Sculptures

Wall-mounted weather station in carved walnut made in Belgium by A. de Lambert. High quality mechanism with jeweled movement barometer and thermometer (in centigrade) Unusual design with high relief C-scrolls and flowers in Rococo style (from theArt Nouveau' period) with a lovely walnut case/. Equipment in full working order. Please don't hesitate to get in touch with any further questions.

 With best wishes, Geert 
Early Bird Gallery...

Wonderful early 20th century craftsmanship with 8 owls in oak trees. Finding the most beautiful and rarest antiques in the best possible condition is w...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods, silv...

Carrara marble sculpture signed A. Batacchi, Italy, Florence, late 19th century.

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made of Murano glass with a technique conceived b...

This is a P.J.Mene patinated bronze sculptures of a pair of hunting dogs. He is considered one of the pioneers of animals sculpture of the 19th century. The sculptures feature a hairy whippet dog standing with its frontal paws over an English Setter dog...

Luminous monolith in murano artistic glass. The murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glas...

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

A handcrafted group of Frog Musicians, sitting on a bench and two chairs. There is some loss to paint. Otherwise they are very well done.

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal and art glass Country: France To take care of your property and the lives of our customers, the new wiring...

One of a kind coatrack with inlaid geometrical patterns and unique animal 'sculptures'. With the Arts & Crafts era being one of our favourites, we are always thrilled to find antiques from that era. Especially ones that we have never seen before and that we never expect to see again. We could not be more thrilled to find this unique and pure Dutch Arts and Crafts coat rack and the fact that it is in such amazing condition made us even happier. Finding top quality antiques in this incredibly condition is getting ever harder. This large size but undeep coat rack has an amazing patina, it comes with a set of four perfect brass hooks and several smaller ones as well. They all have the perfect patina and the circular mirror too is the original one and certainly in good enough condtion for you to check your good looks before leaving. However, what makes this remarkable Arts and Crafts work of beauty stand out from anything we ever saw is the combination of geometrical inlays and the unique animal 'sculptures'. Around the turn of the century (so between 1890 and 1910) many Europeans first started to learn about exotic animals in countries far away. The artisan whom created this work of art coat rack must have heard about or seen a first photo of a komodo dragon...

Large and spectacular, this gilded bronze trophy cup in the Art Nouveau style was sculpted by Eugène Bourgouin for Christofle, and is richly decorated wi...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

A superb stunning and very large Art Nouveau Gilt Bronze Dore figural lamp of a lady with flora and foliage decoration and with three branch light fittings. Circa 1900. Signed Henri Ple...

Very nice example varnished driftwood root natural organic wood pedestal side end table stand mint!

French Art Nouveau Bronze nude and white Alabaster vanity table lamp, Circa 1940's.

This is a Royal Copenhagen porcelain pair of small, bold and curious birds figurines known as Wren Birds. At the base are the Royal Copenhagen hallmarks with...

Loet Vanderveen sculptures are in high demand and our in-stock inventory sells fast Sculpture #155 Limited Edition bronze sculpture Sculpture size: 3 x 4 x 3.5in. Edition size: 2...

Crafted in the Czech Republic circa 1930, the Art Deco sculpture features a woman statue sited on the edge of a basin and filling up her water jug. The carved dish composition is in excellent condition, with a rich patinated finish, and stamped on the bottom Royal Dux. Place this decorative porcelain dish on your entry commode...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and elegant statue in spelter with marble base; the sculpture represents a young woman in a beautiful plastic and slender pose that holds in the left hand a laurel wreath and in the right hand a sheet of paper with an inscription, probably of scientific formula, in fact, the statue is the interpretation of "Science". The crown "triumphalis", precisely called "laurel crown", in Greek mythology symbolized wisdom and glory, it was the highest honor for a poet who had just graduated. Laurel was considered a sacred plant also by ancient Romans: it was venerated in particular by Apollo, god of the sun, music, poetry, sculpture, and painting. Precisely because of his countless knowledge, in fact, Apollo represented wisdom and intelligence. On the pedestal has been applied a scroll with the name of the sculpture itself and that of its author: Jean Charles Ruchot. It was made in spelter, with the technique of "lost wax", by the artist himself in his workshop in Romainville, a French commune located in the department of Seine-Saint-Denis, between 1900 and 1905. Jean Charles Ruchot, the refined and prolific artist, was active from 1890 until 1925, he produced classical works inspired by antiquity, then he was influenced by Art Nouveau, then by Art Deco, styles in which he expressed his greatest talent; he created many statues both in bronze and in spelter, he is also the author of many objects of decorative arts: lamps, sculptural groups for clocks and advertising objects. Spelter is a zinc-lead alloy that is aged to resemble bronze, but it is softer and can be easily melted and worked unlike bronze, composed of copper and tin, which melts between 850° and 1020°. Spelter has been used since 1860 to make objects that could compete with bronze, because of its great convenience and ease of use, this material had very strong dissemination and use when many sculptors and bronze Art Nouveau and Art Deco used...

Art Nouveau sculpture Bust by Anton Nelson Circa 1949-1910 Origin France Material: zinc plated perfect condition natural wear Anton Nelson: pseudonym of Van Den Kerhoue Artist born in Belgium. Art nouveau, modernist art or modernism was an international artistic and decorative movement, developed between approximately 1890 and 1914. The 'new art', as its name in French, was an original, youthful and modern style. The art nouveau cultural movement emerged at the end of the 19th century and remained until the beginning of the 20th century, seeking to contrast with industrialization after the second industrial revolution. Art nouveau uses...

An intricately designed, and well-made, Arts & Crafts iron screen, attributed to and almost certainly designed by Richard Riemerschmid (1868-1957) in Germany. Circa 1910. The iron screen has a one large rectangular panel with two smaller stabilising flaps on either side. An arched insert...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal and art glass Country: France Glass: Muller To take care of your property and the lives of our customers, ...

Lady in solid Italian Art Nouveau marble with column and fountain 1910 It has some cracks as shown in the photos

This marvelous and meaningful antique chimp is beautiful for many reasons. This rare and delightful chimpanzee sculpture puts a smile on everyb...

An endearing early 20th century bronze study of an owl perched upon a branch with excellent colour and very fine smooth tactile surface, signed and dated 1921 Additional information...

A pair of classic decorative Bust statues. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think its gilded bronze. Very decorative and nice to display...

"Vintage 1995 3D arts and crafts paper doll by artist Delora Buford Buchanan. The doll features a sculptural female figure with crimped curly hair dressed ...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods with ...

Stunning Art Nouveau style 3 panel iron screen / room divider, Highly decorated, wonderful patina and color pierced iron, lattice, tree motif, Superior qu...

Stunning and appealing Art Nouveau bust of a woman made of polychromed and enamelled white clay. This singular bust of a woman with unique face traits could be of an Italian woman, m...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods, silv...

A Gorgeous French Art Nouveau style statue in bronze showing a semi nude moon girl. The Patina is superb to the bronze as is the ornamentation to the moon. A Black marble for pedesta...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods with ...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods with ...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods, silv...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods with ...

Fine work of good expressive power. Spectacular Wall Sculpture “Bust of a Lady” made of white marble is from France, Europe. Art Nouveau approx. 1900-1...

Carved coconut from the 19th century. It has a label: Veracruz, forcat travail. Is it in the shape of a fish and does it have a slot to put coins in?. I...

Stunning design Dutch Arts and Crafts era barometer and thermometer. It even comes with a small gilt brass maker's plaque inside the barometer window that reads W.J. Lauwers, Grav...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods, silv...

Late 19th C Effigy of Mephistopheles on a bronze dresser tray. Leaning into the tray with a contemplative pose and conniving expression. Best known for his role in Faust. Caught in h...

Pair 19th Century French bronze statues by Louis Auguste Moreau (1855-1919) are exemplary examples of the glorification of the simple rural life celebrated by artists in France during the Belle Epoque. A distinctive departure from rendering affluent families and lifestyles as dictated by the many patrons of art over the centuries, this informal movement gave a glimpse into the lives of everyday people. In this example, we have two young maidens, one carrying a bundle over her shoulder and a basket in her left hand, while the other totes a basket over her shoulder and a couple of protesting chickens in her right hand! Each maiden is modestly dressed...

Intricate French gilt bronze work depicting lovebirds sharing a worm above a pearl egg nest upon a tree, while a cobra nestles at the tree base. The work is ...

Superb Art Nouveau sculpture from France, circa 1900 showing a swordsman holding up his saber. Made in a very detailed manner this great tin cast sculpture shows an unknown lateral s...

Art Nouveau bronze sculptural tray indoor fountain with seated nude holding a vase signed by Suzanne Bizard. Patinated bronze on impressive marble tr...

Vintage Danish Porcelain figurine Siamese cat by Bing & Grøndahl. Porcelain figurine of a Siamese cat designed by artist Svend Jespersen in t...

Solid Bronze Figurative Allegorical Art Nouveau with him and her Italy 1910

DETAILS Signed and foundry mark on back. DIMENSIONS Height: 4-15/16 inches Width: 2-5/16 inches Depth: 2.25 inches ABOUT THE SCULPTURE This portrait bust is of Nelly Faner, famous burlesque dancer at the turn of the XX Century Paris. ABOUT THE SCULPTORE Emmanuel Villdnis (French, 1858 – 1914) was born to Italian parents in France, in 1858. He moved with the family to Piedmont, Italy, in March 1861; after the proclamation of the Kingdom of Italy. Known in Italy as Villani, he studied at the Academy of Fine Arts Albertina in Turin from 1871 to 1880 alongside master-sculptor Odoardo Tabacchi. When Villanis graduated, he exhibited his first works in cities across Italy, notably his bust ‘Alda’ in Milan, in 1881. Villanis returned to France in 1885, living and working in the Montmartre district of Paris and didn’t leave Montmartre until his death on August 28th 1914. Villanis specialised in female bronze busts...

Executed by Michael Powolny for the Wienerberger Keramikwerkstätten, ceramic and stoneware, ochre colored, body holding a dish in her outstretched arms standing above a three-tired Cascade of basins with fluted decoration. One image shows the model of the fountain in the studio of the "Gebrueder Schwadron" in Vienna, circa 1910-1914. Literature: Karl Maria Grimme, Gärten von Albert Esch, Wien, Leipzig 1931 p.29. Elisabeth Frottier, Michael Powolny, Keramik und Glas aus Wien 1900...

Jugendstil, Art Nouveau, Liberty sculpture in Bronze and marble. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles sinc...

Perfume lamp in the form of a squirrel attributed to Carl Scheidig Grafenthal, Germany. Made from glazed porcelain. Electrical parts European standards with an inner light bulb (standard E 14) to give a warm and comforting night light. The light also shines through the glass eyes. The squirrel was a much-loved motif of the Art Deco period, and these friendly squirrel figurines...

A pair of classic decorative Bust statues. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think it's brass, socket nickel plated. Very decorative and ...

A large and impressive early 20th Century bronze study of a walking lion with fine deep brown, gold and orange patination and good surface detail. Raised on naturalistic bronze base,...

Woman with mirror Sculpture in Marble Sign: Prof. Jory Galleria Lapini Firenze Sold by: Casa Bellas artes Av. de Mayo 625 We have specialized in the sale of Art Deco and Art Nouvea...