Sculptures

Early 19th century Regency brass paperweight in the form of a recumbent greyhound raised over cloth covered base.

Each with one leg bent, and nicely colored with dotted fur details slightly different from each other, circa 1860. Green double palm trees with red fruit form the supports at the bac...

This oversize and rare 19th century patinated copper clad sculpture is designed with a beautifully rendered Grecian girl. This girl, costumed in a flowing garment, is positioned in f...

This is a vintage decorative vase. An English, platinum striata marble baluster urn, dating to the late 20th century. Stunning marble vase, to enha...

This is a vintage ornamental baluster urn. An English, golden pearl marble decorative vase, dating to the late 20th century. Classical appeal with golden hues Displays a desirable aged patina Shapely baluster urn with marble...

This bronze figure of a nude maiden dates from the early 20th century. She crouches slightly as she enters the water, one foot on a rocky outcrop, with stylized waves at her feet. Ac...

A Fine and Large French 19th Century Cast-Iron Fountain Figure Modeled as a Nude Maiden Seated on a Rocky Outcrop Holding a Cornucopia in Her Raised Right Hand, by J.J Ducel. Cast-Signed "J.J. DUCEL Me de FORGES, PARIS". Circa: Paris, 1880. A retailer of fine cast-iron ornaments, J. J. Ducel was recorded as supplying cast-iron works through Paris as early as 1810 in the Pas-de-Calais. The factory was sold in 1878 to the Fonderie de la Haute-Marne and all of the firm's models were subsequently bought by the Val d'Osne foundry. However, prior to the firm's sale, critics at the 1867 Paris Exposition Universelle proclaimed that "Ducel is the great manufacturer of works in cast-iron, to whom Paris is so largely indebted for the grace and elegance that supply so many of the adornments of its streets". Ducel, Val d'Osne and other associated foundries produced both bronze and cast-iron statuary. Cast-iron is corrosive, whereas non-ferrous bronze does not suffer the same detrimental effects of weathering and is therefore a superior and more expensive material. Height: 51 1/2 inches (130.8 cm) Width: 22 inches (55.9 cm) Depth: 30 inches (76.2 cm) The foundry of Val d'Osne became highly regarded for the varied nature and quality of its castings in the second half of the 19th century. Commonly known after 1870 as simply Val D'Osne, the company was originally founded by J.P.V. André in Val d'Osne 1835 and developed rapidly, absorbing smaller foundries in the Haute-Marne area east of Paris. The foundry contributed to the London International Exhibition of 1851, where a bronze fountain cast with classical figures attracted much attention. André also specialised in fancy castings and architectural fittings. His Paris adress was at 14 Rue Neuve, Menilmontant. In 1855 the Barbezat & Cie Foundry was born out of the André workshop. In 1867 Barbezat & Cie changed its name to Houille & Cie. Then, in 1870, it changed its name to Société Anonyme du Val d'Osne. With the change of name came the change of casting mark and adress: Fonderies d'Art du Val d'Osne, 58 Bd Voltaire, Paris or simply Val d'Osne. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for indoor/outdoor statuary...

Midcentury mythological winged sculpture on stone base. Unusual midcentury silver plated mythological winged creature with jeweled eyes mounted on a s...

A good large bust of the God Hermes A good large bust of the God Hermes, this is a very good ceramic bust, it is in flesh color and has a mat finish ...

England, London 18th Century pair of sterling silver sugar nips put in wooden black frames with glass. The wooden frames are a contemporary...

A very impressive classical 19th century bronze statue of god like semi-nude figures reaching for the sky, with a hound at their feet. Mounted on an impressive rouge marble pedestal...

Newcastle Prattware Pottery model of a horse, St. Anthony Pottery, Newcastle upon Tyne, circa 1800-1820. The horse with cropped tail stands on ...

This life-sized terracotta sculpture of the classical Greek figure, Hebe, is a truly beautiful piece. Daughter of Zeus and Hera, Hebe was the go...

Life-sized marble sculpture of the so called ‘Resting Hermes’ by Lysippos. The sculpture was hand-carved out of white marble and has a fine surface.

The patinated bronze sculpture standing on naturalistic circular base, signed 'L. Grégoire' on base Jean Louis Grégoire (French, 1840-1890) was born and died in Paris. Training ...

Psyche of Capua. White marble bust of Venus, after antique. Italy, late 19th century. Inscribed, 'Chiurazzi.' Measures: 21 in. (53.3 cm) height.

Pair of English Regency neoclassical patinated and gilt bronze figures.

Black Glazen Column Krater mid-4th century BC, Apulia With broad avoid body on a short echinus foot and thick mouth. The two handles form loops around the...

A large scale sculpture of a laughing putto standing on an elaborate foliate base, supporting a basket weave footed vase overflowing with large acanthus leaves (some with small drill...

This beautiful antique French sculpture depicts a tender moment between father and son. Made of fine patinated bronze, the full length figures of father and son are crafted in the naturalistic style that is typical of Plé's work. The father is dressed in furs and leans to embrace his son in an emotional and touching manner, before he heads to battle. The two figures are set on a naturalistic square plinth, which is signed 'Henri Ple...

Black Glazen column krater, mid-4th century BC, Apulia. With broad avoid body on a short echinus foot and thick mouth. The two handles form loops around t...

A French terracotta bust of a Satyr on matching socle circa 1810.

This fine antique French sculpture depicts a moment from one of the most famous tales from Classical mythology, that of Perseus and Andromeda....

From the description de l'Egypte. J. Ces. Savigny, 1809-1813. The stipple engraving depicts the Imperial Eagle. This is Aquila heliaca or the Easte...

Newcastle Prattware Pottery model of a horse, Attributed to St. Anthony Pottery, Newcastle upon Tyne, circa 1800-1810. The horse with cropped ta...

The original of this imposing group, was rescued from obscurity in the 16th century and became the basis of numerous copies in bronze, marble and in this case serpentine. This exampl...

Marble horse head on a base. The eyes are torn open and the mouth is open. The ears as well as the nasal openings are very elaborate. The surface is very fine. Handmade after "The head of the horse of...

An Italian alabaster sculpture, circa 1860. Perfect for desktop, coffee table or bookcase accessorizing or to add to an existing collection of 19th century sculptures.

The silver charger mounted on a velvet board, of circular form in the Neo-Grec manner, depicting a classical figural scene of a semi-clad maiden surrounded by three female attendants with an exotic colonnaded interior, within a florally decorated border with a Grotesque bust to the top and two dragons to the bottom, signed and dated to the lower left 'morel-ladeuil inv e fecit 1876' and to the lower right 'Elkington & Co.' The importance of this Victorian period silver plated charger...

19th Century Grecian-style bronze life-size figure of classic woman with military wardrobe holding a round decorated shield and a sword (sword replac...

Carrera Marble and Honey Onyx Bust of Clasical Roman. 20th century with impressive detail. Very handsome features with stunning craftsmanship. PROVENANCE: R...

Quality pair of 19th century figural bronze statues. The pair features left and right facing maidens holding urn form vessels. The casting is of superior quality as can be seen by th...

Opposing pair of lifesize Majolica or glazed terra cotta eagles. Executed with fine detail right down to the talons. Perched on mountainous bases these birds bring a formidable attit...

Pair of Grecian style (19th Cent) large than life size white marble busts of "DJOCENES" and "SOKRATES" (Diogenes and Socrates)

Early 19th Century pair of Portland stone heads. The carved heads with carved neck ropes, depicting slaves, circa 1815.

Great pair of Greek inspired Italian ceramic statues inspired by Bitossi, Fantoni and Raymor.

Stunning 19th century French bronze sculpture of a Sleeping Ariadne on marble plinth by Georges Bareau, signed "G. Bareau" at the rear. Item features ...

Fabulous reproduction cast resin sculpture of Aphrodite from The Metropolitan Museum of Art, NYC. This classical figural sculpture features a black finish and is mounted on a square...

Eros is the Greek god of love and desire. In ancient Greek, four separate words were used for love or amity one of which being “Eros” which meant passionate love. -Produced from ...

This outdoor sculpture is from the very architecturally significant MacConnell Estate in La Jolla, California. The pair of residences on the beach bluff property were designed by Wil...

This marble head showcases a man in the antique style, wearing a laurel crown. It is presented on a square stone base, emphasizing its classical elegance and symbolizing achievement....

Hermes is the messenger god in Greek mythology. He is the quickest and most clever of the gods. The original is displayed in the Side Museum. Measure: height: 11.8'' / Weight: 2 k...

A very fine pair of french late empire patinated bronze & well grained sienna marble grand tour twin handle Tazza of large and heavy proportions First quarter of the Nineteenth C...

'Electra' is a unique glass sculpture by the British artist Cathryn Shilling. The interior figure is free-blown glass which is wrapped in kiln-formed glass cane 'fabric' which is app...

What is better than a pair of two strong Greek athletes in sculpted in bronze on marble bases supporting your books ?

This extraordinary sculptural portrait head takes its beginnings from classical antiquity. Attention to detail and complete understanding of the human figure are evident. The sculpture, which is made of resin and patinaed and is then highlighted with gold leaf. Dean Kugler The Black Road: Verdigris resin, gold leaf, patina Measures: 10 H x 13 W x 19 D in 25.40 H x 33.02 W x 48.26 D cm DK0045 Kugler uses scale and the juxtaposition of disparate elements in order to engage and challenge the viewer. He combines elements such as strength and weakness or beauty and damage to be experienced simultaneously within the same piece of work to create a tense energy. Kugler also incorporates the technical skill of tight rendering with the dynamism of abstraction to create this energy to add additional excitement and intrigue to his aesthetic.   Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk College. 22 June 2016 – Dispatch-Argus. Coverage of my one-man show titled “Animal Farm.” 22 Sept 2015 – Quad-City Times. “Body of work”. Article by David Burke about a one-man art show at Black Hawk College. 30 October 2014 – WVIK radio and online. Coverage of the ribbon-cutting for “Gravity” installation at the Rivercenter in Davenport, IA. 28 Sept 2014 – TV interview on WZZM13 in Grand Rapids covering ARTPRIZE and my sculpture, Gravity at the Gerald Ford...

Period Regency Neoclassical Bust of a Man by the Sculptor, Samuel Joseph. In very good condition with a loss to patination which creates a wonderful look and presence. Hand scribed "Published by S. Joseph August 1st 1823". Cast and hand worked. Joseph Barry...

Pair of English Regency framed ormolu portrait plaques of St. Paul & Socrates Exceptional quality and casting, beautifully framed with convex glass. Each plaque is mounted in a circu...

Coade stone otherwise known as "Lithodipyra," was used for Fine architectural detailing and garden ornaments in the late 18th and early 19th centuries and produced by appointment to ...

An unusual pair of Regency bronze and ormolu candlesticks with triangular form bases..