Desk Accessories

A Heavy metal (likely pewter) paperweight designed by Just Andersen. Paperweight depicts a Fantail Fish. A lovely Art Deco style piece which can work in a variety of different interi...

A very rare and important exhibition encrier by François Linke and Léon Messagé. French, circa 1900. Index number 709. Signed to the edge 'F. Linke'. This exceptional and ambitious encrier is modelled as two putti, each holding a standard and sitting on the water's edge, the two inkwells with hinged spirally-fluted covers with glass liners. This important inkwell is based on Léon Messagé's celebrated sculptural group 'La Source' and was originally intended by Linke to form part of his spectacular Stand at the 1900 Paris Exposition Universelle. Like seven or eight other pieces originally intended for inclusion on the Stand, it would seem the encrier was a casualty of both Linke's over-ambitious production schedule and the financial burden that the manufacture of such ornate and high quality work imposed. It was eventually shown on the Stand in September after the gilding was finished by Picard at a cost of 90 French francs. The costs of the model were very high: some 2024 francs (of which Message's combined fee was 1158 francs 40 centimes), underlining the originality and complexity. The 1900 Exposition example was sold, along with three important pieces of furniture from the Stand (the Grand bureau and associated armchair, and the Bahut Louis XV Mars et Vénus), to the South African banker and diamond merchant Solomon Joel. A further six encriers were produced up until 1925. Object Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Époque of French Furniture, p. 90, pl. 97; p. 149, pl. 157; p. 150; pp. 182-183, pls 197 & 198 as exhibited at the Liege exhibition in 1905 & p. 480 for the original notes in Linke's Blue daybook of the late 1890s. François Linke (1855 - 1946) was the most important Parisian cabinet maker of the late nineteenth and early twentieth centuries, and possibly the most sought after cabinet maker of his period. He was born in 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinetmaker Neumann, then in 1875 at the age of 20 he arrived in Paris where he lived until he died in 1946. It is known that the fledgling Linke workshops were active in Paris in the Faubourg St. Antoine as early as 1881, and during this time he supplied furniture for other more established makers such as Jansen and Krieger. The quality of Linke's craftsmanship was unsurpassed by any of his contemporaries and reached its peak with his spectacular Stand at the Paris Exposition Universelle in 1900, where his Grand Bureau took the Gold Medal. He gambled his fortune and reputation on this Stand, exhibiting several breathtaking items of furniture with sculptural mounts of the most exceptional quality and proportion. His gamble worked and his reputation was established to such an extent that Linke continued to be the pre-eminent furniture house in Paris until the Second World War. As the Art Journal reported in 1900 on Linke's Stand: 'The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the Classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed....' The formation of Linke's distinctive style was made possible by his collaboration with the sculptor Léon Messagé. Together Linke and Messagé designed furniture for Linke's 1900 exhibition Stand, with exuberant allegorical figures cast in high relief, that exemplified Linke's ability to seamlessly merge the different mediums of wood carving, bronze and marquetry into a dynamic unified whole. Today Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts, very often applied to comparatively simple carcasses. The technical brilliance of his work and the artistic change that it represented were never to be repeated. Bibliography: Payne, Christopher. François Linke, (1855 - 1946), The Belle Époque of French Furniture, Antique Collectors' Club, (Woodbridge, UK), 2003. Meyer, Jonathan. Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006; pp. 298 - 300. LeDoux - Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de l'Amateur, (Paris), 1984; pp. 439-43. Revue Artistique & Industrielle, (Paris), July-August 1900. Coral Thomsen, D. (ed), The Paris Exhibition 1900, The Art Journal, 1901; p.341. Léon Messagé (1842-1901) had a brilliant, but short lived career. He is best known for his incredible sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. A gifted sculptor, Messagé was also responsible for much of the design and creative work for Roux et Brunet and Joseph-Emmanuel Zwiener. Messagé enjoyed great success as a designer/sculptor before his collaboration with Linke. Indeed he was mentioned as a Gold Medal winner at the 1889 International Exhibition and was especially praised for his work on a cabinet by Zwiener. He came into contact with Linke in 1885 and it appears from then on Linke employed him on a regular basis. Messagé was primarily influenced by Rococo ornament but he strove to re-interpret it. He did not produce slavish copies, and his original approach can be appreciated in Linke's celebrated Grande Bibliothèque and Grand Bureau exhibited at the 1900 Paris Exposition Universelle. A number of drawings by Messagé are recorded and after his success at the exhibition of 1889 he was encouraged to publish his designs. 'Cahier...

Art Deco Sealing Wax Desk Set, London, circa 1920. Stamped at the bottom "H&H" for its firm Hukin &Heath, and a silver mark "9025". Comprising: Seal, Match Strike & Holder, Candle Ho...

Kodak No 2 Hawkette Marbled Bakelite 120 Roll Film Strut Folding Camera With Meniscus Lens & Rotary Shutter Made in the UK 1930's Constructed from brown bakelite moulded components ...

These are a good pair of Art Deco period, Book ends of two Pelicans hand carved in wood. Each stylised pelican has been well hand carved in a dark hardwood and stands on a base f...

Gorgeous and very refined Art Deco French writing set made of hardwood, inlaid bone simil and glass. The complete set is preserved in perfect condition, consisting of the inkwell, th...

Art Déco english square shapped cut crystal inkwell with brass/bronze spherical top By: unknown Material: brass, bronze, cut glass, glass, metal, crystal, copper, zinc Technique: ca...

An Art Deco period inkwell, signed Franjou. With a figure of a woodpecker. Made of nickel-plated spelter. On a marble plinth with fluting for a pencil. Franjou is a pseudonym of the...

Enameled box by Louis Kuppenheim for Cartier Paris. Very rare box, created during the art deco period in the city of Pforzheim Germany, back in the 1930. This beautiful box was specially commissioned by the Cartier branch in Paris France to the Louis Kuppenheim silversmith workshop. It was crafted with impeccable details in solid .935/.999 silver, with gilded finish in the interior and high polished frames. Has an exceptional workmanship as you expect of the workshop of Louis Kuppenheim, with a remarkable geometric composition made up with in blue and black enamels. It is fitted with nine barrels invisible hinges and a push snap thumb for opening. This box is very rare and involves three big names in their manufacture, such; Cartier, Louis Kuppenheim and Alfred Dunhill. Weight: 128.40 Grams, (82.31 Dwt). Measurements: 83 mm by 58 mm by 12 mm (3.27 x 2.28 x 0.47 Inches). Hallmarks: Stamped with French marks, the maker's mark LK inside an oval cartouche associated to the workshop of Louis Kuppenheim, which is obliterated by the mark AD associated to Alfred Dunhill Paris, twice with the French national mark for the assay of the .935 silver, the case model number, the Cartier serial numbers and signed in full, "CARTIER MADE IN FRANCE STERLING No3277 LK/AD .935". Louis Kuppenheim The company was grounded in 1854 by Louis Kuppenheim (1824-1889) and Heinrich Witzenmann, specialized in silver and gold and enameled artefacts. On the World Exhibition in 1900 the firm received a gold medal for a letter opener. In that same year the company opened a branch in the Rue Richelieu 67 in Paris. In these years some designs by Hans Christiansen were executed, amongst them very delicately enameled silver cigarette cases...

Eastman Kodak No 2 Folding Autographic Brownie 120 Film Bellow Camera This is a Kodak No 2 folding autographic brownie camera dating from between 1915-1917, the square edged boxes w...

Antique Art Deco Woodstock Manual Typewriter. Circa 1930s. Measurements: 9" H x 16" W x 12" D.

A functional 1940s modernist desk accessories set designed by ILG, Belgium, in the 1940s. The set is built with a letter holder and a pen holder. The streamlined shape boasts burgund...

Bugatti Tank Car Mascot / Hood Ornament / Paperweight. France 1930. Silvered Bronze Sculpture depicting a Bugatti Type 32 ¨Tank¨ Car. Mounted over an acylic base. Signed CAD. Lovely ...

Alfredo Biagini Tagliacarte Italy, 1920 Rarissimo Tagliacarte in Bronzo con Pantera Firma dell'artista incussa nel bronzo Eccellenti condizioni Originale anni 20

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Welta Perle Prontor II Folding Bellow Camera with Meyer Görlitz Nr 777805 Trioplan 7.8cm F4.5 Lens Made in Germany Welta was a successful camera maker based in Freital near Dresde...

Art Deco French Brass Birdseye Maple Marquetry Desk Letter Holder. Art Deco, circa 1950s wood inlaid desk letter holder in the style of Jean-Michel Frank; he was an inspired designe...

This is a vintage ink blotter. An English, marble desktop accessory or paperweight, dating to the Art Deco period, circa 1930. A treat for the ca...

A lovely pair of Thorkild Olsen powder blue and gilt porcelain Royal Copenhagen crackle pin trays. Grey crackle glaze to outer rim and reverse Both have same year date stamp Circa 19...

Catch loose change or other odds and ends with this pair of 19th century decorative tazza dishes. Crafted in France circa 1880, each compote sits on a square green marble base with r...

Finely crafted island or coastal décor vintage desk set accessories with bamboo handles. The Art Deco style magnifying glass and letter opener are brass mounted in ornately decorate...

Ballpoint Pen cylindrical for large Desk. Ballpoint Pen in 925/1000 sterling silver gold plated 24carats. Ballpoint Pen with translucent fired enamels on guilloché Modern Contemporar...

An unusual alabaster desk set with a working lamp, inkwell and blotter.

Beautiful Art Deco style hand-carved wooden inkwell or pen stand with a majestic owl figure with glass eyes. The stand features a tray for pens and accessories at the front. The head...

Rare 'Remember' brass and wood memo /reminder Italy 1930s Reminder paper roll. Brass 'Remember' label meaning "Remember" H 10 cm - 28 x 10 cm Paper roll included Conditions: ex...

Art Deco fluted and partially gilt letter opener. The knife shaped silver opener features a fluted handle with gilt band and a tapering blade. An elegant and truly stylish desk acces...

The crackle glaze is wonderfully emphasised on this small bowl by Thorkild Olsen for Royal Copenhagen Rich terracotta and mid grey colouring with gilded banding - terrific combinatio...

Fabulous gilded, a 'strange large eared creature' decorates the interior of this miniature bowl by Daisy Makeig-Jones for Wedgwood Miniature bone china lustre tea bowl gilded in fili...

Dunhill Gemline 14k Gold Plated Fountain Pen With An Engine Turned Decoration With Enamel Inset Clip With Original Dunhill Box With Outer Cardboard Sleeve

A beautiful Three-piece Desk Set in gilded silver. Very period Swedish Grace from CG Hallbergs in Stockholm, Sweden dated 1929 by Swedish hallmarks. An elegant gilded silver inkstand...

This elegant Art Deco modernist desktop accessory, a letter holder, was designed and crafted in France in the 1930s. With its typical Art Deco geometric shape, the mail accessory is ...

FACTORY / HOUSE: Shreve and Company San Francisco STYLE / REFERENCE: Art Deco Glass, Gilt and Nickel MOVEMENT / CALIBER: 15 Jewels DIA...

Pair of Dore or Gilt Bronze Blotter ends by Tiffany Studios New York. The pair are item number 1751 and are a beautiful and rare Chinese pattern. Re...

Just Andersen of Denmark, pewter stylised large match box holder Decorative chevron patterning border Circa 1930's Stamped 1497 on side panel Height 1.5 inch, Width 4 inch, Depth 2.5...

Art Deco Pen Holders in Disko Metal by Just Andersen, 1930s. Set of 2. Wonderful pair of small pen holders designed by Danish sculptor Just Anders...

Eastman Kodak Co. Rochester NY USA No. 2C Folding Autographic Brownie Folding Below Camera Within a Rarer Square Ended Case Takes 130 Film Introduced: May 1916 Discontinued: 1926

ICA Volta 125 Camera Folding Bed Camera For 9x12cm Plates With Ica Periskop "Alpha" F11 Fixed Lens Manufactured by Internationale Camera Actiengesellschaf...

Place this elegant antique inkwell in a man’s office or study. Created in France, circa 1880, and built of spelter, the desk accessory sits on five small d...

Mid-Century Modern Polished Brass Rams Head Paperweight or Single Bookend circa 1950s. This Figurative Hollywood Regency cast brass ram bust sculpture will make an elegant addition t...

Literally built to last forever this mechanical paraffin table lighter by Tinos Copenhagen leaves no stones unturned. Very heavy solid bronze corpus, bronze liftarm and roll. It was ...

Ventaglio Art Decò con piume di struzzo bianco avorio e manico in rodoide. Disponibile uno anche con piume marroni. Entrambi i ventagli vengono venduti corredati della loro scatola ...

Desk set made of gilded bronze (Ormolu) composed of 14 “Venetian” model pieces, made by TIFFANY & Co, (1837 - present). Signed TIFFANY STUDIOS, NEW YORK, 1647. United States, CIRCA ...

FACTORY / HOUSE: J.E.Caldwell, Philadelphia STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Nickel Finish CIRCA / YEAR: 1930's DIMENSIONS / SIZE: 8 Inch Square MOVEMENT / CA...

FACTORY / HOUSE: E. Gubelin Watch Company STYLE / REFERENCE: Table Clock METAL / MATERIAL: Stone CIRCA / YEAR: 1930's DIMENSIONS: 5" x 5" MOVEMENT / CALI...

Place this elegant antique signed inkwell in a man’s office. Created in France, circa 1870, the bronze desk accessory sits on four small curved feet, and f...

A stunning green inkwell with dore bronze setting. The inkwell has a amazing bright green color and it is made out of green uranium glass. When you illum...

Art Deco 'Chained Bulldog' Car Mascot / Hood Ornament designed by Marvel, French, 1920´s, silver-Gilt plated bronze, small version, 14cm long, compl...

FACTORY / HOUSE: Tiffany & Co. Travel Clock STYLE / REFERENCE: Art Deco / Folding Clock METAL / MATERIAL: Articulated Folded Frame / Original Reptilian S...

Art Deco Onyx, Lapis & Silver Desk Set, By George Betjemann for Aspreys, London, 1921 This beautiful and rare Onyx and Lapis Lazuli desk set is a luxurious ensemble by George Betjem...

ABOUT An antique Royal typewriter with black crinkle finish. Lift up lid with gull wings. The keys are glass with black and gold letters. Thi...

Ernemann ROLF II Folding 127 Rollfilm Camera 75mm F12 Rapid Rectilinear Fixed Lens of Dresden, Germany Manufactured by Ernemann between 1924-1926. Folded dimensions: 67 mm x 125 mm...

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Strut Desk Clock METAL / MATERIAL: Polished Beveled Agate and Nickel CIRCA / YEAR: 1920's / 1930's DIMENSIONS / SIZE: 9.5" X 5.25"...

Art Deco Canadian Kodak Vest Pocket Kodak Model B 127 Film Folding Bellow Camera Made in Toronto, Ontario Canada 1925-34 Model ref 22115 This was a q...

A desk clock designed by Tiffany & Co. A beautiful and elegant easel back desk clock, created in New York city by the Tiffany & Co. studios, during the art deco period back in the early 1920. This rare piece has been designed in a squared curvilinear shape and carefully crafted up in solid sterling silver .935/.999 . The watch is gilded and is fully embellished with applications of purple-violet and white enamels over a geometric guilloche patterns. It is fitted at the reverse, with an easel back retractable hinged stand. Movement: Is Swiss mechanical wingding, 8 days. The dial is creme-white with arabic golden numerals and with black hands and inscribed, Tiffany & Co. Swiss. Weight: 180.95 Grams, (1115.99 Dwt). Measurements: 80 mm by 80 mm by 16.5 mm (3.15 x 3.15 x 0.65 Inches). Clocks Hallmarks: Stamped with the maker's mark and signed, "TIFFANY & CO. 8 DAYS SWISS". Case Hallmarks: Stamped with the maker's mark monogram, the Swiss mark of the standing Bear for the silver assay, and signed, "CONCORD WATCH CO. STERLING SILVER ARGENT 0.935 CONCORD W. CO SWISS 1608". Concord Watch Co, was founded in Biel, Switzerland in 1908. From the start, the company had its sights set on the American market. Concord produced luxury watches for several jewelry companies, including Tiffany & Co. and Cartier. During peace talks in the Second World War, President Harry Truman gave Concord watches as a gifts to Joseph Stalin and Winston Churchill. The North American Watch Company...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely suite of original suite if super rare and highly collectable Hermes Paris stationary items A wo...

Elegant Art Deco Silver Plated Desk Inkwell Made in Denmark Ideal For A Central Focal Point For A Desk Or Writing Station. Stamped With 2 towers indicating Danish Silver Plate tha...

Pair of book presses with a rooster design, made of iron, made by Edgar Brandt (1880 - 1960). Signed E, BRANDT Reproduced in the books, Joan Kahr, Edgar Brandt: Art Deco Ironwork, N...

Pair of bronze and marble bookends, signed H.M. White. England, circa 1920. With Chinese children studying.