Mother-of-Pearl Decorative Objects

A vintage French manner patinated bronze ware featuring a mother of a pearl dish. The design showcases two intricately crafted griffin figurines that serve as supports, enhancing the...

The Following Items we are offering are a Rare Pair of Large Original Maitland Smith Impressive Cast Bronze and Patinated Parrots resting on Tree Stumps, their wing and tail feathers...

19th century walnut box with bone and mother of pearl inlay, whaler made. This beautifully hand crafted box would have been made during the long voyage of a whaling ship. The star in...

This is a Moorish-style jewelry box adorned with inlaid marquetry work, featuring a mosaic of geometric and floral patterns. The design is highly detailed, with small pieces of wood,...

This 19th century clock is stunning with its diamond shaped rippling clock frame of ebony painted wood. Mother-of-pearl floral and foliate designs are inlaid in differently stained m...

A very finely made antique French Palais Royal ormolu mounted mother of pearl desk stand with pen dating from around 1900. The stand comprises of an ornate looped wire work carrying handle with a candle holder mounted on a shaped metal body embossed and engraved with floral designs and with a coiled pen support one with a snake head terminal and other with a flower with a polished mother of pearl bowl...

Exquisite mother of pearl inlaid lacquer elephant motif tissue box, Intricately inlaid all over with numerous elephants in landscape. Fitted with a si...

A stunning 19th century wall clock, diamond in shape, with rippling clock frame of ebony-painted wood. mother of pearl astral and filigree designs is inlaid in differently stained ma...

Large white crystal quartz geode with a large naturally forming baroque pearl. 28lbs. Geodes are formed as gas bubbles within volcanic lava. Over time, the lava flow weathers away to leave the quartz geode buried deep in the Moroccan desert. This was dug by hand and includes druzy white crystal formations. This is a large geode specimen...

Inlaid table cabinet with six compartments and two handles. This is a beautifully decorated crafted box reflecting the craftsmanship and cultural influences of Goa during the colonia...

English MOP carved casket box with abalone inlay. Velvet lining on 4 bracket feet

exquisite middle Eastern Moorish Syrian inlay jewelry box. This box is intricately inlaid with Moorish motif designs which have been uniquely inlaid with bone, mother of pearl and f...

Vintage Set of 3 Perfume / Snuff Bottles – Handmade Seashell with Silver Inlay, Mother of Pearl Finish This exquisite set of three vintage perfume or snuff bottles is a rare and unique collectible, beautifully handcrafted from natural seashell with a lustrous mother of pearl finish. Each bottle is adorned with intricate silver metalwork, showcasing ornate patterns and decorative detailing that transform these bottles into true works of art. The bottles are not only decorative but also functional, as they have been tested and confirmed to be waterproof. Their heart-shaped and rounded forms combined with the shimmering pearlescent shell make them an eye-catching display piece, ideal for collectors of antique perfume bottles, vintage snuff boxes, or mother of pearl collectibles. In very good vintage condition, this handmade shell and silver bottle set makes a striking addition to any antique collection, home décor, or gift for a collector of unique treasures. Perfect for display in a curio cabinet, vanity table, or as part of a vintage perfume bottle collection. vintage perfume bottles, antique snuff bottles, seashell bottles, mother of pearl perfume...

Mother of pearl tessellated box attributed to Maitland-Smith. Mother of pearl veneer in very pale green color over wood box. Black felt underside. Made in Philippines sticker on the ...

1 of 3 Vintage mother-of-pearl boxes - timeless, for jewellery, gifts or sweets - Italy 1950s - Noble table decoration, elegant gift idea Give the gift of elegance with this vintage...

AMBIANIC presents Tiny Rose Silver Trinket Box Mother of Pearl & Abalone Shell interior Mahogany wood alpaca silver metal Mexico stamped Alpaca 1.13 h x 2 3/16 d x 3.13 Good vintage ...

An Edwardian cased-box designed by Verger Frères. This is a beautiful rectangular pocket case-box for cards, created in Paris France during the Edwardian period, back in the 1905. T...

Black polished abalone shell on obsidian with baroque pearls. Abalone shells are known for their iridescent and pearlescent features. This rare form of abalone has a mostly black o...

A stunning vintage Moorish arabesque inlaid table box, 20th century, high quality rectangular box with hinged lid, featuring contrasting mother of pearl, exotic hardwood, and bone marquetry inlay arranged in geometric patterns, opening to red fabric lined interior. Dimensions: (approx) 3" High, 16.75" Wide, 6 1/8" Deep; 3.2lbs As warm and attractive as it is functional, having the ideal large size and proportions for a variety of different uses, including concealing a remote control on your coffee table or sofa table, or as a jewelry casket, trinket case...

Exquisite handcrafted Middle Eastern mosaic marquetry inlaid walnut wood box. Small box intricately decorated with Moorish motif designs which h...

French 19th century Ormolu mother of pearl egg shaped perfume box on foot A beautiful egg shaped perfume bottle box, with interior of 2 perfume bottles wh...

Pair of 18th century Italian fragments with a gold flower relief decorated with natural forming baroque pearls to emulate the flower on a matrix of barite and double terminated calci...

Antique 19th century Anglo-Indian jewelry, trinket footed box, inlay with ebony, mosaic marquetry Sadeli work and a carved Hindu scene on top. The box case is made from sandalwood wi...

English walnut and brass dome-top box with Mother-of-Pearl, ca. 1860. With 6 sewing tools, 4 have mother of pearl handles, 7 pieces of circular fabric sam...

Cathrine Horsbøl (1873–1947) Jewelry box in solid mahogany with inlays of lighter woods and mother-of-pearl forming an abstract facial motif, reminiscent of a stylized ape. Denmark, ...

We present you a low wooden coffret, whose surface is covered with diamond-shaped mother of pearl tiles. This item is from Q3 of the 19th century. The mother of pearl is made of two types of seashell. Furthermore, the inside is lined with claret velvet. The frames of the lid and base are made of ivory. Presented item is in good condition. Some mother of pearls tiles...

18th century Italian cross mounted on a polished pink hematite quartz heart and adorned with aurora (sunset) quartz and a natural-forming cross shaped baroque pearl. The 18th centu...

This resplendent rectangular Judaica jewelry box is a true celebration of traditional craftsmanship and refined artistry, entirely veneered in lustrous...

Decorative 20th century Art Nouveau walnut jewellery box from the early period in Austria around 1910. A gorgeous looking solid wooden box with a fantastic grain. The original interi...

This is an vintage decorative jewellery case. A Japanese, lacquer and Mother of Pearl lidded box in Art Deco taste, dating to the early 20th century, circa 1930. Appealing example o...

Hand-carved wooden box, attributed to Alexandre Noll, France, 1950s. Made from high-quality dark wood, it features sleek, organic lines. Its unique lid is a genuine polished shell, r...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Vintage Wai Hing Clocks Co. Chinossorie Black Lacquer Hand-Painted Mother of Pearl inlaid German Movement Tempus Fugit Grandfather Clock This black lacquer grandfather clock...

A neutral tan marble picture frame with brass and mother of pearl accents, in the Modern style or Postmodern period, circa late-20th century, 1980s. Picture area: 3.19" Width x 5.13"...

An unusual and fine antique Chinese Qing lacquered and inlaid papier mache handled sewing box with decorative panels dating from latter 19th or early 20th century. The sewing box is of round cylindrical shape with a swing carry handle and is inlaid with mother of pearl and abalone. The body is made up of eight oval shaped scenes of typical Chinese style with buildings and people picked out with inset abalone and mother of pearl and highlighted and contained within a gilded border. These are set between bands of patterned abalone and against a blue silk background. A similar band of abalone is applied to the swing handle. The cover sits within a recess and is made up of bands on inset abalone with cut out triangular designs and set over blue silk with a small finely carved mother of pearl handle...

A striking mid-century modern brass trinket or cigarette box handcrafted in Mexico, featuring a stylized Aztec or Mayan head motif in cut brass, dramatically contrasted against a viv...

This 19th century clock is stunning with its diamond-shaped, rippling clock frame of ebony-painted wood. Mother-of-pearl floral and foliate designs are inlaid in the stained mahogany...

Chinese Round Black Lacquer Box with Mother of Pearl Inlay, likely 20th Century Beautiful and useful 20th century. Chinese lacquer box of circular shape, the domed cover with flora...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. La Cosmos vase in small is a whimsical piece with both it’s sculptural shape and graphic pattern inlaid in a mixture of cream shagreen, mother of pearl and bronze-patina brass. Available in other shapes and sizes to form a dramatic cluster of vases...

Georgian (George III) Period, sterling silver-mounted etched mother-of-pearl octagonal snuff box with hinged lid, London, year-hallmarked for 1803. The iridescent mother-of-pearl lid...

Antique short drop wall clock featuring a round beveled frame accented with inlaid mother of pearl cut-out leaf designs. The drop features an oval peekaboo window framed in black met...

A rare, incredible and large antique Chinese carved mother of pearl mounted tea caddy with armorial for MacPherson and dating from circa...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...

Featuring Alternating Panels From our Tea Caddy collection, we are delighted to offer this fine Regency Tortoiseshell and Mother of Pearl Serpentine Tea Caddy. The Tea Caddy of rect...

This beautifully crafted mother of pearl tea caddy from circa 1860 is a true testament to English craftsmanship and elegance. The exterior glows wi...

small mother-of-pearl box

Exquisite handcrafted Middle Eastern Lebanese mosaic marquetry wood box. Small octagonal walnut Syrian style box intricately decorated with Moorish...

Pair of Blackened Wood Bowls with Rattan Rim and Mother-of-Pearl Inlay - 1980s Set of 2 handcrafted wooden bowls or dishes from Southeast Asia, most likely the Philippines. Each pi...

Floating Diamond Mystery Clock Movement by Paul Gerber, Case by G. R. Dorschfeldt Completed in 1994 Movement signed "Paul Gerber" This floating diamond m...

PRESENTING A STUNNING little French Ring Box from the 18th Century, namely a French Louis XVI Brass and MOP Box with Miniature Portrait of Lady. Box inlaid wi...

A petit yet elegant photo frame in mother of pearl and silver pated trim and stand. The silver trim follows the round shape organically with a central insert in silver again for the ...

A large Holy Land mother-of-pearl, abalone shell and olive wood icon Jerusalem, early 20th century Icon: height 55.5cm, width 52cm, depth 18cm Case: height 15.5cm, width 61.5cm, depth 57.5cm In fitted case, presented by the President of the Senate...

Powder compact in silvered bronze with incised mother-of-pearl top. Signed.

Antique 19th Century French gold mounted on mother of pearl, extensive traveling etui set, of elongated octagonal form, the gold mounted with polished mother of pearl panels and the lid applied with cast and enamelled floral decoration, the lid opens with a push-button. Inside enclosing the original gold and steel implements:, scissors, pen knife...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Tortoiseshell tea caddy with inlaid mother of pearl from England. Metal lined under two lids.  Excellent condition, circa 1860.

Antique Japanese Mother of Pearl inlaid jewelry box w lap desk This item includes restricted materials and can not be sold outside of the contiguous United States. Additional i...

Sculptural 18th century Italian cross with fossil agate coral and mounted on fossil coral. The fossil agate coral and fossil coral are put together with the 18th century cross to lo...

A lovely bow front tortoiseshell tea caddy inlaid with mother of pearl flowers and topped with a silver badge. English, circa 1870.