Gilt Clocks

We present you this stunning Carrara marble clock, a masterpiece capturing a statue of a graceful young woman from classical antiquity in exquisite detail. Her foot delicately rests ...

Unusual late 18th century patinated and gilt bronze girandole form clock. Two removable arms with different branch and leaf form motif, thistle and rose stems. Crystal drops surround...

Beautiful and refined table clock in mercury-gilt bronze, with original gilding. The decoration presents the allegory of love, with Cupid sitting and leaning on the arch, while on th...

8-day movement, 2 spring barrels, verge escapement, thread suspended pendulum with cycloidal cheeks, striking full on the hours and one stroke on the half hours on a single bell, out...

A table clock made in Stockholm by Auguste Bourdillon, 1728- 1799. He were a manufacturer of clocks and watches in Geneva and then in Stockholm 1761 - 1799, where he settled.

This beautiful small cartel clock dates from the late 1760’s. This rare survivor is in excellent original condition, the large circular eight day movement strikes the hours on a bell...

Description The tortoise shell case with lovely gilt mounts, the movement with verge escapment and cyclode arches, the attractive dial with chronos under the chaptering. This love...

A small, svelte French portico clock from the Directory Era, 1795-99. In the "Retour d’Egypte” style that became quite the hot thing following Napoleon’s - ahem! - incursion into Egy...

A French mid-18th century Louis XV period walnut longcase grandfather clock from the Rhône Valley. This French tall walnut clock features a rectangular head topped with a bonnet pedi...

Maker: Samuel Haug, Augsburg. Germany. Description: An early 17th century gilt-copper quarter-striking table clock with alarm and adjustable striking by Samuel Haug of Augsburg. ...

Imposing monumental Louis XVI temple mantel clock with osculating sunburst pendulum surrounded with Strass Chrystal topped with a female angel with trumpet. The beautiful skeletonize...

French Louis XVI Ormolu-Mounted Marble Mantel Clock, circa 1780. Enamel dial with Roman numerals, signed in red 'Hilger A Paris', fine pierced engraved gilt hands, 8-day anchor move...

This unusual silvered clock was a very popular model in the Louis XVI period. The model is typical Osmond and the case is signed Osmond. The 8 day striking movement with silk threat ...

A good and impressive late Louis XIV boulle inlaid Religieuse mantel clock with richly ormolu mounted bronzes signed C Bonneual a Paris. The strong Classic Louis XIV Influenced good...

The clock set comprises a skeleton clock of gilded bronze in Arabesque style, together with the original matching gilded bronze candlesticks. The clock stands proudly on four feet an...

Charles Du Tetre a Paris . One of the most famous Paris clock makers fom the second half of the Eighteenth Century. Master clockmaker since 1758. He deliver...

The elaborately carved walnut case stands 155cm from the octagonal base and is topped by a foliage wreath. The imposing size and great quality make this an exceptional clock. The fine woodcarvings are unusually to be seen on both sides of the case, suggesting that this clock was intended as the centrepiece of a room, or to be placed in front of a mirror. The movement hangs on a compensated grid pendulum, mounted to a gilded drum with gilded bezels on the front and rear and functions as the pendulum. The oscillating count wheel striking movement with central sweep seconds knife edge suspension and pin-wheel escapement. The enamel dial with Roman numerals and Arabic numbers for quarters, half hour and hour, signed Janvier a Paris...

18th century oak longcase clock by james draycot wells, circa 1790. Excellent quality golden oak longcase clock. Second hand dial, date and baring the makers disc at the top. Hood ...

The grey marble columns rise from square plinths, embellished with gilt bronze heraldic devices, topped with two almost identical celestial globes. The plinths are each surmounted by...

An early English London signed black bracket clock with gilded ornaments and bun feet’s signed PETER GARON circa 1690. The handsome good looking clock with attractive dial with date ...

A romantic early striking and classical LOUIS XVI pendule. The round white enamel dial, signed “Gille l’Aîné à Paris”, indicates the Roman numeral hours and the Arabic numeral five-m...

Rare Louis XV period wall clock "cartel d'applique " , finely cast and chiseled , beautiful mercury gliding , the enameled dial with roman numerals , signed GILLE LAINÉ À PARIS - Gilles Lainé ( Pierre Francois Gille ) , dit "L'AINÉ", master clock...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker who specializes in maintaining museums in Poland.

Louis Seize mantel clock or pendule, housed in a gold-patinated wooden case featuring intricate openwork rings and a round clock case. The design depicts a young undressed woman lean...

Beautiful pendule made by: Louis-François-Amable Molliens who was a clockmaker whose workshop was recorded as being, successively, in the rue Saint-Honoré around 1800, then in the passage du Grand-Cerf between 1806 and 1815 (see Tardy, Dictionnaire des horlogers français, Paris, 1971, p. 469) This model is rare because of the strong facade and looking at the base you see detailed gilded relief...

An impressive large cartel clock adorned with musicians Gilt bronze Period Louis XV, circa 1760 Mecanism by J. B. Regnauld (1733-1809) clockmaker at Châlons sur Marne Gilt bronze attributed to Jean-Joseph de Saint-Germain (1719-1791) Excellent original condition Dimensions : h. 47.24 in, w. 22.84 in. Provenance : collection Eduard Palmer (chief executive of Imperial and Royal Austrian Länderbank), Vienna, Austria. His estate sold at Dorotheum auction, Vienna, December 1 to 6, year 1915. This exceptional cartel clock we are offering here is one of the most representative works of Rocaille art during the reign Louis XV. The case is entirely executed in gilt bronze, very finely chiselled and depicts at its top a pastoral scene with a duo of musicians. A standing flute player, accompanied by a singer sitting on a rock holding a sheet music book. The couple are accompanied by a dog sitting quietly next to it and scratching its ear. The whole is embellished with flowery and foliage branches, volutes and large scrolls of acanthus, enclosing reserves lined with crimson velvet fabrics with pierced brass plates with stylized foliage and scrolls. This bucolic scene draws its inspiration from the paintings by Nicolas Lancret and Antoine Watteau. The circular white enamelled dial is signed “Regnauld à Chaalons”, indicates the hours in Roman numerals and the minutes in Arabic numerals by two pierced and gilded brass hands; the movement plate on the back is also signed. It strikes the hours, the half-hours, as well as the quarters, which was quite rare. Our cartel can be compared to an almost identical model whose movement is signed Pierre Le Roy...

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

France Directoire Mantle Clock, around 1790/1800, figural depiction of two putti with swans, bronze, fire-gilded and dark patinated, on white enamel dial inscribed "Sauvage à Paris",...

An English George III period Chinoiserie parcel gilt and japanned tall case clock from the 18th century, with black paint and arched brass di...

17th Century obelisk-shaped table clock Italian, 17th Century Height 28cm, width 9cm, depth 7cm A stunning piece from the 17th century, this table clock is a precious element of horological artistry and mechanical innovation. Encased in gilt and glass, the delicate clock is shaped akin to an obelisk, an intriguing symbol that lends a striking visual appeal. The foundation of the timepiece is a gilt brass and...

A very fine and rare late 18th century French mercury gilt bronze Empire clock. Signed V Vandenchildes a Brussels.

The Ancient Roman personifications of love and desire, Venus and Cupid, feature on this this fantastic Louis XVI mantel clock. Finely cast in resplendent gilt bronze, they are shown with a dove on Venus's hand, another ancient symbol of love. Venus is shown in draped clothing...

A Louis XV style marble mantel clock. Enamel dial with Roman numerals, signed with a red inscription "Seigneurez A Paris", finely pierced, engraved gold-plated hands, a broken arch (...

Rare Louis XVI period portico clock in white marble and gilded and chiseled bronzes with antique-inspired decoration. This important Neo-classical clock of the late 18th century is c...

18th century French large Vernis Martin gilt bronze cartel clock and console The impressive and large clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint wit...

Mantel clock 18th century Louis XV by Picard, Henry (French, FL. 1831-1864) Henri Picard was a prestigious 19th century fondeur and doreur, who worked in Par...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

A horologic masterpiece of precision and beauty, this neoclassical marble and ormolu mantle clock is an extraordinary example of late 18th-century French clockmaking by the famed Jea...

Portico clock signed “Persevalle à Reims” This refined portico clock crafted in transitional Louis XVI – Empire style from ormolu and black marble is signed on the dial “Persevalle à Reims”. The Empire style was based on elements of the Roman Empire and its culture, which had been rediscovered starting in the eighteenth century. Bronze was the main material used in Empire style timepieces and both the patina and ormolu techniques were vastly used for ornamentation during this period. As for the source of inspiration for decorative motifs of Louis XVI style, it was coming from nature and antiquity thus many characteristic elements would reoccur in architecture, interior decoration and furniture. Many ornaments were borrowed from flora, and this love for nature appeared into decoration by the presence of a wreath of roses, baskets, palmettes, bows and ribbons. The portico clock is mainly crafted from black marble and ormolu bronze embellishments, which with their minimalistic touch compliments one another. As mentioned before, the source of inspiration for this portico clock derived from antiquity. The columns which are a key feature of portico clocks are constructed in Greco-Roman architecture. The two front black pillars are made in Tuscan style with gilded capital and base, they are also entwined with an acanthus spiral around the pillar. The back columns, in contrast to the front one, are square and has only a face adorned with a gilded bronze floral garland. The four columns are connected on top with an entablature with a cylinder-shaped dial in the middle cast from bronze. The entablature is adorned on both sides with gilded lyres and flower vases. The dial of the clock is signed ‘Persevalle à Reims’ and consists of blue Breguet-style hands that indicate hours laid out in Roman numerals and minutes in Arabic numerals on the enamel dial. The Breguet hands have a circle with a filled crescent shape on the side and have been featured its founder's watch hands for over two centuries now. This unique shape is sometimes referred to by the French word for apple, pomme. Above the dial is situated a small black marble plinth and a marble medicis vase...

A very rare Louis XVI style gilt-bronze and glass, Pendule a cage, by Francois Linke, with a white marble base. Linke Index no. 076'. Linke Title: 'pendule a cage'. Signed to th...

This elegant portico clock crafted in transitional Louis XVI – Empire style from ormolu, white and black marble, is signed on the dial “Arnoux à Paris”. Decorative motifs of Louis XV...

Swedish black lacquered and gilt Chinoiserie tall case clock with arched decorative floral hood, flanking finials, turned bulbous columns, ormolu and steel engraved face, figural flo...

1880 Period clock with two young lovers regulates gold and white marble movement "in Toulouse" dimension 32 cm high 27 cm wide 10 cm deep. Additioanal information: Material: Regu...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker. The eight-days going movement has a wire sus...

Antique French portico clock in Louis XVI style signed on the dial Gavelle Le, Rue aux Ours. This 18th c. style marble clock is composed of two columns in a shape of a obelisks in white marble and a statue of Goddess...

Mantel clock 18th Century styl Boulle by JOSUE PANIER À PARIS.

Large Louis XVI period portico clock in white marble, gilt bronze and blue earthenware in the Wedgwood style. The two posts are decorated with chased and gilt bronze motifs represent...

The clock is in excellent and perfect working condition. In addition, it has been cleaned and maintained by a professional watchmaker specializing in museum maintenance. The eight-da...

This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. He supplied the most illustrious clientele, not least the French and Spanish royal family as well as distinguished members of Court and the cream of Parisian society. This is a unique, authentic antique French table or mantel clock, which is in finely chiseled and gilded bronze. The dial has outer Arabic numerals and inner Roman numerals with a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen...

This sumptuous red and gold clock was made during the Louis XV period of 18th century France, circa 1750. It is decorated in a beautiful red lacquer with roses and rose stems, attrib...

Antique French portico clock is crafted in Empire style during the reign of Napoleon in the 19th century. The Empire style gives the antique clock...

This is a delicately gilded clock. Designed in the Louis XVI style, it is a very similar barometer. Originating from France in the 18th century, this watch gives the viewer an extrem...

A high quality Restauration period mahogany and gilt bronze lyre mantel (fireplace) clock in the shape of a lyre. The mahogany case is highly decorated in ...

"Late 18th Century - Kinable A Paris" Along a winding dirt path, the blind Belisarius carries his young guide. The boy has been bitten by a snake, which remains coiled around his bleeding leg. With his right arm wrapped limply around Belisarius's neck and his eyes closed, the youth balances precariously between life and death. Belisarius's eyes are also closed, but guided by his stick he moves forward with determination and purpose. He rises heroically against the spectacular sunset, a monumental figure creating a powerful outline against the sky. But the flaring sunset also signals a chill night and the uncertainty of the path ahead. Belisarius was a popular Byzantine general of the Roman Empire whose promising career was sabotaged by the jealous Emperor Justinian I. In 1767, a novel by Jean-François Marmontel revived interest in Belisarius. In Marmontel's novel, the emperor has the heroic general blinded, reducing Belisarius to begging. He is eventually rediscovered and aided by former officers and his family. This dramatic tale of patriotism, injustice, and redemption was widely embraced in revolutionary and post-revolutionary France and was a popular subject for artists--including Jacques-Louis David (François Gérard...

Louis XVI portico clock Pendulum called "portico" in white and gilted bronze. The enamelled dial, including Roman numerals for the hours and ...

A fine and rare Bisquit porcelain and gilt bronze Louis XV figural clock f depicting a famous scene in Greek Mythology of Perseus freeing Andromeda. The clock case is made of Bisquit (unglazed) porcelain. The figural group is presented on a rocky outcrop with waves lapping at their feet. She is shown lying over the clock dial with one leg and one arm chained to a rock behind her. Perseus leans agains the other side of the dial reaching to untie Andromeda from the rock behind her. Medusa's severed head is shown at his feet. The base is decorated with a gilt bronze frieze across the front showing cupids playing with stars and sun rays. The rounded sides of the clock are also decorated with gilded panels. The case sits on six toupie feet. The 6.5" white enamel dial is signed Ageron at the top and Paris at the bottom. The dial has Roman numerals with enamelled stars between the numerals; the hands are pierced and gilded. There is also a subsidiary steel hand pointing to the days of the month. The silk string suspension system has been replaced with a steel suspension system. The clock rings the hours and halfs on a bell. The movement for this magnificent clock was made by François Ageron (d. after 1783), who was one of the leading 18th century Parisian clockmakers. Ageron’s establishment was famous and known for his horological genius he created both clocks and watches, many of which had complicated movements. He was born at Arbigny and was received as a Parisian maître-horloger in 1741, at which date he was established at Place du Pont Saint-Michel. By 1747 he had moved to Quai des Augustins, five years later he was at rue Saint-Louis au Palais and then in 1763 at place Dauphine. Like other great clockmakers of the period he used cases by the finest bronziers notably Philippe and Jacques Caffiéri, Jean-Joseph de Saint-Germain, Robert and Jean-Baptiste Osmond, Jacques Dumont...

The clock is in excellent and perfect working condition. In addition, it has been cleaned and maintained by a professional watchmaker specializing in museum maintenance. The eight-da...