Revival Clocks

Antique Tiffany, Young & Ellis Egyptian Revival Figural Mantle Clock, Sculpture Signed A. Leonard, C1890. Measures- 14.5"H x 17.5"W x 8.5"D

Rare and great folk-art workmanship mantel clock for the collectors and enthousiasts. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest, Folk Art table clock of this design and subject matter and with such amazing natural organic details. This small church or chapel-like 'clockhouse' is entirely handcrafted out of all kinds of wood, but the most eye-catching is ofcourse the organic root wood. Each piece is like an abstract sculpture and depending on how you see things, they may look like one thing to you, but like something completely different to the next person. Because of all the natural materials that were used this small church has a stunning organic look and feel, but what really takes it to another level is the bell striking mechanism. Every six hours the church bell will ring many times, the door on the left will open at every 'strike', revealing the original monk sculpture inside (as shown in the attached video in this listing). With the hand carved crucifix on the right side being made of the same color and materials, it totally blends in with the entire organic design of this Christian antique. Over the many decades this good size and rare antique clock has also grown the most amazing patina and with the natural beauty and unique artisanship that it radiates people will want to stop and study its uniqueness. This work-of-art-table-clock comes with a single day clock mechanism, protected from dust by the original 'back door'. It runs and strikes perfectly and comes with an antique key for winding it. Apart from a few minor imperfections, this rare antique is in excellent condition, which makes it perfect for lovers of unique and rare clocks in general and for Black Forest and Christian Folk Art collectors in particular. Mind you, our fair price for this sizable antique cuckoo clock...

Small Gothic table clock with gilt bronze (or possibly golden) pocket watch by John Worboys of London, 1780-1810. We know too little about antique ...

Stunning and perfect running Gothic architectural design bronze wall clock, from circa 1880. If you like rare antiques in general and one of a kind clocks in particular then this handcrafted specimen for wall mounting could be the perfect addition to your collection or Gothic (inspired) interior. This fine quality antique...

An antique Egyptian Revival mantel clock by Herschede offers slate case in architectural form and having marble facing, maker mark as photographed, c1890 Measures- 11.5''H x 9.25''W...

A monumental architectural French 19th century neoclassical Revival gilt bronze mounted beige and red onyx longcase grandfather clock. The very impressive clock-case surmounted by a figure of seated Classical male figure...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

Unique French-Style Mantel Clock With Candelabras, Early 20th Century A unique French-style set with a mantel clock and two four-arm bras...

This is a gorgeous and very unique French mantle or mantel clock featuring a gorgeous figure of a scholar in robes recling while reading books. The clock is surmounted with verdi gre...

Stunning clock for the collectors of rare and truly stylish Gothic antiques. Gothic wall clocks are a rare find and this more than three feet tall specimen probably is the best an...

An Egyptian Revival Black Marble Clock Circa 1860s made by the renowned clock and jewellery makers Hamilton and Inches of Edinburgh with Royal ...

Importante e monumentale pendola della Foresta Nera, unica nel suo genere, con calendario, suoneria delle ore e dei quarti e 19 automi che compiono 24 movimenti. Cassa in legno lacc...

Large clock in the style of Egyptomania, in marble of different colors, decorated with stylized hieroglyphs, falcons and scarabs. It is topped with a sphinx in patinated bronze. Eg...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

Lenzkirch Mantel Clock from the Early 20th Century in Walnut Case Lenzkirch Mantel Clock, dated around 1903-1905. The piece features a wooden c...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

This is a stunning and fantastic quality three piece French Empire mantle clock set signed by Maison Marquis with a movement by Longuereau. The set features meticulously cast bronze maidens or sphinxs. The condition is entirely original and has a beautiful patina. The clock face is signed by the retailer as well as the manufacturer. The clock is in good condition and we believe it works fine. Dimensions: Clock- 26.5 inches high x 24 inches wide...

Our lovely gilt bronze mantel clock with movement by Raingo Freres of Paris features the finely sculpted figure of a beautiful female caring for a newborn chick. With original pen...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

Antique (late 19th century) Egyptian Revival period French empire style mantel clock in bronze with dark brown patina, retailed at Brown and Rogers of Providence, Rhode Island.

Ornate mantel clock in ormolu gilt brass upon a marble base. Extensive details: guarding eagles, center code of arms, Roman numerals, partially pierced and engraved hands upon a star...

19th Century Egyptian Revival green onyx and bronze garniture mantle clock with two obelisks, with the clock mounted and flanked by ormolu sphinxes and all parts of the set featuring...

A French Egyptian Revival mantel clock, dating to the mid-19th century, is made of polished black marble and patinated bronze. The clock showcases exceptional quality and craftsmanship, using the finest materials, exuding elegance and quality. Surmounted by the priestess Isis cast from bronze, adorned with a gilt headband and intricately tooled clothing, the clock demonstrates remarkable attention to detail. The clock case has a complex architectural design, flanked on each side by bronze Egyptian figures holding tablets, symbolizing the wisdom and power of ancient Egypt. Standing at a height of approximately 65cm, the clock case is embellished with applied figures and mask heads, adding depth and complexity to the overall design. The outer ring of the clock dial features a delicate presentation inscription and the date 1869, adding historical significance to the piece. This inscription connects the clock to the Right Honourable John Bright, a British Radical and Liberal statesman known for his oratory skills and advocacy for free trade...

Very fine quality and unusual 19 century French Greek Revival Porcelain Mantle Clock and Vases Garniture, hand-painted with Greek Scenes.

A spectacular feat of engineering and artistry, this 19th-century skeleton clock was created by John Smith & Sons of Clerkenwell. The Clerkenwell Borough of Central London has for al...

19th-century Egyptian revival clock, circa 1860s, made by the renowned French clock and watchmaker Le Roy and Fils, who were granted a Royal Warrant by Queen Victoria in 1864—the onl...

A very imposing 19th Century Egyptian influenced mantle clock garniture, the black and rouge marble having wonderful patinated bronze mounts depicting Egyptian sphinx like mounts to ...

Parmigiani Fleurier, 'Nubia' - an extremely fine and unique 18K pink gold pocket watch Swiss, Early 21st Century Measures: Height 9cm, width 6.5cm, depth 1.5cm Open: height 9.5cm,...

Small table clock in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche, with columns in neo-classical Hellenic style. Swiss mechanical movement from Mai...

A William Shakespeare Gothic revival mantle clock, dating back to the mid-19th century, superb quality and is made from onyx and gilt bronze. The clock showcases reeded column suppor...

Early 20th century burr yew desktop box with clock circa 1920. Empire revival burr yew cigar box with clock.  Strung and inlaid to outer edges, decorated with an ormolu mount to the lid and standing on ormolu bun feet.  Inset white enamel clock face...

Wonderful clock for the collectors of truly stylish Gothic antiques, by W.H.Tooke, Paris. Finding this unique (Germany made) Gothic table clock again felt like a blessing. The overall design is remarkable, but the combination of the craftsmanship of the bronze components and the hand crafted and hand painted Gothic porcelain plaques is what takes this clock to the next level. Whenever you find a piece that is this good then you can rest assure that there is a maker's mark. This late 1800s work of beauty was made and marked by the prolific Parisian clock...

A fine mantle clock in black jasper dip, decorated by Bert Bentley with Sacrifice to the front. To one side, Polymnia; to the other, an unidentified female ...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A travel-desk clock designed by Wright & Davies. This is a gorgeous travel-desk clock created in London England at the workshops of Wright & Davies, back in 1899. The fabulous clock...

A gothic revival bronze and brass bracket clock with a 5-inch silvered convex Roman dial. The twin fusee movement strikes on a bell, with a heavy high quality pendulum and hold fast...

Made in 1900, our clock is a major work by sculptor and goldsmith Jules Brateau. This renowned craftsman won several medals at world's fairs. Jules Paul...

Tall case Amsterdam clock. Signed Pieter Verlaer, Dutch, circa 1840-1860. walnut and burled walnut. Clock has an amazing dial with three ships that mov...

A highly unusual 19th Century Egyptian Revival Mantel Clock. Wonderful design architectural clock case with pagoda top, made of high quality red marble and black slate, all exquisite...

A very good quality Regency period Mahogany Gothic influenced mantel clock, having delicate carved finials, cluster columns to the sides, the silvered dial with Roman numerals, a thr...

Our Greek Revival period mantel clock in bronze with Siena marble case after the original model by the celebrated French horologist, Pierre-César Honoré Po...

Solid silver 800 silver neo-Gothic silver table clock. The clock was made in casting and chiselling. Mechanical mechanism

Attributed to Emile Herbert, French, 1828-1893. Comprising a central clock and a pair of flanking lidded vases, the clock on a red and black marble base with Pharaoh busts...

This magnificent clock set is signed ‘Le Roy’, most likely for Le Roy et fils. Founded in 1785, Le Roy et fils was an acclaimed French clock-making firm...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Garnish with clock and candelabra in porcelain and gilt bronze. France, 19th century. Mechanism in perfect working order. Fireplace garnish composed of a clock and two five-light candelabras, all three pieces made by combining gilt bronze, with relief elements and round bulges and cold-chiseled details, and porcelain decorated with low-temperature enamels, including gold enamel. The porcelain pieces follow models from the Sèvres National Manufacture of the 18th century, with large pictorial cartouches on a cobalt blue background adorned with golden plant motifs. The set follows a historicist design that combines baroque and neoclassical elements with enamelled scenes of Rococo inspiration, representing landscapes and scenes with mythological themes alluding to the arts and the goddess Venus. The clockwork is stamped “Chles. MT”, with serial number 17420. The main glazed porcelain plates are signed DP Boncher. The clock follows an architectural structure, with an oval base with a prominent front in plan, raised on four molded feet in the shape of a top, on which a large ornamental vase is placed. This plinth has a distinct pinto and, above it, a main body as a façade, with a circular pediment that houses the clock face. This includes black enamelled Roman numerals on white medallions with a gold border, arranged around the central representation of a putti reclining among clouds, holding a floral garland and accompanied by musical instruments. Among the medallions that house the numbers, a small jeweled decoration that evokes pearls and embedded rubies, which is echoed in the secondary areas of the body of the piece and also the vase, always combined with delicate golden filigrees. On both sides of the sphere are two female portraits of ladies from the 18th century, in oval frames. Below, a classically inspired scene with a muse holding musical instruments, probably Euterpe or Erató, accompanied by a putti reading a sheet of music. On the sides of the clock body, two large curved rectangular plates house highly pictorial enameled landscapes, worked with the same miniaturist precision as the rest of the enameled cartouches. These are landscapes of romantic heritage, again inspired by the 18th century, with ideal settings for a twilight atmosphere, featuring classical ruins. The vase that tops the body of the clock has a hemispherical tank, shoulders ending in an edge, an openwork truncated conical neck, which opens smoothly towards the shoulders, and a domed lid, also openwork. The handles are figurative, in bronze, with two female sisters crowned with flowers, of clear Greco-Latin inspiration, worked in a round shape. In the tank, the vase houses two enameled porcelain cartouches, the front one with two putti and a dove - a symbolic allusion to Venus - and the back one with musical instruments. The design of the clock is completed by two thick bronze S-shaped plant braces, under the vase, and counter moldings and plant motifs cast in relief and cold chiseled, combining matte and polished finishes. The candelabras follow a similar design, with large vases of neoclassical design on pedestals, in this case cylindrical, raised on four low feet of turned design. The bases house porcelain cartouches with scenes of putti related to the arts; In one of them we see two putti practicing painting, and in the other two others in a scene related to classical lyric poetry, with one putto writing while the other, holding a lyre, raises a laurel wreath above his head. The cartouches that occupy the front of the candelabra vases...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

Mantel clock softwood decorated mahogany inlaid in light wood with flowers and foliage. White enameled clock face with Roman and Arabic numerals. Empire style, circa 1900. Measures...

A Garniture de Cheminée in The Egyptian Manner Constructed in Algerian onyx and ormolu, comprising a large clock and two side pieces; rising f...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

Large tower-shaped grandfather clock with crenellations and openwork tracery windows on the sides, second half of the 19th century. The diamond-shaped window reveals the clock face with Roman numerals, inscribed “Payne 163 New Bond Street”. Payne & Co. were active from 1811-1875. A stylised Gothic portal door...

19th century Regency revival porcelain with gilt bronze mantel clock on stand with a pair of neoclassical revival ormolu mounted one handled am...

Egyptian Revival Grande Sonnerie clock from the Biedermeier period. It features animated workmen that swing an anvil, pump bellows while making a 'clac...

Reverse painted electric clock with Roman numerals in green, gold, cream, and tortoise pattern. .

Exhibiting the fine design and craftsmanship of French clockmakers Raingo Frères (Raingo Brothers), this impressively large clock, measuring over 1 meter tall ( 3 feet +), is an example of the “Second Rococo” period beginning circa 1830, when the highly ornate "Cartel" style of the early 18th century came back into fashion. The clock is crowned at top center by the figure of a putto or cherub, holding in one hand a dove and the other a garland of flowers. This allegorical figure can represent innocence or purity, and was a popular subject for sculptors of the 19th century. The term "Cartel clock" comes from the French "Pendule à Cartel" meaning roughly "clock in a frame for the wall" - the word "Cartel" meaning in this context "decorative frame". These clocks were almost always made from gilt bronze (also known as "ormolu") and highly decorated. The clock is complete and includes a winding key, and will be checked by our specialist clockmaker to ensure it is functioning properly before shipping. Established in the early 1800s, Raingo Frères was one of the leading makers of precision clocks...

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

A true museum piece, this beautifully sculptural clock could easily find its home in a traditional environment, or be a functional and explosive counterpoint to a minimalist interior...