative arts: the pr...

French Painted Papier Maché Snuffbox 1800s. Snuff box of circular shape with fine painting on the lid depicting a mountain landscape with figures and herds crossing a river, a dove f...

Octagonal snuffbox in 925/1000 sterling silver gold plated with English Queen Anne style borders and sides with translucent fired enamel on hand engraving similar to wood grain. On t...

Gold-Plated Sterling Silver and Enamel Pill Box with Floral Miniature by Romano Buccioni for Salimbeni, Florence, 1980 Charming shaped pill box in 925/1000 sterling silver, gold pla...

18th Century Mennecy Porcelain Swan Snuff Box, modelled as a swan and decorated in polychrome enamels, the hinged lid revealing a floral interior.

KPM shell and flower motif cabinet or patch box, The top realistically modelled as a clam shell, the interior revealing painted florals, and the blue undergl...

Octagonal snuff box in sterling silver 925/1000 gold plated with borders in the English Queen Anne style and sides with translucent fired enamels on ...

This diverse set of early 19th-century English painted snuff boxes, of various shapes and sizes, are finely decorated with a variety of subjects, inc...

St. Cloud style hen and chicken snuff box, by Samson. Large size, beautifully decorated.

Round curved snuffbox in 925/1000 sterling silver with translucent fired enamels on guilloché, above and below, and miniature on the lid of a stylised bird, hand painted by the paint...

Octagonal snuff box in gilded 925/1000 silver with English Queen Anne style borders and sides with fired enamels painted like lapis lazuli stone. On the lid, a very fine fire-enamell...

Snuff Box Snuff Box Venetian landscape is in 925/1000 sterling silver gold plated 24 carats.. Snuff Box Snuff Box Venetian landscape has translucent fired enamel on guilloche and min...

Snuff Box rectangular in 925/1000 sterling silver with fine hand engraving, black fired enameled “niello” type, in early 19th century “Rococo” style. Snuff Box measurements cm. 4.5 x...

Dutch Delft Tabacco Jar The Claw Blue White Delftware Tin Glazed Pottery Dutch delftware tabacco jar. Tin glazed blue and white earthenware with brass c...

An excellent quality late 18th or early 19th century Battersea enamel snuff or patch box. The pink enamel background with white enamel lattice and a raised gold around the hand paint...

Rectangular table snuffbox in 925/1000 sterling silver gold plated with translucent enamels fired on guilloche and hand-painted floral miniature; external blue staff. Art Nouveau sty...

This rare pair of Russian folk art treen tobacco containers are beautifully hand turned from one solid piece of limewood. They have well hollowed interiors with a neatly fitting lid ...

Collectible and very unique, Limoges porcelain miniature trinket box is handmade and hand painted in France and features a very detailed bellows...

Oval rounded "soap" shaped snuff box in 925/1000 sterling silver with fired enamels above and below and hand-painted miniature of a horse's head, English "Art Nouveau" style, early 1900s. Measurements cm. 4.7 x 6.7 x 2. Weight gr. 96. Designed by Franco Salimbeni in 1980 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Presentation Snuff box from the 18th century French School. A very important and rare Neoclassical oval box, made in Paris, France circa 1790. It was crafted with translucent natu...

Shaped snuff box in 925/1000 sterling silver gold plated with fire-enameled stripes and fine oval enameled miniature in center cm. 3 x 4 hand-painted by ...

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire enamels depicting a sailing ship. Early 19th century Viennese Baroque style. Fine hand engraving on all sides and bottom. Measurements cm. 7.5 x 7.5 x 2. Weight gr. 151. Designed by Franco Salimbeni in 1976 on inspiration of ancient original artifacts and manufactured in Florence at the Salimbeni company headquarters in several specimens, also with different colors and miniatures, with completely manual execution by artisan artists with thick slabs and large reinforcements suitable for supporting numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

This fine wood lacquered wood case is painted both on the sides: there is the elegant portrait of a pretty woman on one side and on the other side, a natura...

Round snuff box in 925/1000 sterling silver gold plated with translucent fire enamel on guilloche and hand-painted miniature of stylized blue bird, late 19th-century Viennese Art Nou...

18th Century Bilston Enamel Rectangular Patch / Snuff Box Circa 1780, white with hand-painted floral motifs around edges and base, and a central scene of a lady in hat, white interio...

An 18th Century South Staffordshire Snuff Box, decorated with a couple with Cupid in parkland, the white base with flowers on a gilt diaper ground . 3.125" wide x 2.5" depth x 1.5" h...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

18th Century Bilston Enamel Rectangular Patch / Snuff Box Circa 1780, of shallow form, white with hand-painted floral motifs around edges and base, and a central scene depicting 3 ch...

An 18th Century South Staffordshire Snuff Box, decorated with a couple and two seated musicians in parkland, the sides with small panels within rai...

18th Century Bilston Enamel Patch Box / Bonbonniere Circa 1780, white ground, hand-painted floral motifs around outside, base and lid, white interior. 60mm high x 55mm wide x 55mm ...

19th Century Enamel Rectangular Patch Box, pwhite with hand-painted floral motifs around edges and base, and a central scene depicting 3 you men fishing, a faded mirror inside and th...

The white ground floral decorated snuff box with openings at both ends, one opening revealing painted initials D.V. for Duc de Villroy.

Snuff box “savonette” shape in 925/1000 sterling silver with fire enamel and hand painted miniature on white background depicting two heads of running horses . English “Art Nouveau” ...

Hand painted oval ceramic ashtray with small covered part in the middle. The top of it is decorated with flowers and leaves in bright colours. There are numerous stamps and numbers o...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand-painted fire-enamelled miniature depicting a female face wearing Art Nouveau style clothing, hand-...

Rounded rectangular snuffbox in 925/1000 sterling Silver gold plated with beautiful fire enamelled miniature hand-painted by the painter Renato Dainelli of a basket with flowers, in ...

An 18th Century South Staffordshire Snuff Box Top / Lid, decorated with a Lady and Gentleman with a flute in parkland, gilt scroll border, the unde...

Square snuff box with rounded sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand painted miniature parrotlets on flowering branches. Ar...

This antique and elegant lacquered snuff box was handmade in The Netherlands. It is painted on both sides: there's the scene of the fire in Hamburg on the right so detailed to be as ...

19th century French papier mâché trinket box with hand painted romantic vignette.

These boxes were a specialty of Brunswick and are highly collectible, especially if an interesting subject or view. Here we see a banker bagging up his gold...